scholarly journals Feasures of Fandorin’s Quasi-biography: Postmodern Experiment

Author(s):  
Оlexander Нalуch

More than two decades ago, the newest Russian writer B. Akunin began a series of multi-genre novels, the main character of which was Erast Petrovich Fandorin, who quickly made a detective career, has become famous not only in Russia, but far beyond its borders. Firstly appeared in the fiction novel «Azazel», Fandorin later quickly began to acquire the features of a real historical personality that affects the course of historical events. Fandorin’s quasi-biography was supplemented by works whose heroes were his ancestors and descendants. One of these novels is «F. M.», the annexes and additions to which testify to the author’s postmodern experiment, which, leaving only the margin of the explanation necessary for understanding the plot, introduced marginal noncanonical texts and genres (short story, essay, fragment), thereby deciding to expand and clarify its meaning. Literary additions, such as the mini-glossary of drug jargon, or the Zen koan, are included to the literary text. Fragments, essays, short stories, different additions and clarifications, visions and dreams, at first glance, destroy the integrity of the novel of the writer, but in fact expand its narrative capabilities, extend the temporal and spatial characteristics, significantly enrich the main storylines, illuminate the motivation of the heroes , show them in an unusual perspective.

TELAGA BAHASA ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 109-116
Author(s):  
Wahyu Heriyadi

AbstractThe concept of beauty written by the authors of Indonesian contemporary women at this time can be said to experience significant changes, these changes can also be said to be a resistance effort in literature that presents the ugly concept of female characters written by female authors. Ugly is no longer a weak phase, but it is increasingly becoming a force and even power that is presented through the ugly main character. Through literature research on contemporary Indonesian women's novels and short stories, namely Saman's novel by Ayu Utami, the short story of Mereka Bilang, Saya Monyet! The work of Djenar Maesa Ayu, the Wanita Berwajah Penyok by Ratih Kumala, and Si Manis dan Lelaki Ke Tujuh by Intan Paramaditha. The result obtained is that even though the ugly woman has been defeated but at the same time she must be presented in a literary text, or give symbolic resistance through the character of a bad female character apparently towards the establishment of a beauty ideology and patriarchy.Key words: Female, Ugly, Short Story, Novel AbstrakKonsep kecantikan yang ditulis oleh pengarang perempuan kontemporer Indonesia pada saat ini dapat dikatakan mengalami perubahan yang signifikan, perubahan tersebut juga dapat dikatakan sebuah upaya perlawanan di dalam sastra yang menghadirkan konsep buruk rupa pada tokoh perempuan yang ditulis oleh pengarang perempuan. Buruk supa bukan lagi sebagai suatu fase yang lemah, tetapi semakin hadir menjadi sebuah kekuatan bahkan kekuasaan yang dihadirkan melalui tokoh utamanya yang buruk rupa tersebut.Melalui penelitian pustaka pada novel dan cerpen karya perempuan Indonesia kontemporer yaitu Novel Saman karya Ayu Utami, cerpen Mereka Bilang, Saya Monyet! Karya Djenar Maesa Ayu, Wanita Berwajah Penyok karya Ratih Kumala, dan Si Manis dan Lelaki Ke Tujuh karya Intan Paramaditha. Hasil yang didapatkan adalah meskipun perempuan buruk rupa telah dikalahkan namun sekaligus ia harus dihadirkan dalam teks sastra, atau memberikan perlawanan yang simbolis melalui karakter tokoh perempuan buruk rupanya terhadap kemapanan ideologi kecantikan dan patriarki.Kata-kata kunci: Perempuan, Buruk Rupa, Cerpen, Novel


Author(s):  
Novi Diah Haryanti

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  


Author(s):  
Maria S. Sloistova ◽  

The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.


