scholarly journals About Ivan Pereverzev’s «Patriotism»

Research aim is to comprehend and rethink the public views of the author of «The Short Rules of Russian Spelling» (1782) and «The Topographical Description of the Kharkov Vicegerency with a Historical Preface» (1788) Ivan Pereverzev represented in his historical works and in the historical science Research methodology. The article is based on the use of the modern nationological toolkit, especially the concept of «national projects» and mapping as a tool/marker of nation-building. Scientific novelty. For the first time the identity of I. Pereverzev became a subject of a special study. The efforts of numerous researchers of the second half of the XX – early XXIth century to present him as a person aspiring to Ukrainian patriotism or even as a forerunner of the Ukrainian «national project» have been critically reviewed. Conclusions. The brief analysis of the text of the «Topographical Description of Kharkiv Vicegerency» shows that the author’s genesis of the «Nation of Rusyns» was being built entirely on the basis of the Russian-Little Russian ideas, Ukrainian lands being treated as «primordially Russian» and their population as a part of a single «Slavic-Russian tribe» («the Russian people»), while the cultural features of the Little Russians being explained as a result of harmful foreign (primarily Polish) influences. I. Pereverzev did not position himself as a bearer of any Little Russian / Ukrainian identity, nor did he demonstrate a commitment to relevant values. It is concluded that all attempts to search for any non-Russian cultural identities of I. Pereverzev in his works and therefore to show their importance for the «Ukrainian project» are no more than groundless and unjustified speculations.

Author(s):  
V. F. Melekhovets

The article reflects the socio-cultural and industrial activities of the public association “Belarusian Society of the Deaf” (“BelOG”) in 2011–2015. This article, the material of which is based on the sources of the current archive of the Central Board of the Belarusian Society of the Deaf and others, introduced into scientific circulation for the first time, will fill the gap in historical science, given that this period of the association’s activity is not reflected in historiography, there is only episodic information about the Belarusian Society of the Deaf at the specified time. Despite the difficult economic situation in the manufacturing sector of “BelOG”, caused by the consequences of the financial crisis in the Republic of Belarus (2009), partial financing of socio-cultural events and facilities continued. However, at the same time, this period was full of significant achievements in solving the problems of the linguistic rights of the hearing impaired, the development of studies of the Belarusian Sign Language, culture, sports and the historical heritage of the Belarusian Society of the Deaf.


2013 ◽  
Vol 41 (4) ◽  
pp. 536-551 ◽  
Author(s):  
Emilia Palonen

Politics in Hungary since 1989 has been focusing on nation-building. Each government has had a license to articulate what it is to be Hungarian, in the public realm with public funds. While current political debates are heated and focus yet again on defining Hungarian national identity, this article takes a distance from contemporary politics. It studies a situation ten years earlier, when the current government party Fidesz -which took a landslide victory in the 2010 general elections after eight years of socialist-liberal government - was in office for the first time from 1998 to 2002. Exploring the debate from the perspective of architecture, it reveals how Fidesz sought to mark their space and express their sense of nationhood in Budapest around the millennium. Beside publicly sponsored institutions and commemoration, architectural forms became contested as they were used to express nationality. The National Theatre, Millennium Park and House of Terror Museum, each broke with the urban flow in the left-leaning metropolis while representing the Fidesz discourse on Hungary. The article, besides analyzing postcommunist nation-building, reflects on the interconnection between architecture, politics and memory in an urban symbolic landscape. It discusses how myths of nationhood can be represented in the cityscape.


2020 ◽  
Vol 32 (4) ◽  
pp. 66-77
Author(s):  
Vassiliki Markidou

This article attempts for the first time to shed light on the politics of simulation and dissimulation in Isabella Whitney’s ‘Wyll and Testament’. It also argues that the poem both reflects its creator’s awareness of the celebrated English historical and topographical narratives and deviates from them by crucially omitting a seminal part of London’s history, namely its Troynovant tradition. In so doing, as well as by defining a paradoxical urban landscape, Whitney presents a tale not of the (mythic) founding of the English capital with its patriarchal and nation-building connotations, but of its (satiric) bequeathal by benevolent femininity, as such offering its reader a different angle from which to explore and interpret early modern London.


