LEADERS AND TIMES OF CRISIS: JEREMIAH 5:1–6 A CASE IN POINT

2017 ◽  
Vol 24 (2) ◽  
pp. 657-677 ◽  
Author(s):  
Wilhelm J. Wessels
Keyword(s):  
Ordinary People ◽  
Covenant Theology ◽  
The People ◽  
History Of ◽  
Book Of Jeremiah ◽  
Definitive Role ◽  
Ethical Obligations ◽  
Moral Demands ◽  
The Way ◽  
Crisis Situations

The book of Jeremiah reflects a particular period in the history of Judah, certain theological perspectives and a particular portrayal of the prophet Jeremiah. Covenant theology played a major role in Jeremiah’s view of life and determined his expectations of leaders and ordinary people. He placed high value on justice and trustworthiness, and people who did not adhere to this would in his view bear the consequences of disobedience to Yahweh’s moral demands and unfaithfulness. The prophet expected those in positions of leadership to adhere to certain ethical obligations as is clear from most of the nouns which appear in Jeremiah 5:1–6. This article argues that crisis situations in history affect leaders’ communication, attitudes and responses. Leaders’ worldviews and ideologies play a definitive role in their responses to crises. Jeremiah’s religious views are reflected in his criticism and demands of people in his society. This is also true as seen from the way the people and leaders in Judah responded to the prophet’s proclamation. Jeremiah 5:1–6 emphasises that knowledge and accountability are expected of leaders at all times, but in particular during unstable political times.

The Representation of Egypt in the Book of Jeremiah

2021 ◽  
pp. 56-77
Author(s):  
Safwat Marzouk
Keyword(s):  
Forced Migration ◽  
The Political ◽  
Political Situation ◽  
The People ◽  
History Of ◽  
Book Of Jeremiah ◽  
The Way

This chapter discusses the representation of Egypt in the book of Jeremiah. The prophetic traditions embedded in the book of Jeremiah portray Egypt in a negative way across the span of the history of the people of Israel, from their exodus from Egypt all the way to the chaotic situation after the Babylonian invasion of Jerusalem. The negative portrayal of Egypt stems from the view that Egypt feeds into Judah’s rebellion against YHWH, whether in entering a political alliance with Egypt against Babylon or seeking a place of refuge in Egypt after the exile. The chapter begins with a survey of the political situation in the last decade of Judah. The study moves on to show that the prophetic references to the exodus from Egypt intend to highlight YHWH’s faithfulness and the people’s disobedience, which was manifested most poignantly in their determination to return to Egypt; a geographical move that reverses the exodus. Finally, after examining the prophetic judgments pronounced against the Judean diaspora in Egypt, the chapter concludes with a reflection on Jeremiah’s discourse on resisting the empire and forced migration.

scholarly journals Re-reading History: Alternative Truth in Jerusalem & I by Hala Sakakini

2017 ◽  
Vol 7 (2) ◽  
pp. 70
Author(s):  
Nehal El-Naggar
Keyword(s):  
Oral History ◽  
Historical Analysis ◽  
Ordinary People ◽  
General Flow ◽  
The People ◽  
History Of ◽  
National Subject ◽  
Reading History

Jerusalem & I (1990) by Hala Sakakini (1924-2003) is a personal record of her life as experienced and lived in Jerusalem. This study focuses on Sakakini’s re-reading of the history of Jerusalem prior to 1948 through her personal remembrances and recollections that she uses as a strategy for resistance. Hala Sakakini is a representation of a woman as a national subject developing a nationalist consciousness within the general flow of nationalism. This study attempts to explore the “alternative truth” rendered by Sakakini in her text. This “alternative truth” dismantles mainstream history written by the powerful. Palestinian women’s self-narratives disentangle a number of correlated topics that convey an exploratory outline for approaching the topic of this study. Sakakini’s writing in English was to carve a place for the experience of a female Jerusalemite voice. Her narrative is a lens through which reality is seen. What Sakakini is delivering to her readers is different from political traditional history; she is after the story of ordinary people. It is a form of oral history where she ponders to offer a socio-historical analysis and an ethnographic and geographic map of the land and the people, conveying another version of history, which subverts mainstream narrative. Hala Sakakini’s quest is a quest for a lost place not a personal gendered quest; it is a collective discourse of belonging. 

scholarly journals A Theological Implication of ‘Humility’ in Mark 10: 13-16 from the Perspective of the Parable of the Kingdom of God