2019 ◽  
Vol 1 ◽  
pp. 1-2 ◽  
Author(s):  
Min Cao ◽  
Mengxue Huang

<p><strong>Abstract.</strong> The development of the sharing economy has provided an important realization path for urban’s green and healthy development, and has also accelerated the speed of urban development. With the constant capital pouring into the public transport field, dock-less shared bicycle is a relatively new form of transport in urban areas, and it provides a bikesharing service to fulfil urban short trips. Dock-less shared bicycle, with a characteristic of riding and stopping anywhere, has successfully solved the last mile travel problem. Recently, studies focus on the on the temporal spatial characteristics of public bicycle based on public bicycle operation data. However, there are few studies on the identification of riding patterns based on the characteristics of temporal and spatial behavior of residents. In addition, researches have been conducted on public bicycles administered by the government, and the dock-less shared bicycle have different characteristics from public bicycles in terms of scale of use and mode of use. This paper aims to analyze the temporal and spatial characteristics of residents using shared bicycles, and attempts to explore the characteristics of the riding modes of the dock-less shared bicycles.</p><p>Mobike sharing bicycle dataset of Beijing city were obtained for the research and this dataset contains a wealth of attributes with cover of 396600 shared bicycle users and 485500 riding records from May 10 to May 25 in 2017. Additionally, 19 types of POI (Point of Interest) data were also obtained through the API of Baidu Maps. To examine the patterns of shared bicycle trips, these POI data are categorized into five types including residential, commercial, institution, recreation and transport. Spatiotemporal analysis method, correlation analysis methods and kernel density methods were used to analyse the temporal and spatial characteristics of shared bicycle trips, revealing the time curve and spatial hotspot distribution area of shared bikes. Furthermore, a new matrix of riding pattern based on POI was proposed to identify the riding patterns during massive sharing bicycle dataset.</p><p>This paper aims to explore the riding behaviour of shared bicycles, and the research results are as follows:</p><p>(1) Temporal characteristics of riding behaviour</p><p>The use of the Mobike bicycles is significantly different on weekdays and weekends (Figure1). Figure 2 clearly shows a morning peak (7&amp;ndash;9&amp;thinsp;h) and evening peak (17&amp;ndash;19&amp;thinsp;h), corresponding with typical commute time. At noon, some users' dining activities triggered a certain close-distance riding behavior, which formed a noon peak. Different from the riding characteristics of the working days, there are many recreational and leisure riding behaviors on the weekends. The distribution of riding time is more balanced, and there is no obvious morning and evening peak phenomenon.</p><p>(2) Spatial characteristics of riding behavior</p><p> The spatial distribution of riding behaviour varies with different roads (Figure 2) and people prefer to choose trunk roads for cycling trips. Spatial hotpot detecting method based on the kernel density is applied to identify the active degree of bike sharing trip during a whole weekday (Figure 3). The red colour represents a high active degree and the green and blue colour means the low degree. Note that almost no riding occurred in the early hours of the morning and late at night. The characteristics of three riding peaks are obvious in the figure. A large number of travels occurred in Second Ring to Fourth Ring Road, and some travel activities were concentrated near traffic sites.</p><p>(3) Patterns of riding behavior</p><p> Different riding patterns happens in different space and change over the time at two scales of day and hour. During morning peak and evening peak on weekdays, more than 60 percent of riding trips are corresponding with typical commuting activities. The observed commuting pattern of morning peak (Figure 4(a) and (b)) implies that the majority of shared bicycle trips might relate to home, transports, commercial area and some institution. For example, students choose shared bicycles to do some school activities, people prefer to use shared bicycles as a connection tool to bus station and metro stops and people handle daily affairs in some government agencies. However, a large part of the shared bicycle trips on weekends shows the characteristics of non-commuting riding pattern, which means more leisure activities take place at weekends (Figure 4(c) and (d)). Non-commuting pattern of riding behavior mainly occurs among residential areas, metro stops, bus stations and recreational facilities, such as parks, playgrounds, etc.</p>


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