scholarly journals PHENOMENON OF YOUTH MILITARY GAME IN MILITARIS DOMESTIC CULTURE

2020 ◽  
Vol 83 (6) ◽  
pp. 26-38
Author(s):  
Bogdan Nosach
Keyword(s):  
Domestic Culture

SOCIAL CULTURE AND NUTRITION

PEDIATRICS ◽  
1957 ◽  
Vol 20 (1) ◽  
pp. 128-138
Author(s):  
D. B. Jelliffe
Keyword(s):  
Early Childhood ◽  
West Bengal ◽  
Growth Failure ◽  
Social Culture ◽  
Health Measures ◽  
Local Methods ◽  
Intestinal Parasitism ◽  
Domestic Culture ◽  
The Village ◽  
Traditional Rice

Examples of malnutrition related to protein deficiency, including kwashiorkor, nutritional marasmus and "nutritional growth failure," are commonly seen in early childhood in rural West Bengal. While this was mainly due to poverty, and especially the economic inability to buy animal protein foods, together with repeated attacks of enteritis and constant intestinal parasitism, in addition, it was found that certain aspects of the local domestic culture pattern acted as "cultural blocks" between the child and the theoretically available sources of protein. Results of a survey of local methods of infant feeding are summarized and some of the important cultural blocks outlined, including delays in the traditional rice-feeding ceremony, reasons for unwillingness to introduce mixed feedings in the second 6 months of life, failure to use or produce certain foods (with especial relation to the four types of food classification found in the village), general dietary restriction during illness and specific blocks with regard to individual sources of protein. The importance of having health measures based on an understanding of the local domestic culture pattern is emphasized.

Afterword

2017 ◽  
Author(s):  
Abigail Williams
Keyword(s):  
Eighteenth Century ◽  
Young People ◽  
Historical Figures ◽  
The World ◽  
Sense Of Reality ◽  
Domestic Culture ◽  
The Way

This chapter summarizes key themes and presents some final thoughts. This book offered a series of vignettes of reading lives and practices. It presented a cluster of historical figures and a range of historical books, and used them to try to reconstruct what literature has meant and what it has been used for. It showed that the way in which people used the books they read are closely bound up with other aspects of amateur, domestic culture. This book also showed that anxieties about forms of reading are not new. Eighteenth-century commentators worried about learning bought too easily and readers who could no longer engage with whole texts. Families encouraged reading together because they feared that young people were losing their sense of reality through their immersion in addictive imaginative fictions. The world of eighteenth-century reading was a very different land, but in some ways, perhaps not so far from our own as we like to think.

scholarly journals Themes of the Cossack Prey on "Memoirs of the Odessa Society of History and Antiquities"

2018 ◽  
Vol 1 ◽  
pp. 56
Author(s):  
Oksana Amelina
Keyword(s):  
Black Sea ◽  
The Black Sea ◽  
Trade Routes ◽  
Azov Sea ◽  
Domestic Culture ◽  
Comprehensive Study

In the article we are talking about the information capabilities of the "Memoirs of the Odessa Society of History and Antiquities" (Zapysky Odes’koho tovarystva istoriyi ta starozhytnostey) on the issue of the study of Cossack prey. This periodical contains a lot of information about one of the most interesting and debatable types of Cossack mining – captivity. Also on the pages of the Notes are posted intelligence on the interaction of Cossacks with the impoverished peoples within the Black Sea and Azov Sea, which helps in the comprehensive study of mining as a phenomenon of military and domestic culture of the Ukrainian Cossacks. Interesting and useful in the consideration of this issue is a description of the trade routes of the Cossacks, landed by the Black Sea and the Azov Sea. Based on these descriptions, we can talk about the Cossack ways of the Cossacks and the location of city-markets for sale, exchange of captured prey, including captivity.

Avant-Garde Appearance of Russian Folklore in the Vocal and Instrumental Works of Composers of the Second Half of the ХХth Century

2020 ◽  
Vol 19 (3) ◽  
pp. 137-144
Author(s):  
N.I. Anufrieva ◽  
◽  
T.A. Lomakina ◽  
Keyword(s):  
Twentieth Century ◽  
Civil Wars ◽  
Folk Music ◽  
Russian Society ◽  
Musical Language ◽  
Basic Principles ◽  
Avant Garde ◽  
Sound Environment ◽  
Domestic Culture ◽  
Instrumental Works

in the second half of the twentieth century, when the avant-garde proposed truly revolutionary principles for organizing the sound environment, not only the treasures of ancient Russian church music were rediscovered, but also the interest in Russian spiritual culture as a whole, including musical folklore, significantly increased. Russian society at the end of the century was engulfed in disbelief, disappointment, fatigue. Hence there are images of the “decaying” world, the end of the world. The apocalyptic situation manifested itself not only in the fire of civil wars, but also in the feeling of disharmony of people with themselves and with others. As a result, domestic culture began to return to the fold of universal human values, eternal problems and traditional ideas about peace and good. This article considers the basic principles of the implementation of musical folklore in the vocal and instrumental works of domestic avant-garde composers of the second half of the twentieth century. It is noted that neo-folklorism, which arose in domestic music in the 1980–1990s in connection with the idea of national revival, through the semantics of rite, cult archaic, means of folk musical language, strengthened the Russian roots of domestic culture and strengthened the national philosophical heritage embedded in folk music.

Lower-middle-class Domestic Leisure in Woman’s Weekly, 1930

2020 ◽  
pp. 17-36
Author(s):  
Eleanor Reed
Keyword(s):  
Middle Class ◽  
Pierre Bourdieu ◽  
Lower Middle Class ◽  
Class Culture ◽  
Leisure Class ◽  
The Status ◽  
Good Housekeeping ◽  
Domestic Culture

Eleanor Reed explores the status of domestic leisure in issues of Woman’s Weekly during 1930 when many middle-class housewives looked to labour-saving technologies to produce status-defining domestic leisure. Woman’s Weekly initiates and reflects the aspirations and anxieties of a readership eager to cement its position in an expanding, diversifying and competitive middle class. The magazine’s lower-middle-class distinctiveness emerges through comparison to Good Housekeeping, a glossy domestic monthly targeting middle-class housewives with larger budgets. Rather than following Pierre Bourdieu and others in portraying lower-middle-class culture as an inauthentic copy of leisure-class culture, this essay argues that Woman’s Weekly contributes to the production of an ideologically distinctive lower-middle-class domestic culture in which its readers can take pride. This culture is problematized however by its suspected source in the magazine’s unknown producers, some of whom were men; a circumstance alluded to in Stevie Smith’s 1936 Novel on Yellow Paper.

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