scholarly journals Off-Piste

2021 ◽  
Author(s):  
Samantha Rollinson

<p><b>Mount Ruapehu is an apex for New Zealand’s North Island. Not only does the grand scale of the mountain captivate many, the geological features of this vast landscape are also part of the maungas charm and unique to this place.</b></p> <p>In 1887 this sacred landscape was gifted to the people by paramount chief of Ngāti Tūwharetoa, Te Heuheu Tukino IV. This gift lunched the creation of New Zealand’s first National Park. Overtime this place of significance has become commercialized. Hosting two ski fields which gathers hundreds of thousands of people every year and constantly growing.</p> <p>This thesis addresses the question, how do we engage visitors with such an extraordinary landscape, representing the unique place it is.</p> <p>Researching through design around key themes such as place, cultural landscapes, therapeutic landscapes and meaningful experience. Unraveling many key qualities of the site, merging a pathway of discovery, joining both cultural and physical needs into design.</p> <p>Design explorations take place at three quintessential sites of Ruapehu. The River. The Peak. The Summit Zone. Drawing from the elemental qualities that make up each site, atmosphere within each design and overall form strives to represent these natural properties. Each site works through four design phases investigating the possibilities of development amongst the landscape.</p> <p>Ruapehu is a unique site carrying the weight of a long history of cultural and geological significance. This thesis introduces a discussion about the future of tourism in our sacred landscapes. Exploring possibilities of how architecture can respect and enhance such a unique place.</p>

2021 ◽  
Author(s):  
Samantha Rollinson

<p><b>Mount Ruapehu is an apex for New Zealand’s North Island. Not only does the grand scale of the mountain captivate many, the geological features of this vast landscape are also part of the maungas charm and unique to this place.</b></p> <p>In 1887 this sacred landscape was gifted to the people by paramount chief of Ngāti Tūwharetoa, Te Heuheu Tukino IV. This gift lunched the creation of New Zealand’s first National Park. Overtime this place of significance has become commercialized. Hosting two ski fields which gathers hundreds of thousands of people every year and constantly growing.</p> <p>This thesis addresses the question, how do we engage visitors with such an extraordinary landscape, representing the unique place it is.</p> <p>Researching through design around key themes such as place, cultural landscapes, therapeutic landscapes and meaningful experience. Unraveling many key qualities of the site, merging a pathway of discovery, joining both cultural and physical needs into design.</p> <p>Design explorations take place at three quintessential sites of Ruapehu. The River. The Peak. The Summit Zone. Drawing from the elemental qualities that make up each site, atmosphere within each design and overall form strives to represent these natural properties. Each site works through four design phases investigating the possibilities of development amongst the landscape.</p> <p>Ruapehu is a unique site carrying the weight of a long history of cultural and geological significance. This thesis introduces a discussion about the future of tourism in our sacred landscapes. Exploring possibilities of how architecture can respect and enhance such a unique place.</p>


2012 ◽  
Vol 12 (2) ◽  
pp. 87-90
Author(s):  
jason leahey

This story details the history, wares, and business philosophy of the Sahadi Importing Company, a third-generation Lebanese-American family food business in Brooklyn. It begins by noting the ways Brooklyn's commercial and cultural landscapes have drastically changed over the past few years, positioning Sahadi's as a local throwback to the borough of yore still thriving next to the powerful and national businesses that are now its neighbors. It then relates the history of the store and the family, starting in 1895 up until 2012, relating the growth from small ethnic importer on the Lower East Side of Manhattan to the successful importer/manufacturer with a broad customer base that it is today. The essay attributes credit for the health of the business to the owner's emphasis on the personal touch in customer service, noting that he considers his business’ character as a family institution, not its financial success, his proudest accomplishment. Lastly, the essay relates the owner's pride in having an ethnically diverse staff and his belief that the people who comprise a family need not necessarily be related by blood, positing that Sahadi's family business may more accurately be considered business-as-family, and that such a warm attitude that emphasizes the individual is a small taste of the locally oriented America of the past.


