scholarly journals Caesura of History: Performing Greek Tragedy after Brecht

2017 ◽  
Vol 2 (2) ◽  
pp. 241
Author(s):  
Matthias Dreyer

Taking into account the intertwining of the theory of tragedy on the one hand and theatrical work on ancient tragic texts on the other, the paper explores the way in which tragedy poses the question of history. This is especially the case in conceptions of tragedy as an interruption in a continuum. Hölderlin’s idea of caesura, its reflection in Benjamin’s understanding of tragedy as a revision of myth are in the center of a critical dramaturgy of this kind. By analysing Brecht’s work on Antigone as well as the stagings of critical theatre makers that came after Brecht (Einar Schleef, Dimiter Gotscheff), the paper shows the consequences of the concept ‘tragedy as caesura‘ on the level of the aesthetics of the theatre, unclosing in a radical way the temporality of the tragic process. From this point of view, tragedy is understood as a site of encounter with the persisting powers of the past; as reflexive rupture in the transition between times, that undermines the established order, but without, however, arriving at a new one. Although in the history of theatre and thought tragedy has been too often associated with the universal and timeless, how is it possible to think of historicity in a way negating submission under the universal without losing the genre of tragedy itself?

Author(s):  
Gabriel BULANCEA ◽  

In one of his articles, Octavian Paler draws attention in a metaphorical-mythologizing manner upon one of the risks taken by those who chose tradition as their source of inspiration. The epigonic spirit, because this is what he refers to, cannot escape idolatrising tradition, phenomenon that happens within an alterity of the creative identity, within the pettiness of controlling the artistic means, within the infatuation of his own image which is placed under the protection of the great creative figures. The epigone masters in an embryonic form some techniques which, for various reasons, he cannot manipulate creatively. He is somehow suspended between two sensibilities, hence his failure. On the one hand, he is not aware of the risk of assuming past sensibilities, and on the other, he does not assume his contemporariness. Giving in to the temptation of looking too much into the past, the epigonic artist loses his identifying sensibility. “The mistake of neo-classicism, with its statues painted or sculpted based and antique models, is Orpheus’ mistake. As we no longer have the soul of the ancient Greeks, imitating their art is useless because in art too, looking back kills if there is no conscience of the irreversibility. From this point of view, there is no turning back unless in order to desolate everything” (Paler, 2016, pp. 189-190). This quote refers to neo-classicism perceived in its most rudimentary form, in which it would identify itself with the epigonic phenomenon. Of course, no relation of equality can be claimed between an epigone and a neo-classicist. If we are to give a brief definition in which to establish a relationship between these two terms, the epigone is a neo-classicist that lacks fantasy. Neo-classicism means to creatively take over technical means, past sensibilities in order to anchor them in the tumultuousness of contemporary times. Neo-classicism represents the happiest mixture between past and present, that form of artistic reverberation in which modernity still makes room for the seal of the past. Not servility, not obedience, not anachronism which denote the incapacity to assimilate new composing techniques or the lack of vigour of creative energies, but the power to adapt to new sensibilities through restorative interventions. Starting from here, we will trace a re-echeloning line of various types of neo-classic sensibilities specific to the end of the 19th century and to the entire 20th century


This chapter explores the construction of the Terror as a difficult past after 9 Thermidor. It addresses a curious tension in the sources. On the one hand, there were recurring proclamations that the Terror was over, that the violence of Year II was a thing of the past. On the other hand, there was an awareness that this past could not be laid to rest so easily, that the traces of revolutionary violence were everywhere, in the landscape and in the minds of people. The chapter relates this tension in the sources to changes in the way Europeans processed and responded to catastrophic events and to the new relationship between violence and the social order, which was inaugurated by the French Revolution. Special attention is devoted to Louis-Marie Prudhomme’s history of revolutionary violence, published in 1796.


Dialogue ◽  
2000 ◽  
Vol 39 (1) ◽  
pp. 25-52
Author(s):  
Golfo Maggini

AbstractThis paper focuses on Heidegger's 1937 lecture course on the Nietzschean doctrine of the Eternal Recurrence of the Same. Heidegger interprets the motive of recurrence in Nietzsche as the Moment (Augenblick) of the Eternal Recurrence. Through this key motive of the moment, we try then to examine the double function of the doctrine which, on the one hand, refers us back to some essential themes of the existential analytics, whereas, on the other hand, it paves the way for the new confrontation with metaphysics in the Beiträge zur Philosophie. We hold that the turning away from the existential conception of the moment toward its “aletheiological” understanding in terms of a “site of the Moment” (die Augenblicksstätte) takes place in the context of this very lecture course. This transition is even more critical as it constitutes the very heart of Heidegger's critique of subjectivity in the new perspective opened by the history of Being: Nietzsche's doctrine of time provides the basis for this questioning.


