scholarly journals ST. SYMEON THE NEW THEOLOGIAN AND HIS PERSONAL EXPERIENCE OF SEEING THE DIVINE LIGHT

2021 ◽  
Vol 7 (13) ◽  
pp. 5-18
Author(s):  
Fr. PhD. Ioan CHIRILĂ ◽  

Saint Symeon is one of the most representative Eastern theologians and mystics. His speech on God and the knowledge of heavenly realities through direct, unmitigated experience would gain him the title of “the New Theologian”, which, until him, had only belonged to Saint John the Evangelist and Saint Gregory of Nazianzus. Therefore, his writings have greatly influenced the Christian East. Saint Symeon has been perceived as a renewer of the tradition of spiritual life and a restorer of the lost or rather neglected spiritual life. In this study, we aim to highlight his experiences in which he partook of the sight of divine light. These mystical episodes marked his life and decisively influenced the way he related to God and to the spiritual life to which Christians must adhere. We will first present these experiences of heavenly light from a chronological point of view, starting with those from the period when he was a layman and culminating with those from Saint Mamas Monastery. Our main aim is to see how each of these mystical experiences has marked his spiritual evolution. We will see that these experiences have helped Saint Symeon reach deeper within the mystery of communion to the One Who is Light and Who is calling everyone to be like Him.

2021 ◽  
Vol 2 (3) ◽  
pp. 46-59
Author(s):  
Ioan CHIRILĂ ◽  
◽  
Stelian PAȘCA-TUȘA

Saint Symeon is one of the most representative Eastern theologians and mystics. His speech on God and the knowledge of heavenly realities through direct, unmitigated experience would gain him the title of “the New Theologian”, which, until him, had only belonged to Saint John the Evangelist and Saint Gregory of Nazianzus. Therefore, his writings have greatly influenced the Christian East. Saint Symeon has been perceived as a renewer of the tradition of spiritual life and a restorer of the lost or rather neglected spiritual life. In this study, we aim to highlight his experiences in which he partook of the sight of divine light. These mystical episodes marked his life and decisively influenced the way he related to God and to the spiritual life to which Christians must adhere. We will first present these experiences of heavenly light from a chronological point of view, starting with those from the period when he was a layman and culminating with those from Saint Mamas Monastery. Our main aim is to see how each of these mystical experiences has marked his spiritual evolution. We will see that these experiences have helped Saint Symeon reach deeper within the mystery of communion to the One Who is Light and Who is calling everyone to be like Him.


2008 ◽  
Vol 37 (2) ◽  
Author(s):  
Iris Yaron

AbstractModern poetry developed and transformed difficulty into a prominent aesthetic norm of poetry. The abundance of difficult poetic texts necessitates a study of the corpus. After differentiating between the way difficulty is perceived in poetry and in other communicative acts, I present the approach that I have adopted for the purpose of studying difficult poetry. In contrast to other studies which have examined difficulty from the author's perspective and, as a consequence, described factors that cause textual difficulty, I propose to examine the subject from the reader's point of view. The reader, after all, is the one who feels or does not feel the difficulty. The concept ‘difficult poem’ is necessarily interdisciplinary and the question of what is “difficult” involves cognitive psychology and its models of text comprehension. Following a discussion of these domains, I present the “definition” that I propose for the ‘difficult poem’.


2019 ◽  
pp. 153-154
Author(s):  
Mykola Obushnyi

In the context of decentralization of state administration and expansion of powers of local authorities in Ukraine, the ability of, on the one hand, the leadership of the state and, on the other, regional managers, to find compromise solutions taking into account the specifics of each region and state interests becomes important. The monograph is devoted to clarifying the specifics of such an important area in the spiritual life of Ukrainians in Galicia - state-church relations and the problems that arise in the way of their solution in the context of decentralization. The research problem posed by the authors is generally revealed at the level of requirements for this type of work and will be useful to all who are not indifferent to the study of ethno-religious relations in Ukraine.


