On the Abstract in Function and Aesthetic Expression of Crafts: Focused on Ceramic Objet

2010 ◽  
Vol null (34) ◽  
pp. 137-164
Author(s):  
신나경
Keyword(s):  
Aesthetic Expression

Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light

2014 ◽  
Author(s):  
Ida Bagus Candra Yana*
Keyword(s):  
Visual Arts ◽  
Dance Movement ◽  
Multiple Images ◽  
Strobe Light ◽  
Creative Idea ◽  
The Arts ◽  
Art Works ◽  
Art Photography ◽  
Aesthetic Values ◽  
Aesthetic Expression

Dance  photography  is  a  photo  shoot  on a  dance  movement  which  has  a  characteristic as  it  shows  on  a  particular  movement  with unique costumes. The arts of dance photography specifically describes through a specific thematic effect  with  an  aesthetic  and  creative  oncoming. Based on the photographer experience to capture the  light  together  with  his  aesthetic  expression on  movement  photography,  he  finally  presented the  visual  arts  on  Baris  Tunggal  Dance  in  art photography expressions using strobe light. Basically,  the  creative  works  focused on  the  dancer  movements  and  transformed  into photography  expression  which  blended  with aesthetic  and  creative  idea  (ideational)  also  the technical photo shoot capability (technical) of the photographer. The photo shoots technique chosen through a variety of consideration which oriented on practical implementations possibilities, resulting photographs  in  freeze,  blurred,  and  multiple-images  as  art  photography.  The  art  photograph includes  extrinsic  and  intrinsic  aesthetic  values through photo presentation. With the presence of this photography art works it was not only present Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light in the form of mere documentation but it was the art photography expression on creative and aesthetic level. Keywords:  movements,  Baris  Tunggal  Dance, photography expression, strobo-light * Dosen ISI Denpasar

Orr and Kant: An analysis of the intellectual encounter behind ‘The Christian worldview’

2021 ◽  
Vol 74 (2) ◽  
pp. 103-122
Author(s):  
Michelle C. Sanchez
Keyword(s):  
Immanuel Kant ◽  
Cultural Difference ◽  
Culture War ◽  
Christian Worldview ◽  
The Usa ◽  
Characteristic Features ◽  
Aesthetic Expression

AbstractToday, Christianity is often described as a ‘worldview’, especially among Reformed evangelicals in the USA. In this article I return to the 1890 lectures where Scottish theologian James Orr adapted the concept of Weltanschauung for Christian purposes. Although it was coined by Immanuel Kant in 1790, and primarily used in subsequent decades to theorise cultural difference and evaluate aesthetic expression, Orr nevertheless claims that the idea of a worldview is ‘as old as the dawn of reflection’ and thus appropriate to articulating Christianity. I examine Orr's engagement with the Kantian and emerging historicist context, paying particular attention to his epistemological and aesthetic citations and showing how Orr both adopts and departs from the characteristic features of the Kantian subject. I conclude by assessing the philosophical and theological costs of this project that, among other things, positions Christianity for perpetual culture war within secular societies similarly shaped by the post-Kantian subject.

scholarly journals In praise of creativity

2021 ◽  
Vol 22 (6) ◽  
pp. 21-23
Author(s):  
Nicola Watson
Keyword(s):  
Well Being ◽  
Early Learning ◽  
Learning Goals ◽  
Aesthetic Expression

The new EAD Early Learning Goals invite practitioners to refocus on optimising children's creativity through oral, aural, cultural and aesthetic expression – thereby enhancing their holistic well-being.

scholarly journals KOREOGRAFI TARI SUFI KOMUNITAS DZIKIR ZHAUWIYAH KECAMATAN KARTOSURO KABUPATEN SUKOHARJO

2020 ◽  
Vol 18 (2) ◽  
pp. 171-179
Author(s):  
Safran Rusmalla ◽  
Setya Widyawati
Keyword(s):  
The Sun ◽  
Dance Music ◽  
Primary Function ◽  
Secondary Function ◽  
The Universe ◽  
Aesthetic Expression

This research is a discussion on Sufi dance on Dzikir Zhauwiyah community. The problem in this study is the form of presentation, function and existence of Sufi dance. To discuss the issue using Sumandyo Hadi’s thoughts on dance elements consisting of elements combined into one, the staple elements of dance consist of 1) motion dance, explaining the motion used for example dance traditions or Kerakyatan, modern or creations, 2) floor patterns/Dance room, 3) dance music, 4) dance titles, 5) dance themes, 6) dancers (number and sex), 7) makeup costumes. To discuss about the function of Sufi dance using the thought of S. D Humardani which mentions that the dance function consists of primary and secondary functions. The results showed that Sufi dance choreography has meaning about the particles in the universe rotating around the sun in a direction to the left. Sufi Dance has a primary function namely as an aesthetic expression while its secondary function is as a means of ritual, meditation, therapy and media dhikr and da’wah function of the function shows that Sufi dance has a existence in the wider community. Keywords: dance, Sufi, Dzikir Zhauwiyah community.

scholarly journals Philosophical and Aesthetic Components of the Art of the Baroque Style

2013 ◽  
pp. 243-244
Author(s):  
E. V. Pozdnyakov
Keyword(s):  
Historical Process ◽  
Counter Reformation ◽  
Temple Art ◽  
The Impact ◽  
Aesthetic Expression