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


1886 ◽  
Vol 3 (8) ◽  
pp. 359-367
Author(s):  
J. H. Collins

My argument that at Porthalla there is a “passage” from hornblende-schist to serpentine; or rather that some beds of a common series have been changed into serpentine, others into hornblende-schist, and others again into a substance of intermediate character, is, I think, much strengthened by the fact that many such “apparent passages” are admitted to exist by all those who have examined the Lizard Coast with any degree of detail. De la Beche's description of that seen near the Lizard Town is as follows, and it would apply equally well to the others. “The hornblende slate,” he says, “supports the great mass of the Lizard serpentine with an apparent passage of the one into the other in many places—an apparent passage somewhat embarrassing,” that is, from his point of view; from mine it is perfectly natural. He goes on to say: “Whatever the cause of this apparent passage may have been, it is very readily seen at Mullion Cove, at Pradanack Point, at the coast west of Lizard Town, and at several places on the east coast between Landewednack and Kennick Cove, more especially under the Balk … and at the remarkable cavern and open cavity named the Frying-Pan, near Cadgwith.” At Kynance some of the laminse of serpentine are not more than one-tenth of an inch in thickness for considerable distances.


2019 ◽  
Vol 30 (1) ◽  
Author(s):  
Tautvydas Vėželis

This article examines the problem of overcoming nihilism in Heidegger’s dialogue with Jünger. It is suggested that nihilism is manifested in various forms and is the deep logic of the whole history of European civilization. One of the main aims of this paper is to outline the relationship of nihilism and Nothing in Heidegger’s dispute with Jünger, viewing how Heidegger distinguishes his approach from Jünger’s point of view. Heidegger, on the one hand, treats nihilism as consummation of the Western metaphysical tradition, on the other hand, identifies Nothing itself as the shadow of Being, which cannot be overcome in the traditional dialectical thinking manner.


2001 ◽  
Vol 25 (3) ◽  
pp. 423-433
Author(s):  
John Trappes-Lomax

Chaplains in penal times were on occasion employed as stewards, though perhaps not as frequently as is sometimes supposed; from the point of view of their employers this is not entirely surprising; on the one hand chaplains might reasonably be expected to be literate, numerate and honest; on the other hand the restrictions under which Catholic priests worked might well leave them a sufficiency of spare time for secular affairs. The interest of the letter which follows lies not in the mere fact of such a stewardship, but in the extraordinarily vivid picture it gives of what it was like for a professed Religious to be involved in running an estate—particularly when his employer was of questionable sanity. Some light is incidentally thrown on the history of Catholicism in Linton-on-Ouse.


2003 ◽  
Vol 27 (3) ◽  
pp. 249-268 ◽  
Author(s):  
Vilmos Benczik

Language emerges and changes primarily through communication; therefore communication technologies play a key role in the history of language change. The most powerful communication technology from this point of view is phonetic writing, which has a double effect on language: on the one hand it impoverishes suprasegmental linguistic resources; on the other hand it evokes in language a profound and sophisticated semantic precision, and also syntactic complexity. The huge progress in abstract human thought that has taken place over the past three or four centuries has come about on the basis of these linguistic changes. Today, when writing seems to be losing its earlier hegemony over communication, the question arises as to whether this will lead to the erosion of human language, and also of human thought.


1966 ◽  
Vol 98 (2) ◽  
pp. 123-140 ◽  
Author(s):  
F. R. Allchin

To the outside observer the history of Hindu sectarianism often appears as a disorganized tangle, lacking clarity and precision. The whole process is made if anything more complex by the ill-defined relationship of sect and non-sect. As Renou remarks: Though no statistics are available, even for the present day, we have grounds for supposing that the most active sects were themselves only isolated groups within the great body of believers. From another point of view, however, the history is more understandable. A considerable part of sectarian activity during the past 1,500 years has been concerned with the spread and regional development of a single great devotional movement. Seen from this position, the uniformity and theological coherence of the sects, whether they be called Vaiṣṇavite, Śaivite, or by some other name, is remarkable and often overrides the no less real disparities of doctrine or detail at another level. Again, in this process regional variations have arisen in no small measure as a result of the popular character of the writings of particular saints. Thus, for example, Basava or Purandara Dāsa hold pride of place in the Karnāṭka, the one Vīra Śaiva, the other Vaiṣṇava; in Mahārāṣṇra devotion has in no small part been moulded by the thought of Jāân Dev or Tukā Rām; in the Pañjāb by Nānak; and in the Hindī region by Kabīr Dās, Tulsī Dās, and Sūr Dās. Throughout north India the influences which lay behind the movement were largely, but by no means exclusively, Vaiṣṇavite; yet other streams contributed, Śaivite, Buddhist, Tāntrika, Yogī, etc.


2019 ◽  
Vol 8 ◽  
Author(s):  
Susan M Kenyon

Drawing on long-term ethnographic research in the Blue Nile town of Sennar, supported by archival and historical documentation, this article explores the history of Zar spirit possession in Sudan, and the light this throws on the interplay of religions over the past 150 years. Life history data supports the argument that contemporary Zar is grounded in forms and rituals derived from the ranks of the ninteenth-century Ottoman army, and these remain the basis of ritual events, even as they accommodate ongoing changes in this part of Africa. Many of these changes are linked to the dynamic interplay of Zar with forms of Islam, on the one hand, and Christianity, on the other. In the former colonial periods, political power resided with the British, and Khawaja (European) Christian Zar spirits are remembered as far more important. Today that authority in Zar has shifted to spirits of foreign Muslims and local holy men, on the one hand, and to subaltern Blacks, on the other. These speak to concerns of new generations of adepts even as changes in the larger political and religious landscapes continue to transform the context of Zar.


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