Temida ◽  
2006 ◽  
Vol 9 (1) ◽  
pp. 67-75 ◽  
Author(s):  
Vesna Nikolic-Ristanovic ◽  
Sanja Copic

In the paper, the authors deal with the victim"s position in the criminal procedure, on the one hand side, and the possibilities of implementing restorative justice and its importance for the improvement of victim"s position in Serbia, on the other one. In the first part of the paper, the authors point out victim"s position within the criminal procedure and the noticed gaps, which are particularly reflected in insufficient paying attention to the victim and neglecting of his/her rights and needs. This is opposite to the strengthening of the rights of the accused party that characterizes societies, which are, as our society, on the way of democratization and improvement of human rights. In the second part of the paper, the authors analyze some solutions that introduce elements of restorative justice into our system of criminal response to crime, but from the victim"s point of view. Finally, the authors also point out some further steps that should be undertaken in order to improve the victim"s position, particularly emphasizing the place and role of victim support service, witness service and special facilities in the courts for victims/witnesses, possibilities of using victim-offender mediation before reporting the crime, or staring the prosecution, or as a part of the treatment in the prison etc.


reader. This is the riddle. The answer emerges in the battle, when the Blemmyes rush forward like madmen (all this is seen from the Persian point of view, without explanation), throw themselves to the ground and stab upwards with their swords into the horses’ unprotected bellies as they thunder over their heads (9.17-18), and then butcher the dismounted knights through the one vulnerable point in their armour, between the legs, as they lie helpless, too heavy to move. Meanwhile the Seres part ranks to reveal Hydaspes’ corps of elephants, the sight of which throws the cavalry into panic. Ethiopian archers pick off the survivors by shooting arrows through the eye-slits in their helmets. Unobtrusive clues to the stratagem were furnished in the description of the armour, where all the details which become important in the battle were unosten­ tatiously included. These examples present the riddle format over a medium-term narrative span. The pattern recurs with sufficient frequency for us to identify it as a characteristic feature of Heliodoros’ narrative technique. To reiterate, release of information is deliberately con­ trolled so as to entice the reader into identifying and answering, with varying degrees of certainty, questions posed by the narrative. The implied reader of the Aithiopika is compelled to be constantly engaged in interpretation and speculation, and must respond to the author’s games in order to actuate the text fully. Formalist critics earlier this century made a distinction between what they called histoire, that is the story as it ‘actually’ happened, complete and in chronological order, and ricit, that is, the way that the story is presented, the textual surface. To use their terms, Helio­ doros’ ricit consistently omits or postpones important aspects of the histoire, and the author communicates directly with the reader about the histoire through riddles, over the head of the narrator and his ricit. By this stage, it has probably become clear to anyone who knows the Aithiopika and the recent secondary literature on it that what I have been discussing is an exact counterpart in microcosm to the macrotextual structure of the whole work. This is where Heliodoros marks a spectacular advance over his predecessors in the romance form. At the end of the tradition, when Heliodoros was writing,10 two weaknesses of conventional romantic narrative must have become obvious. The first was its predictability: curi­ osity to know what happens next is the motor of reading any fiction, but with a stereotyped basic plot there can never be


Author(s):  
Marta Isabel Amaral ◽  
Ana Isabel Rodrigues

Social networks and the use of social media have been gaining more and more importance in recent years and have had a very significant impact on the tourism sector. The way this influences activity can be seen in two ways. On the one hand, from the point of view of the consumer himself, especially the way in which tourists access information. On the other hand, social networks are used by tourism companies as a means to support their marketing activities, such as the promotion of tourism products. This chapter explores how rural tourism companies use social media as a way to improve the tourist consumer experience. By assessing managers of the rural tourism businesses in the Alentejo Region, Portugal, the aim is to identify entrepreneurs' perceptions regarding the factors that influence the tourism experience, the use of social media and their relationship with the improvement of the tourist experience and customer loyalty. It is possible to conclude that rural tourism establishments are no longer ignoring the important role of social media in promoting their tourism experiences.


Author(s):  
Natalya N. Rostova

The article examines the work of Vasily Polenov. The author presents Polenov’s artistic path as the dramatic choice between what is commonly called genre and landscape painting. From the philosophical point of view, the problem consists in concept of understanding art. On the one hand, the essence of art can be reduced to «what», to writing a story, a big sense. On the other hand, art can be understood as «painting for painting’s sake». In this sense, the tension in Polenov’s work arises between the paintings «Moscow Courtyard» and «Christ and the Sinner». The author notes that the way out of this dilemma is to understand art as the subject that reflects the non-objectifiable and devoid of anything essence. The article analyzes the philosophical meaning of Polenov’s paintings of the gospel cycle and provides a philosophical analysis of the artist’s nostalgic paintings. The author comes to the conclusion that Polenov’s paintings are the form that establishes an emotionally experiencing human being


2018 ◽  
Vol 112 ◽  
pp. 27-37
Author(s):  
Frank Farmer

Drawing upon personal experience as a writing program administrator at a research university, and marshaling a body of critical scholarship that examines how neoliberal ideology in the academy might be opposed, the author discusses interstitial resistance in the form of a curricular alternative--namely, the outsider genre of zines. Because zines typically embody a "worldview dramatically at odds with the [one] cultivated and reinforced by institutions of higher education," zines offer students an alternative point of view not usually found in standard writing curricula.While the author uses zines as a central illustration, the purpose here is to encourage readers to find the "cracks and fissures" in their own institutions so that the insinuations of neoliberal policies might be resisted through teaching and administrative initiatives.