Author(s):  
Neil Rhodes

This chapter begins by presenting translation as an aspect of the Erasmian legacy in England, and it argues that translation helps to heal the division discussed in Chapter 3 by enabling Protestantism and humanism to work together. Translation was part of a Protestant programme of nation-building and spreading the word for the common good, but it was also the means through which the literature of antiquity and of modern Europe was communicated to the public at large. Erasmus’ Paraphrases, Grimald's Cicero, and Hoby's Courtier are discussed in these two contexts. Translation points towards the Renaissance, as an insular purism based on Protestant fears of contamination and adulteration was superseded by a hospitality towards the foreign. The chapter ends by arguing that by the 1580s it is Protestant Bible translation that it is accused by Catholics of being literary.


2021 ◽  
Vol 8 (3) ◽  
pp. 205316802110328
Author(s):  
Naomi Egel ◽  
R. Lincoln Hines

What are Chinese public attitudes regarding nuclear weapons? Although scholars have studied Chinese elites’ views on nuclear weapons, surprisingly little is known about the views of China’s public. To understand Chinese public views on nuclear weapons, we conduct an online survey ( N = 1066) of Chinese respondents. This is, to our knowledge, the first survey of Chinese public attitudes towards nuclear weapons. We find that although Chinese citizens view the possession of nuclear weapons as important for their country’s security, they strongly oppose the use of nuclear weapons under any circumstances. We also provide respondents an opportunity to describe their views on nuclear weapons in their own words. Using computer-assisted text analysis, we assess patterns in these open-ended responses and compare across age groups. We find that younger respondents emphasize non-material factors such as having a greater voice internationally, whereas older respondents emphasize self-defense. Overall, this analysis sheds light on the public attitudes that may shape China’s evolving approach to nuclear weapons.


2021 ◽  
Vol 14 (2) ◽  
pp. 205979912110307
Author(s):  
Dennis Mathysen ◽  
Ignace Glorieux

Virtual reality (VR) is still very much a niche technology despite its increasing popularity since recent years. VR has now reached a point where it can offer photorealistic experiences, while also being consumer-friendly and affordable. However, so far only a very limited amount of software has been developed for the specific purpose of conducting (social science) research. In this article, we illustrate that integrating virtual reality to good effect in social science research does not necessarily require specialized hardware or software, an abundance of expertise regarding VR-technology or even a large budget. We do this by discussing our use of a method we have come to call ‘VR-assisted interviews’: conducting a (semi-structured) interview while respondents are confronted with a virtual environment viewed via a VR-headset. This method allows respondents to focus on what they are seeing and experiencing, instead of having them worry about how to operate a device and navigate an interface they are using for the first time. ‘VR-assisted interviews’ are very user-friendly for respondents but also limits options for interactiveness. We believe this method can be a valuable alternative, both because of methodological and practical considerations, for more complex applications of VR-technology in social science research.


2021 ◽  
Vol 17 (6) ◽  
pp. 564-575
Author(s):  
Irina I. Rutsinskaya

An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.


2021 ◽  
pp. 245592962110534
Author(s):  
Alberto Frigerio

In 2021, Ocean Gate Expeditions allowed people to visit the remains of the RMS Titanic. While this is not the first time that the site has been accessed for touristic aims, this case has, once again, opened the debate about the ethics of such experiences. The key dilemma is if permitting the public access to a natural graveyard, such as the wreck of the Titanic, should be considered as an acceptable practice or an immoral act that must be banned. Notwithstanding the sensitive arguments raised against the organization of similar initiatives, the visit to the RMS Titanic seems to be a valuable and legitimate practice according to diverse ethical approaches.


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