2019 ◽  
Vol 2 (2) ◽  
pp. 83
Author(s):  
Halim Wiryadinata
Keyword(s):  
Twentieth Century ◽  
Liberation Theology ◽  
Jesus Christ ◽  
Kingdom Of God ◽  
Historical Jesus ◽  
New Approach ◽  
The People ◽  
History Of ◽  
Theological Implication ◽  
The Way

The parable of the Kingdom of God brings the seriousness of studying about the meaning of what the Lord Jesus Christ wants to say. There are many arguments to say about the meaning of the Kingdom of God, while a new approach of the twentieth century appears. The study of historical Jesus by N. T Wright gives the idea of Jesus, Israel, and the Cross. If the parable of the Kingdom of God is retelling the story of Israel, then the new concept of the Kingdom of God should be different from the old Israel. The concept of humility should be seen as the way out of the Kingdom of God. Mark 10: 13 – 16 where the Lord Jesus Christ uses the concept of the little children, it apparently shows the helplessness and humility concepts as the way out for the Kingdom of God. However, the concept of humility should be seen as the proclamation of the Kingdom of God in the perspective of a mission to the people. Finally, the concept of humility also should not beyond the limitation of the Gospel. It should be in the line of the meaning of the Gospel itself. We are encouraged not to repeat what history happens, but rather to learn from the history of Liberation Theology.   

scholarly journals Nyanyian Adat Masyarakat Desa Longgar: Suatu Pendekatan Hermeneutika

2017 ◽  
Vol 13 (1) ◽  
pp. 37
Author(s):  
Nita Handayani Hasan
Keyword(s):  
Language Ability ◽  
Qualitative Description ◽  
Research Use ◽  
Important Thing ◽  
Local Language ◽  
The Past ◽  
The People ◽  
History Of ◽  
Local Languages ◽  
The Way

The existence of folksong is an important thing for the Moluccas. It has functions as an entertainment and the way to deliver the events that existed in the past. This research discuss about jarjinjin and largula folksongs based on hermeneutics approach. The purposes of this research are to transcript and to understand the deepest meaning of the jarjinjin and largula folksongs, and to know the functions of those folksongs for the owner and the young generations. Jarjinjin and largula comes from Longgar village, Kepulauan Aru district, Maluku province. This research use qualitative description method. After transcripted and analyzed  the lyrics, the results show about the history of Longgar, Karey, and Gomu-Gomu village; the folksongs taught the people always remember the message of the ancestors in maintaining brotherhood and culture. For the owner, jarjinjin and largula made brotherhood relation closed beyond the villagers in Longgar, Karey, and Gomu-Gomu village; remaining the history of the ancestors; preservation of local languages; entertaining, because they have sang together and escorting by stampted drums and gongs; and maintaining and preserving the tradition. For young generations, they improved the knowledge about the history of Aru’s ancestors; practicing and demonstrating local language ability; reinforcing love of the history; and maintaining and preserving the tradition. Keberadaan nyanyian rakyat bagi masyarakat Maluku merupakan hal yang penting. Nyanyian rakyat berfungsi sebagai penghibur hati dan cara untuk  menyampaikan peristiwa-peristiwa yang ada di masa lampau. Penelitian ini mengkaji nyanyian adat yang berjudul jarjinjin dan largula dengan menggunakan pendekatan hermeneutika. Penelitian ini bertujuan untuk mentranskripsi nyanyian adat jarjinjin dan largula, mengetahui makna yang terkandung di dalamnya, dan mengetahui fungsi kedua nyanyian adat bagi pemilik lagu dan generasi muda. Lagu jarjinjin dan largula merupakan nyanyian adat yang berasal dari Desa Longgar, Kabupaten Kepulauan Aru, Maluku. Metode yang digunakan adalah deskriptif kualitatif. Setelah melakukan transkripsi dan analisis terhadap kedua lirik-lirik lagu, diketahui kedua nyanyian adat tersebut menceritakan perjalanan sejarah nenek moyang desa Longgar, Karey, dan Gomu-Gomu. Selain itu, dalam nyanyian adat mengandung ajaran untuk selalu mengingat pesan leluhur dalam menjaga persaudaraan dan adat-istiadat. Fungsi bagi pemilik lagu yaitu mendekatkan hubungan persaudaraan antar masyarakat Desa Longgar, Karey, dan Gomu-Gomu; mengingatkan sejarah perjalanan leluhur; pelestarian bahasa daerah; penghibur hati, karena dinyanyikan secara bersama-sama dan diiringi alat musik tifa dan gong; dan menjaga serta melestarikan tradisi. Sedangkan fungsi lagu jarjinjin dan largula bagi generasi muda yaitu menambah pengetahuan terkait sejarah perjalanan leluhur masyarakat Aru; media melatih dan mempertunjukkan kemampuan berbahasa daerah; memperkuat rasa cinta terhadap sejarah masa lalu; serta menjaga dan melestarikan tradisi.

