scholarly journals Object Biographies and Museums: 100 X Congo in Antwerp, Exhibition at the Museum aan de Stroom, Antwerp, Belgium, 3 October 2020 - 12 September 2021

2021 ◽  
Vol 19 (3) ◽  
pp. 395-409
Author(s):  
Hugo DeBlock

The Museum aan de Stroom (MAS) in Antwerp, Belgium, opened the doors of its long-anticipated exhibition, 100 X Congo, on 3 October 2020, highlighting the presence of a Congolese art collection that has been owned by the city for a hundred years (1920-2020). Tackling the often uneasy history of how these things ended up in museums in the colonial ‘motherland’, this exhibition signals a step forwards in museology in Belgium, away from mere aestheticism of Congolese and, by extension, African arts, towards, in contrast, a focus on provenance, context and cultural importance.

Author(s):  
О.И. Зотова

В художественной коллекции Музея истории Дальнего Востока имени В.К. Арсеньева хранится более 200 произведений живописи и графики, посвященных Владивостоку. Они созданы во второй половине XX – начале XXI века. Приведенный в статье краткий обзор этого массива позволяет говорить о разнообразии техник и приемов, о широте образов, стремлении авторов запечатлеть неповторимое лицо города, о трансформации натурного подхода в символическое видение. Материалом исследования послужили произведения М.В. Филиппова, В.И. Герасименко, Б.Ф. Лобаса, И.В. Рыбачука, Ф.Н. Бабанина, А.В. Телешова, П.Я. Рогаля, Ж.С. Кочубея, И.А. Кузнецова, К.И. Шебеко, В.А. Гончаренко, В.П. Белоусова, Ю.С. Рачева, Е.В. и О.В. Осиповых, Л.А. Козьминой, В.А. Камовского, П.П. Куянцева, А.П. Заугольнова, С.М. Черкасова. The art collection of the Arsenyev Museum of the History of the Far East contains more than 200 paintings and graphics dedicated to Vladivostok. They were created in the second half of the 20th – early 21st centuries. The overview of this array given in the article allows us to talk about the variety of techniques and techniques, the breadth of images, the desire of the authors to capture the unique face of the city, about the transformation of the full-scale approach into a symbolic vision. The research material was the artworks by M.V. Filippov, V.I. Gerasimenko, B.F. Lobas, I.V. Rybachuk, F.N. Babanin, A.V. Teleshov, P.Ya. Rogal, J.S. Kochubei, I.A. Kuznetsov, K.I. Shebeko, V.A. Goncharenko, V.P. Belousov, Yu.S. Rachev, E.V. and O.V. Osipov, L.A. Kozmina, V.A. Kamovsky, P.P. Kuyantsev, A.P. Zaugolnov, S.M. Cherkasov.


2009 ◽  
Author(s):  
Ferdinand Gregorovius ◽  
Annie Hamilton

2009 ◽  
Author(s):  
Ferdinand Gregorovius ◽  
Annie Hamilton

Antiquity ◽  
1976 ◽  
Vol 50 (200) ◽  
pp. 216-222
Author(s):  
Beatrice De Cardi

Ras a1 Khaimah is the most northerly of the seven states comprising the United Arab Emirates and its Ruler, H. H. Sheikh Saqr bin Mohammad al-Qasimi, is keenly interested in the history of the state and its people. Survey carried out there jointly with Dr D. B. Doe in 1968 had focused attention on the site of JuIfar which lies just north of the present town of Ras a1 Khaimah (de Cardi, 1971, 230-2). Julfar was in existence in Abbasid times and its importance as an entrep6t during the sixteenth and seventeenth centuries-the Portuguese Period-is reflected by the quantity and variety of imported wares to be found among the ruins of the city. Most of the sites discovered during the survey dated from that period but a group of cairns near Ghalilah and some long gabled graves in the Shimal area to the north-east of the date-groves behind Ras a1 Khaimah (map, FIG. I) clearly represented a more distant past.


1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.


GYNECOLOGY ◽  
2018 ◽  
Vol 20 (6) ◽  
pp. 48-52
Author(s):  
E N Kravchenko ◽  
R A Morgunov

The aim of the study. Assess the importance of pregravid preparation and outcomes of pregnancy and childbirth, depending on the reproductive attitudes of women in the city of Omsk. Materials and methods. The study included 92 women who were divided into groups: group A (n=43) - women whose pregnancy was planned; group B (n=49) - women whose pregnancy occurred accidentally. Each group was divided into subgroups depending on age: from 18 to 30 and from 31 to 49 years. For each patient included in the study, a specially designed map was filled out. These patients were interviewed at the City Clinical Perinatal Center. Results. Comparative analysis revealed the relationship between the reproductive settings of women of childbearing age and the peculiarity of the course of pregnancy and childbirth in these patients. Summary. The majority of women of fertile age are married: in subgroup AA - 25 (96.2%), AB - 13 (76.5%), BA - 25 (92.6%), BB - 20 (91.0%). The predominant number of women of fertile age have one or more abortions: in subgroup AA - 12 (46.2%), AB - 6 (35.3%), in subgroups of comparison BA - 8 (29.6%), BB - 6 (27.3%). More than half of the women of fertile age surveyed have a history of untreated cervical pathology (from 40.8% to 64.7%). The course of pregnancy in women planning pregnancy in most cases proceeded without complications: in subgroup AA - 13 (50.0%), AB - 11 (64.7%). The most common cause of complicated pregnancy in women whose pregnancy occurred accidentally is the threat of spontaneous miscarriage: in subgroup BA - 15 (55.6%), BB - 16 (72.7%). The uncomplicated course of labor more often [subgroup AA - 19 (73.0%), AB - 12 (70.6%)] was observed in women whose pregnancy was planned and they were motivated to give birth to a healthy child.


2019 ◽  
Vol 22 (2) ◽  
pp. 62-65
Author(s):  
Dilbar Abdurasulova ◽  
◽  
Akbar Màjidov

This article provide that Uzbekistan is one of the oldest centers of culture, in particular, the works of Greco-Roman historians, Arab and Chinese travelers and geographers serve invaluable source for studying the ancient history of Jizzak


Transfers ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 127-130
Author(s):  
Mariana C. Françozo

Located at the old harbor of the city of Genoa, the modern Galata Museo del Mare was inaugurated as part of the commemoration of Genoa as the 2004 European Capital of Culture. Only twelve years later, the museum proudly welcomes 200,000 visitors annually into its twenty-eight galleries, organized in an impressive exhibition space of 10,000 square meters, showcasing 4,300 objects. While the aim of the museum is to tell the maritime history of Genoa—ranging from Christopher Columbus to an open-air space showcasing the story of the Genoese shipyard—it is the exhibition on migration to and from Italy that will truly impress the visitor.


Author(s):  
Travis D. Stimeling

Nashville Cats: Record Production in Music City, 1945–1975 is the first history of record production during country music’s so-called Nashville Sound era. This period of country music history produced some of the genre’s most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music’s overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945–1975 is the first book to take a global view of record production in Nashville during the three decades that the city’s musicians established the city as the leading center for the production and distribution of country music.


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