2019 ◽  
Vol 5 (1) ◽  
pp. 365-382
Author(s):  
Axel G. Posluschny ◽  
Ruth Beusing

AbstractThe Early ‘Celtic’ hillfort of the Glauberg in Central Germany, some 40 km northeast of Frankfurt, is renowned for its richly furnished burials and particularly for a wholly preserved sandstone statue of an Early Iron Age chief, warrior or hero with a peculiar headgear – one of the earliest life-size figural representations north of the Alps. Despite a long history of research, the basis for the apparent prosperity of the place (i.e., of the people buried here) is still debated, as is the meaning of the settlement site as part of its surrounding landscape. The phenomenon known as ‘princely sites’ is paralleled in the area north and west of the Alps, though each site has a unique set of characteristics. This paper focusses on investigations and new excavations that put the Glauberg with its settlement, burial and ceremonial features into a wider landscape context, including remote sensing approaches (geophysics and LiDAR) as well as viewshed analyses which define the surrounding area based on the Glauberg itself and other burial mounds on the mountains in its vicinity.


2019 ◽  
Vol 22 (1) ◽  
pp. 8-13
Author(s):  
Pedro Calaza-Martínez ◽  
Nuria Freire-González ◽  
Camilo Blanco-Pampín

Abstract Cultural landscapes are multi-layered entities that constantly endure changes and transformations, especially in Europe due to its ancient history and anthropized nature, which reveals itself not only in physical elements, but also through immaterial heritage. This paper aims to analyse the connection between sacred landscapes, small religious architecture and folklore, focusing on the origin and transformations of several places in Galicia (northwest of Spain). Galicia is defined by its rich flora and fauna, a management of its land based on smallholding and the social idiosyncrasy of its people, defined by strong symbolism and the religious tradition that is reflected in a great amount of small sacred architecture. All this provide a paradigmatic territory for this research, allowing an approach to the case studies from the point of view of landscape architecture, assessing the small sacred architecture elements, their background, symbolism and associated vegetation. It is worth mentioning that, although vegetation had a very strong meaning and symbolism in the sacred history of Galicia, nowadays it only appears in 26% of the analysed case studies.


2020 ◽  
Vol 58 ◽  
pp. 118-134
Author(s):  
Aleksandr E. Kotov

The journal of Ksenofont A. Govorsky “Vestnik Yugo-Zapadnoy I Zapadnoy Rossii” (“South-West and West Russia Herald”) is known in the history of pubic thought as odious and reactionary. However, this stereotypical image needs some revision: the anti-Polish discourse on the pages of the magazine was not so much nationalistic as anti-aristocratic in nature. Considering the “Poles” primarily as carriers of the aristocratic principles, the editorial board of the magazine claimed to protect the broad masses of the people. Throughout its short history, the magazine consistently opposed both revolutionary and aristocratic propaganda. However, the regional limitations of the problems covered in the magazine did not give it the opportunity to reflect on the essential closeness of the revolutionary and reactionary principles. Yu.F. Samarin and I.S. Aksakov – whose conservative-democratic views, on the whole, were close to “Western Russianism”, promoted by the authors of “Vestnik Yugo-Zapadnoy I Zapadnoy Rossii”, managed to reach that goal.


2017 ◽  
Vol 24 (2) ◽  
pp. 657-677 ◽  
Author(s):  
Wilhelm J. Wessels

The book of Jeremiah reflects a particular period in the history of Judah, certain theological perspectives and a particular portrayal of the prophet Jeremiah. Covenant theology played a major role in Jeremiah’s view of life and determined his expectations of leaders and ordinary people. He placed high value on justice and trustworthiness, and people who did not adhere to this would in his view bear the consequences of disobedience to Yahweh’s moral demands and unfaithfulness. The prophet expected those in positions of leadership to adhere to certain ethical obligations as is clear from most of the nouns which appear in Jeremiah 5:1–6. This article argues that crisis situations in history affect leaders’ communication, attitudes and responses. Leaders’ worldviews and ideologies play a definitive role in their responses to crises. Jeremiah’s religious views are reflected in his criticism and demands of people in his society. This is also true as seen from the way the people and leaders in Judah responded to the prophet’s proclamation. Jeremiah 5:1–6 emphasises that knowledge and accountability are expected of leaders at all times, but in particular during unstable political times.


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


2019 ◽  
Vol 5 (4) ◽  
pp. 180-190
Author(s):  
Rajkumar Bind

This paper examines the development of modern vaccination programme of Cooch Behar state, a district of West Bengal of India during the nineteenth century. The study has critically analysed the modern vaccination system, which was the only preventive method against various diseases like small pox, cholera but due to neglect, superstation and religious obstacles the people of Cooch Behar state were not interested about modern vaccination. It also examines the sex wise and castes wise vaccinators of the state during the study period. The study will help us to growing conciseness about modern vaccination among the peoples of Cooch Behar district.   


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