scholarly journals Ecodomy: Taking risks and overstepping boundaries in the Book of Ruth

2017 ◽  
Vol 38 (3) ◽  
pp. 35-50
Author(s):  
Gerda De Villiers
Keyword(s):  
Social Conventions ◽  
The People ◽  
Creative Initiative ◽  
The Social ◽  
History Of ◽  
The Way

This chapter examined the concept of ‘Ecodomy’ – life in its fullness – as it unfolds in the Book of Ruth. The book is dated to the post-exilic period in the history of Israel, and is read as narrative critique against the Moabite paragraph in Deuteronomy 23:3–5, and against the way that this text is interpreted and implemented in the Books of Ezra and Nehemiah. Naomi, Ruth and Boaz, the protagonists in the narrative, become paradigmatic of the situation in post-exilic Israel. Their stories, dealing with loss and the actions they take in order to heal the brokenness become indicative for the post-exilic community. As the narrative plot develops, the chapter aims to indicate how ‘life in its emptiness’ is changed into ‘life in its fullness’ by the courage and creative initiative of individuals, even if it meant overstepping boundaries and challenging the social conventions of the time. Against the exclusivist policy of Ezra and Nehemiah, the Book of Ruth argues that foreigners may be included in the community of YHWH and that their solidarity with Israel is to the benefit of all the people. The point that the chapter wishes to make, is that life in its fullness cannot be taken for granted, but requires effort.

scholarly journals History of Dezful City

2021 ◽  
Vol 2 (2) ◽  
pp. 123-127
Author(s):  
Samira Bashiri
Keyword(s):  
Present Article ◽  
Way Of Life ◽  
The People ◽  
History Of ◽  
The City ◽  
The Way

In the present article, an attempt has been made to present a picture of the city of Dezful and to describe the details of the city and the way of life of the people using first-hand sources, and this description, geographical and historical conditions and type of economy And it encompasses the livelihood of the people and provides an overview of the city of Dezful.

scholarly journals NAQŠBANDĪ E MALĀMATĪ: UNA QUESTIONE DI METODO

2021 ◽  
Author(s):  
Demetrio Giordani
Keyword(s):  
Central Asia ◽  
13Th Century ◽  
Leave No Trace ◽  
The People ◽  
History Of ◽  
The Town ◽  
Spiritual Attitude ◽  
A Current ◽  
The Way ◽  
Name Of God

Riassunto: Tra le correnti più antiche della storia del Sufismo, i Malāmatiyya sono in particolare coloro che seguono “La Via del Biasimo” e che nel loro comportamento agiscono in modo da non lasciare nessuna traccia della propria attitudine spirituale tra la gente che li circonda. Secondo Abū ‘Abd al-Raḥmān Al-Sulamī essi erano un gruppo di asceti che vivevano nella città di Nīšāpūr alla fine del IX secolo: molti autori dicono che uno dei più importanti appartenenti a questa scuola fosse stato Bayazīd al-Bisṭāmī (m. 874). Nel XIII secolo i Ḫwājaġān, una corrente diffusa ampiamente nell’Asia centrale durante l’epoca del dominio dei mongoli Chagatay, praticavano una ritualità molto simile a quella dei Malāmatiyya di Nīšāpūr, basata sulla “menzione del Nome di Dio in segreto” (ḏikr-i ḫafī) e sulla “solitudine tra la folla” (ḫalwat dar anjoman). Due di questi Ḫwājaġān furono i maestri di Ḫwāja Bahā’uddīn Naqšband (m. 1389). I temi e la pratica della “Via del Biasimo” riappaiono nella tradizione naqšbandī e acquistano profondità e solidità dottrinale nell’opera di Šayḫ Aḥmad Sirhindī (m. 1625) il “Rinnovatore del secondo millennio” dell’Islām (muǧaddid-i alf-i ṯānī). Abstract: Among the oldest currents in the history of Sufism, the Malāmatiyya are especially those who follow “The Path of Blame” and who in their behaviour act in such a way as to leave no trace of their spiritual attitude among the people around them. According to Abū ‘Abd al-Raḥmān Al-Sulamī, they were a group of ascetics who lived in the town of Nīšāpūr at the end of the 9th century: many authors say that one of the most important members of this school was Bayazīd al-Bisṭāmī (m. 874). In the 13th century the Ḫwājaġān, a current widespread in Central Asia during the era of the rule of the Chagatay Mongols, practiced a rituality very similar to that of the Malāmatiyya of Nīšāpūr, based on the “mention of the Name of God in secret” (ḏikr- i ḫafī) and on “solitude in the crowd” (ḫalwat dar anjoman). Two of these Ḫwājaġān were the masters of Ḫwāja Bahā’uddīn Naqšband (d. 1389). The themes and the practice of the “Way of Blame” reappear in the naqšbandī tradition and acquire doctrinal depth and solidity in the work of Šayḫ Aḥmad Sirhindī (d. 1625), the “Renewer of the Second Millennium” of Islam (muǧaddid-i alf-i ṯānī).

