scholarly journals John F. Kennedy and the Desire to Land an American on the Moon

Author(s):  
Lewis Clegg

This paper examine John F. Kennedy and how the conditions of the Cold War influenced his decision to launch the Apollo Program in 1961 and eventually land an American on the Moon. This paper argues that Kennedy adopted this program due to the pressure evoked on him from the previous Eisenhower administration and the political embarrassments of his early administration, being the Bay of Pigs invasion and the successful spaceflight of Soviet cosmonaut Yuri Gagarin. Kennedy's space efforts reflected a response to Cold War conflicts and allowed him to cement in legacy is Cold War lure. An examination and analyzation of many of Kennedy's speeches and actions provide the foundation of evidence for these claims.

2021 ◽  
Vol 23 (2) ◽  
pp. 100-132
Author(s):  
Andrew Jenks

This article examines the Apollo-Soyuz Test Project in 1975 as an instrument of diplomacy and as a catalyst for East-West détente. The topic has received little attention in either the general literature on the Cold War—which has only recently begun to address the political significance of science and technology more generally—or in the literature on space history, which has focused mostly on the earlier race to land on the moon and has devoted little attention to the collaboration in space that has dominated crewed space missions from the 1970s, leading up to the International Space Station. The article connects two previously separate spheres of study—space history and diplomatic history—to shed light on the importance of space exploration in the bigger story of Cold War diplomacy.


Author(s):  
Phyllis Lassner

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.


2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.


Author(s):  
Peter D. McDonald

The section introduces Part II, which spans the period 1946 to 2014, by tracing the history of the debates about culture within UNESCO from 1947 to 2009. It considers the central part print literacy played in the early decades, and the gradual emergence of what came to be called ‘intangible heritage’; the political divisions of the Cold War that had a bearing not just on questions of the state and its role as a guardian of culture but on the idea of cultural expression as a commodity; the slow shift away from an exclusively intellectualist definition of culture to a more broadly anthropological one; and the realpolitik surrounding the debates about cultural diversity since the 1990s. The section concludes by showing how at the turn of the new millennium UNESCO caught up with the radical ways in which Tagore and Joyce thought about linguistic and cultural diversity.


2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.


2021 ◽  
Vol 19 (2) ◽  
pp. 81-98
Author(s):  
Mieczysław Szlachta ◽  
Andrzej Ciupiński

The paper presents the scope and scale of transformation of the defense industries of Central Eastern Europe (CEE) countries after the end of the Cold War and the collapse of the USSR. The starting point is the role and position of the armaments economy sector (armaments economy environment), embedded in the realities of the centrally planned economy, and its submission to the politics of the USSR. The turn of the centuries was a period of political and economic transformation conducted during the conditions of a deep economic recession. The defense industry was one of the economic sectors most affected by the crisis. The economic and defense policy of CEE countries was aimed at preserving the capabilities of the armaments sector. Restructuring activities initiated and forced by the change of the political and economic environment have already brought noticeable effects, even though the process has not yet been completed. Defense industry enterprises have become entities operating on the same terms and conditions as other companies on the competitive market. The method of comparative analysis and a case study supplemented with elements of descriptive statistics were used to evaluate the course of the processes. The study has been focused on the analysis of the course of the changes and examination of effects of the analyzed phenomena for the economy and defense of the CEE countries, taking into account primarily their scale and scope.


2018 ◽  
Vol 27 (4) ◽  
pp. 601-626 ◽  
Author(s):  
SARAH DAVIES

The article assesses the significance of the Moscow tour of Peter Brook's Hamlet. It considers how far the tour succeeded in overcoming the symbolic iron curtain by examining what Hamlet meant for contemporaries on both sides of the political divide. It argues that the Hamlet tour served at once to perpetuate and undermine the divisions between East and West, confirming Iriye's observation that on one level the Cold War intensified antagonism between states, while on another it helped to foster the growth of internationalist sentiment.


Author(s):  
Eugene Ford

This chapter looks at how the comprehensive strategy for Southeast Asian Buddhism that would eventually emerge did not represent an entirely new direction for U.S. officials. Rather, it was an approach that found numerous, if fragmentary, precedents in earlier efforts to marshal faith, often through the use of religious rhetoric, against what was perceived as an atheistic Soviet menace. The Sixth Great Buddhist Synod that Burma's government held during 1954–56 coincided with intensified efforts within the Dwight D. Eisenhower administration to formulate a coherent policy toward religion. Religion's bearing on the Cold War had emerged as the main preoccupation of the president.


2002 ◽  
Vol 37 (2) ◽  
pp. 151-172 ◽  
Author(s):  
Peter Lawler

Rather Than Signalling The End Of War, As Many Liberal Minds had hoped, the end of the cold war has seen ‘hot’ war moving firmly to centre-stage, while at the same time presaging a reclassification of its predominant forms and purposes. Since 1990 there has been a rash of what Kaldor calls ‘new wars’. Although often highly localized, they confound settled understandings of inter-state or civil war by virtue of the diverse range of protagonists involved, the issues over which they are fought, and their consistently brutal impact upon civilians. A virtual revolution in media technology has also made such wars publicly visible to an unprecedented degree. In spite of the fact that new wars are often fought without recourse to the most sophisticated or destructive of military technology, the horrific impact upon populations caught up in them has clearly assaulted public sensibilities worldwide and generated a chorus of demands that something should be done about them. Consequently, the political and ethical dimensions of going to war in response to such threats have also moved in from the periphery to the centre of public and intellectual debate. As Walzer has recently observed, the ‘chief dilemma of international politics is whether people in danger should be rescued by military forces from outside’. From the point of view of the key members of the international community at least, armed ‘humanitarian intervention’ is no longer just a form of war but has become virtually synonymous with permissible war itself.


2005 ◽  
Vol 17 (2) ◽  
pp. 241-255 ◽  
Author(s):  
Ron Formisano

During the 1980s and 1990s in countries across the globe, new populist protest movements and radical political organizations emerged to challenge traditional parties, ruling elites, and professional politicians, and even long-standing social norms. The revolts against politics-as-usual have arisen from many kinds of social groupings and from diverse points on the political spectrum. Through the 1980s, in Western and Eastern Europe, Latin America, Africa, Asia, and North America, populist discontent erupted intermittently. But the end of the Cold War, particularly in Europe, unleashed a torrent of popular movements and political parties opposed to what the discontented perceived as the corruption and deceitfulness of the political classes and their corporate patrons. Some protest movements promoted more democracy, pluralism, and economic opportunity; some expressed intolerance, bigotry, and xenophobic nationalism.


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