scholarly journals Study on Aesthetic Expression and Value Reconstruction of Folk Custom Resources in Chinese Animated Films Taking “Little Door Gods” and “Mr. Nian”as an Example

2019 ◽  
Author(s):  
Xiuqiong Xie
Keyword(s):  
Folk Custom ◽  
Animated Films ◽  
Aesthetic Expression

Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light

2014 ◽  
Author(s):  
Ida Bagus Candra Yana*
Keyword(s):  
Visual Arts ◽  
Dance Movement ◽  
Multiple Images ◽  
Strobe Light ◽  
Creative Idea ◽  
The Arts ◽  
Art Works ◽  
Art Photography ◽  
Aesthetic Values ◽  
Aesthetic Expression

Dance  photography  is  a  photo  shoot  on a  dance  movement  which  has  a  characteristic as  it  shows  on  a  particular  movement  with unique costumes. The arts of dance photography specifically describes through a specific thematic effect  with  an  aesthetic  and  creative  oncoming. Based on the photographer experience to capture the  light  together  with  his  aesthetic  expression on  movement  photography,  he  finally  presented the  visual  arts  on  Baris  Tunggal  Dance  in  art photography expressions using strobe light. Basically,  the  creative  works  focused on  the  dancer  movements  and  transformed  into photography  expression  which  blended  with aesthetic  and  creative  idea  (ideational)  also  the technical photo shoot capability (technical) of the photographer. The photo shoots technique chosen through a variety of consideration which oriented on practical implementations possibilities, resulting photographs  in  freeze,  blurred,  and  multiple-images  as  art  photography.  The  art  photograph includes  extrinsic  and  intrinsic  aesthetic  values through photo presentation. With the presence of this photography art works it was not only present Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light in the form of mere documentation but it was the art photography expression on creative and aesthetic level. Keywords:  movements,  Baris  Tunggal  Dance, photography expression, strobo-light * Dosen ISI Denpasar

Analisis Tata Ungkap Dalam Dan Luar Pada Film Animasi Pendek Death Of The Firstborn Egyptians

2019 ◽  
Vol 2 (02) ◽  
pp. 31-42
Author(s):  
Citra Kemala Putri
Keyword(s):  
Technological Progress ◽  
Qualitative Method ◽  
Space Time ◽  
Visual Language ◽  
Language Theory ◽  
Still Images ◽  
Language System ◽  
Visual Study ◽  
Moving Images ◽  
Animated Films

Visual Language is a knowledge that can be used to interpret various images those presented without text. Primadi Tabrani divides this Visual Language into 2 systems, the visual language system called NPM (Naturalist-Perspective-Momenopname) and another visual language system is STP (Space-Time-Plane). At this time which the technological progress has been developing very rapidly, we met many types of images, not just still images, but also moving images such as animated films, one of them is Death Of The Firstborn Egyptians directed by Nina Paley. This research uses qualitative method and uses the Visual Language Theory in analyzing the various visual towards the visuals of this film. The results of a visual study of this film revealed that there was a slice between Modern ‘Tata Ungkap Dalam’ and Traditional ‘Tata Ungkap Dalam’. Meanwhile,  the researh found that Modern ‘Tata Ungkap Luar’ is dominantly use on the film. Thus it can be concluded that the RWD visual language system is not used to produce traditional images only, but also can be combined with NPM visual language system, those could enrich the result of finishing visual.

Capturing death in animated films: Can films stimulate parent-child conversations about death?

2021 ◽  
Vol 59 ◽  
pp. 101063
Author(s):  
Enrica E. Bridgewater ◽  
David Menendez ◽  
Karl S. Rosengren
Keyword(s):  
Animated Films ◽  
Parent Child

Orr and Kant: An analysis of the intellectual encounter behind ‘The Christian worldview’

2021 ◽  
Vol 74 (2) ◽  
pp. 103-122
Author(s):  
Michelle C. Sanchez
Keyword(s):  
Immanuel Kant ◽  
Cultural Difference ◽  
Culture War ◽  
Christian Worldview ◽  
The Usa ◽  
Characteristic Features ◽  
Aesthetic Expression

AbstractToday, Christianity is often described as a ‘worldview’, especially among Reformed evangelicals in the USA. In this article I return to the 1890 lectures where Scottish theologian James Orr adapted the concept of Weltanschauung for Christian purposes. Although it was coined by Immanuel Kant in 1790, and primarily used in subsequent decades to theorise cultural difference and evaluate aesthetic expression, Orr nevertheless claims that the idea of a worldview is ‘as old as the dawn of reflection’ and thus appropriate to articulating Christianity. I examine Orr's engagement with the Kantian and emerging historicist context, paying particular attention to his epistemological and aesthetic citations and showing how Orr both adopts and departs from the characteristic features of the Kantian subject. I conclude by assessing the philosophical and theological costs of this project that, among other things, positions Christianity for perpetual culture war within secular societies similarly shaped by the post-Kantian subject.

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