scholarly journals Beyond universalism/social constructivism debate in the history of emotions: The case of acedia

2019 ◽  
Vol 62 (4) ◽  
pp. 5-15
Author(s):  
Ljiljana Radenovic
Keyword(s):  
Social Constructivism ◽  
Emotional Experience ◽  
Ordinary People ◽  
History Of Emotions ◽  
Socially Constructed ◽  
Desert Fathers ◽  
Biology I ◽  
History Of ◽  
Font Color ◽  
The Way

Peter Toohey (2011) argues that the feeling of acedia, initially described by the Desert Fathers, is a romanticized version of the simple boredom felt by ordinary people. For Toohey, acedia is not real, but manufactured, i.e. a socially constructed emotion, unlike regular boredom which is universally felt. This distinction indicates that Toohey sides with universalist approach to emotions, which helps him avoid relativism of social constructivism in the history of emotions. However, by claiming that acedia is manufactured emotion Toohey is in danger to negate the reality of an emotional experience that many individuals seemed to have had. The goal of this paper is to outline the way we can overcome the shortcomings of Toohey?s approach to acedia. For this purpose, I argue, along with Griffiths (1997), that all our emotions have their roots in both culture and biology. I also argue that a job of a historian of emotions is to engage in the phenomenology of emotions of our predecessors. <br><br><font color="red"><b> This article has been corrected. Link to the correction <u><a href="http://dx.doi.org/10.2298/THEO2003169E">10.2298/THEO2003169E</a><u></b></font>

Early years of East India Company rule in Chittagong: Violence, waste and settlement c. 1760–1790

2018 ◽  
Vol 55 (2) ◽  
pp. 147-181 ◽  
Author(s):  
Anandaroop Sen
Keyword(s):  
South Asian ◽  
Early Years ◽  
East India Company ◽  
The South ◽  
Property Relations ◽  
The People ◽  
British East India Company ◽  
History Of ◽  
Frontier Studies ◽  
The Way

This article probes the production of the uplands of Chittagong in the early years of British East India Company (EIC)rule in Bengal and its eastern frontiers. The South Asian debates around the nature of agrarian property relations have largely skipped places like Chittagong uplands, consequently, the uplands appear in academic and popular discussions as an already constituted outside to this agrarian historiography. The history of the uplands then become easily separated and consumed as part of frontier studies. The article seeks to address the constitution of this outside. Narrating a story where the protagonists range from influential Bengali middlemen in EIC retinue, Company officers responsible for Chittagong administration to mobile Arakanese men called ‘Magh zamindars’, brought together in a swirl of forged documents and contending claims to ‘wastelands’, the article glimpses into the complex interlocking between upland and lowland networks of Chittagong. It frames this narrative by unpacking the revenue categories of sair and kapas mahal; the two categories used for Chittagong uplands during this period. Disaggregating them allows one to see how the uplands were created in the image of the commodity cotton: the people who produced it, the way it was exchanged and the violence that marked the process.

scholarly journals The Camera Devoured

2020 ◽  
Vol 7 (2) ◽  
pp. 76-95
Author(s):  
Thomas Francis Moran
Keyword(s):  
Cape Verde ◽  
The People ◽  
Aesthetic Practice ◽  
History Of ◽  
The Way

Pedro Costa’s Casa De Lava (1994) draws on the cannibalistic potential of cinema in order to excavate the history of colonialism in Cape Verde. Cannibalism operates in a two-fold manner in Casa. Firstly, it refers to Costa’s practice of employing cinematic references in order to draw out otherwise concealed elements of earlier films. Secondly, it denotes an aesthetic practice in which the film is cannibalised by the people and geography of Cape Verde. By operating in a zone between documentary and fiction, Casa undermines the commodifying and exoticising tendencies of cinema. Instead, by drawing on the stories of the people of Cape Verde, the film illustrates the way in which the legacy of colonialism continues to haunt the island. Cannibal cinema in Casa is a method for making these otherwise concealed histories speak, and in doing so, create new forms of cinematic invention.

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