In this paper considers the impact of the historical process of the formation of the Counter- Reformation in the philosophical views of aesthetic expression, symbolism and personification of the Christian temple art of the Baroque

Capoeira as an Emerging Possibility to Decentering Contemporary Dance Experiences (Workshop)

2014 ◽  
Vol 2014 ◽  
pp. 136-139 ◽  
Author(s):  
Odilon José Roble ◽  
Jéssica Bonvino e Silva ◽  
Maisa Amstalden
Keyword(s):  
Physical Education ◽  
Contemporary Dance ◽  
Education Faculty ◽  
Local Practice ◽  
Brazilian Art ◽  
Wide Range ◽  
Practical Research ◽  
Physical Skills ◽  
Aesthetic Expression

Capoeira is a Brazilian art, expressed by game, fight, and dance. Its movements comprise a wide range of possibilities, alternating planes, turns, balances, supports, and floor-work, pointing to its relevance for technical processes in dance. However, capoeira is also deeply marked by an aesthetic that goes beyond the movement itself. Values, beliefs, habits, and Brazilian customs are rooted in its practice. Authors such as Frigerio show characteristics such as theatricality and malice, noting that a certain ritual role of capoeira seems to be more important in practice than a combative efficiency. In the Unicamp Physical Education Faculty, a survey is being developed in which capoeira serves as contribution to the dancer's work. Besides the physical skills, we are identifying the formation of an aesthetic expression corresponding to this identity in the process of capoeira, which sent us to the concepts of “kinesthetic transit” and “resonance.” Our proposal for this conference is to present our practical research that understands capoeira, including its rituals, theatricality, and values, as an emerging possibility to decentering dance experiences, due to this traditional phenomenon as not being exclusively a local practice anymore, but also a possible source to contemporary dance in the current cultural interchange.

The MetaPlastic Technè

2015 ◽  
pp. 1-17
Author(s):  
Gianluca Mura
Keyword(s):  
Design Research ◽  
Research Field ◽  
Contemporary Culture ◽  
Virtual Realities ◽  
Software And Hardware ◽  
Art Design ◽  
Aesthetic Expression

This chapter describes the theory of the Metaplastic metadiscipline (Ars MetaPlastica), a science-art-design research field that studies the most recent technological influences into the contemporary culture. It discusses the realization of the metaplastic virtual media through interdisciplinary methodologies between reality and virtual realities. The virtual media acquire form and meaning through its process of conceptual interpretation. The metaphor of the artistic machine finds its new realization where the metaplastic machine itself becomes aesthetic expression of the virtuality. The Open Metaplastic framework's art approach applied to software and hardware modeling design are also discussed and some examples of applications are introduced.

Modesty in the Anthropocene

2021 ◽  
pp. 20-46
Author(s):  
Thom Dancer
Keyword(s):  
Human Agency ◽  
Literary Studies ◽  
Narrative Form ◽  
Bruno Latour ◽  
Critical Inquiry ◽  
Critical Engagement ◽  
The World ◽  
Key Terms ◽  
Aesthetic Expression

This chapter argues that modesty offers an alternative, legitimate model of critical engagement with a world defined by limited human agency and perpetual crisis in which we are irrevocably implicated. This argument is situated in the context of the profound changes in worldview entailed by what I call “Anthropocene thinking.” With this phrase, I signal a departure from solely environmental approaches to the Anthropocene, instead focusing on how the era unsettles conventional habits of aesthetic expression and critical inquiry. The second section offers a defence of “modesty” as opposed to other possible key terms (such as humility or generosity) by showing how critical modesty has a precursor in the style of William James’s pragmatism. The chapter offers a reading of literary and narrative form in the writing of Bruno Latour. Despite Latour’s growing popularity in literary studies, critics have tended to overlook the crucial function of form, style, and technique in his writing. Attending to Latour’s writing at a more granular level illustrates how a work can be formally modest about its position with respect to what it studies while also being critical, insofar as any redescription offers a contrasting account of the world. The chapter’s literary approach allows that the Latourian style of inquiry and novelistic discourse are up to the same kind of thing: attempting to make sharable a process of thinking that opens up conversation about the composition of our world.

Introduction

2018 ◽  
pp. 1-12 ◽  
Author(s):  
David Weir
Keyword(s):  
Nineteenth Century ◽  
Urban Geography ◽  
Oscar Wilde ◽  
Charles Baudelaire ◽  
Fin De Siecle ◽  
Period 1880 ◽  
Fin De Siècle ◽  
Nineteenth Century France ◽  
The Aesthetic ◽  
Aesthetic Expression

The Introduction first considers the etymological and historical meanings of decadence. Different interpretations of the word “decadence” point to historical decline, social decay, and aesthetic inferiority. Decadence today may be best understood as the aesthetic expression of a conflicted attitude toward modernity, which first arose in nineteenth-century France and is best expressed by the author Charles Baudelaire (1821–1867). Decadence then “travelled” to London, where Oscar Wilde (1854–1900) became the preeminent decadent writer. Other metropolitan centers that made up part of the urban geography of decadence during the fifty-year period (1880–1930) of decadence’s peak were fin-de-siècle Vienna and Weimar Berlin.

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