scholarly journals "Lady Alcumy": Elizabethan Gentlewomen  and the Practice of Chymistry

2021 ◽  
Author(s):  
◽  
Sienna Louise Latham

<p>This thesis explores the advent of gentlewomen's chymical activities in Elizabethan England. In the sixteenth century, chymistry gained widespread currency under Queen Elizabeth I. This thesis argues that the queen's significant chymical interests contributed to her iconography, thereby bridging England's previously discrete chymical and female realms. It shows that Elizabeth's influence and fundamental societal changes enabled women, beginning with the gentry, to acquire and apply chymical knowledge. Four case studies highlight the queen's impact on her female subjects through an examination of primary manuscript and printed sources. The Protestant gentlewomen Grace Mildmay, Mary Sidney Herbert, Margaret Hoby and Margaret Clifford may first have encountered chymistry in the manifestation of their religious beliefs through charitable healing, but they developed their knowledge in very different ways. Evidence of their engagement with chymical practitioners and writings provides context for their activities. Shared motivations led to divergent practices, indicating that chymistry in Elizabethan England took as many forms as there were practitioners. This thesis asserts the crucial importance of community to early modern chymists, noting courtly links and overlapping social circles. It contributes to limited historiography on Elizabethan alchemy as well as female alchemists.</p>

2021 ◽  
Author(s):  
◽  
Sienna Louise Latham

<p>This thesis explores the advent of gentlewomen's chymical activities in Elizabethan England. In the sixteenth century, chymistry gained widespread currency under Queen Elizabeth I. This thesis argues that the queen's significant chymical interests contributed to her iconography, thereby bridging England's previously discrete chymical and female realms. It shows that Elizabeth's influence and fundamental societal changes enabled women, beginning with the gentry, to acquire and apply chymical knowledge. Four case studies highlight the queen's impact on her female subjects through an examination of primary manuscript and printed sources. The Protestant gentlewomen Grace Mildmay, Mary Sidney Herbert, Margaret Hoby and Margaret Clifford may first have encountered chymistry in the manifestation of their religious beliefs through charitable healing, but they developed their knowledge in very different ways. Evidence of their engagement with chymical practitioners and writings provides context for their activities. Shared motivations led to divergent practices, indicating that chymistry in Elizabethan England took as many forms as there were practitioners. This thesis asserts the crucial importance of community to early modern chymists, noting courtly links and overlapping social circles. It contributes to limited historiography on Elizabethan alchemy as well as female alchemists.</p>


2019 ◽  
Vol 58 (3) ◽  
pp. 473-493 ◽  
Author(s):  
D. Alan Orr

AbstractThis article examines the brutal massacre of up to six hundred Spanish and Italian papal troops on the order of the English Lord Deputy Arthur Grey, 14th Baron de Wilton (1536–1593), at Dún An Óir (Forto del Oro), Smerwick, County Kerry, on 10 November 1580. The article investigates the relationship between the religious and juridical rationales for the massacre, shedding new light on the broader relationship between the early modern law of nations, Protestantism, and what Brendan Bradshaw has characterized as “catastrophic violence” in the Elizabethan military conquest of Ireland. While Vincent Carey has emphasized the virulently anti-Catholic character of Grey's rationales for the massacre, my argument instead emphasizes the role of the received laws of nations and of war in justifying Grey's actions both to Queen Elizabeth I (1533–1603) and to the English public, from the period immediately following the massacre until the writing of Edmund Spenser's pro-Grey apologetic, A View of the Present State of Ireland (ca. 1596). On this view, the papal troops at Smerwick were considered brigands, pirates, or, in Marcus Tullius Cicero's words, “communis hostis omnium”—a common enemy to all—and enjoyed no standing as lawful enemies under the law of nations. In the sixteenth century, the established law of nations was hardly a seamless web but manifested significant cleavages and fissures allowing for the construction of localized spheres of legal exception in which the ordinary rules of warfare did not apply, thus providing a convenient juridical rationale for atrocity.


Early Music ◽  
2020 ◽  
Author(s):  
Steven Plank

Abstract This article considers questions relating to the performance practice of listening to music in early modern contexts. The evidence of paintings by Pieter Lastman, Gerard ter Borch and Hendrik Sorgh, poetry by Robert Herrick, William Shakespeare and Edmund Waller, and accounts of performances by Francesco da Milano, Nicola Matteis and Queen Elizabeth I all help to bring into focus questions of attentiveness, affective response and analogical understanding. The source material also interestingly raises the possibility of occasionally understanding the act of listening within a frame of erotic relationship modelled on Laura Mulvey’s well-known concept of the ‘male gaze’.


2019 ◽  
pp. 40-61
Author(s):  
Martin Pugh

This chapter focuses on the Protestant Reformation of the sixteenth century. Following Henry VIII's break with Rome in 1531, the English Reformation led Britain into a protracted struggle with the two great Catholic powers, Spain and France, for the next 300 years. The long-term effect was to define Britain as the leading Protestant power; but more immediately, it posed a far greater threat to England than Islam, and effectively destroyed the rationale for crusading activities. In this situation, the Islamic empires actually became a valuable balancing factor in European diplomacy. Henry's readiness to deal with the Muslim powers was far from eccentric during the sixteenth century. Both King Francis I of France and Queen Elizabeth I of England took the policy of collaboration much further.


Author(s):  
Lemuel Abbott ◽  
John Nichols ◽  
Elizabeth Tudor, Elizabeth I Queen Ireland ◽  
Sir Robert Dudley, earl of Leicester ◽  
William Cecil, first Baron Burghley ◽  
...  

Author(s):  
Thomas Sackville, first earl of Dor Buckhurst ◽  
George Gascoigne ◽  
John Nichols ◽  
Elizabeth Tudor, Elizabeth I Queen Ireland ◽  
Sir Robert Dudley, earl of Leicester ◽  
...  

Author(s):  
Ali Anooshahr

It has long been known that the origins of the early modern dynasties of the Ottomans, Safavids, Mughals, Mongols, and Shibanids in the sixteenth century go back to “Turco-Mongol” or “Turcophone” war bands. However, too often has this connection been taken at face value, usually along the lines of ethnolinguistic continuity. The connection between a mythologized “Turkestani” or “Turco-Mongol” origin and these dynasties was not simply and objectively present as fact. Rather, much creative energy was unleashed by courtiers and leaders from Bosnia to Bihar (with Bukhara and Badakhshan along the way) in order to manipulate, invent, and in some cases disavow the ancestry of the founders of these dynasties. Essentially, one can even say that Turco-Mongol progenitors did not beget the Ottoman, Safavid, Mughal, Mongol, and Shibanid states. Quite the contrary, one can say that historians writing in these empires were the ancestors of the “Turco-Mongol” lineage of their founders. Using one or more specimens of Persian historiography, in a series of five case studies, each focusing on one of these nascent polities, the book intends to show how “Turkestan,” “Central Asia,” and “Turco-Mongol” functioned as literary tropes in the political discourse of the time.


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