Author(s):  
Ivan Boserup ◽  
Karsten Christensen

Ivan Boserup & Karsten Christensen: Anders Sørensen Vedel’s manuscript about Marshal Stig. Two comments on Svend Clausen’s thesis in Fund og Forskning 55, 2016 Svend Clausen has in vol. 55 of Fund og Forskning called attention to a lost and “forgotten” parchment manuscript described by Anders Sørensen Vedel in 1595 as “The History of Marshal Stig” containing key documents related to the trial which followed the assassination in Finderup Grange of King Eric V ‘Glipping’ of Denmark (1259–1286). Clausen’s evidence consists of registrations of manuscripts known only through their titles, which had been available to the Danish historians Anders Sørensen Vedel (1542–1616), Niels Krag (1550–1602), and Jon Jakobsen ‘Venusinus’ (1563–1608), but appear ultimately to have burned in the fire of Copenhagen in 1728. The sources referred to by Clausen were published in one case by H. F. Rørdam in 1874, in all other cases in the appendix to S. Birket Smith’s History of the University Library of Copenhagen, 1882, reprinted 1982. Apparently inspired by a casual remark made in 1891 by the then very young historian Mouritz Mackeprang, Svend Clausen argues that despite the lack of extant copies and quotations etc., the manuscript’s supposedly exclusively judicial contents and allegedly very considerable volume reveal the “existence” of such an important source that future research on the background and consequences of the royal assassination must take much more account of this lost source than has been the case until now. Reviewing Svend Clausen’s arguments, Ivan Boserup corrects Rørdam’s and Clausen’s incomplete reading of the source on which the latter builds his identification of Vedel’s manuscript with descriptions of a lost manuscript “Concerning King Eric [Glipping],” and rejects Clausen’s interpretation of “… cum adversariis ac diversis” (Clausen seems unaware of the literary concept of adversaria), on which all his further arguments are based. From his professional standpoint as a historian, Karsten Christensen refers to Vedel’s strong focus on Marshal Stig in his collection of One Hundred Danish Folk Songs (publ. 1591), to Vedel’s idiosyncratic manner of describing his manuscripts from the point of view of his own main interests, and to the fact that in contrast to the Jens Grand trial held before the Pope in Rome in 1296, one should not expect written actiones to have been delivered at the meeting of the Danish grandees in Nyborg Castle in 1286 subsequent to the murder of Eric Glipping. Christensen therefore suggests that it is much more probable that the manuscript referred to in Vedel’s registration refers to a lost manuscript that, contrary to the one associated by Svend Clausen with Vedel’s lost manuscript, can be followed closely all the way up to 1728, and the contents of which have been detailed by the historian Stephanus Stephanius (1599–1650).


2017 ◽  
Vol 2 (2) ◽  
pp. 241
Author(s):  
Matthias Dreyer

Taking into account the intertwining of the theory of tragedy on the one hand and theatrical work on ancient tragic texts on the other, the paper explores the way in which tragedy poses the question of history. This is especially the case in conceptions of tragedy as an interruption in a continuum. Hölderlin’s idea of caesura, its reflection in Benjamin’s understanding of tragedy as a revision of myth are in the center of a critical dramaturgy of this kind. By analysing Brecht’s work on Antigone as well as the stagings of critical theatre makers that came after Brecht (Einar Schleef, Dimiter Gotscheff), the paper shows the consequences of the concept ‘tragedy as caesura‘ on the level of the aesthetics of the theatre, unclosing in a radical way the temporality of the tragic process. From this point of view, tragedy is understood as a site of encounter with the persisting powers of the past; as reflexive rupture in the transition between times, that undermines the established order, but without, however, arriving at a new one. Although in the history of theatre and thought tragedy has been too often associated with the universal and timeless, how is it possible to think of historicity in a way negating submission under the universal without losing the genre of tragedy itself?


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