visual study
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2022 ◽  
Vol 6 (2) ◽  
pp. 13-23
Author(s):  
Agung Setiawan Sutadi

The world of work is a place of intense competition for each college graduate. Students are faced with developing new solutions to these problems/challenges so they need to practice identifying entrepreneurial opportunities so that the problem of the difficulty of competing in the world of work can be resolved with the emergence of new jobs. In the VCD department in the Visual Study subject using design thinking method as a study material in learning material with the aim of students being able to create a visual communication design that answers existing problems, so that ultimately students have a frame of mind in solving problems in running a business or facing client problems. Based on the results of data processing, the results show that there is a positive influence between design thinking methods on entrepreneurial motivation. Therefore, the role of design thinking methods in influencing student motivation to become entrepreneurs deserves further study.   Keywords: Design, Design Thinking, Visual Study, Entrepreneur, Motivation


2021 ◽  
Vol 5 (S3) ◽  
pp. 1678-1691
Author(s):  
Febrika Dwi Lestari ◽  
Rina Octavia Simarmata ◽  
Nurhayati Sitorus ◽  
Usman Sidabutar

COVID-19 Street banner is one of various ways and medias used for communicating and informing about the virus that contain of whether invitation, prohibition, or strategies to reduce the spread of Corona virus outbreak to society. Based on an interdisciplinary theoretical framework, this study revealed to the genaral understanding of the COVID-19 banners and how this media contribute to the overcoming of the pandemic spreading. In order to examine and explain the interpretations and influences of this media associated with the awareness and information on how to reduce the COVID-19 outbreak through the images and verbal signs of the banner, this present work analyzed COVID-19 street banner that circulated on the street and building around Medan to Binjai about COVID-19. The study employed the theories of social semiotics by using Barthes theory with descriptive visual study design approach to reveal the code and message of the banner. The result showed that those banners conveyed the similar message that doing the heath protocols are able to reduce the spreading of the virus and they have special effect on society. Government ministry and various organizations worked together to educate and encourage society about COVID-19 through street banners as their communicative strategy.


2021 ◽  
Vol 40 (3) ◽  
pp. 89-103
Author(s):  
A. S. Rusiaieva ◽  
A. G. Kuzmishchev ◽  
J. Fornasier

This paper is preliminary review of a small collection of graffiti from the latest excavations on the western outskirts of Olbia Pontica (the so-called «suburbs») in 2015—2020, and their introduction into scientific circulation. The excavations were conducted by the Olbia International Archaeological Expedition led by A. V. Bujskikh as the part of Ukrainian-German multidisciplinary project (co-directors A. V. Bujskikh and J. Fornasier). The researches on the suburbs were headed by A. G. Kuzmischev and J. Fornasier. Over six years of research in various cultural strata and in the fillings of half-dugouts, pits and other objects more than 50 graffiti have been found, inscribed mainly on the fragments of Attic black-lacquered tableware of the 5th—4th centuries BC. Emphasis is placed on determining the main types of inscriptions and their features. Regardless of the year and location of discovery they are divided into five groups: A. Abbreviated anthroponyms or individual words; B. Initials of proper names or one-letter marks; C. Graffiti on treated ostracons; D. Various digital signs and records; E. Graffiti of unclear meaning. The collection under study significantly supplemented the source base of the small epigraphy of the Olbia polis. However, no original, rare and to some extent important informative inscriptions which were recorded in temenos, residential neighborhoods, in some settlements and in Borisfen have been found yet here. In addition the damage of many graffiti makes impossible to interpret them reliably. In no one case we could identify reliably the inscriptions dedicated to any deities. Instead, the large number of abbreviated names and initials of the owners of dishes coincides with a significant import of Attic black-lacquered ceramics in the life of the inhabitants of the suburbs in the 5th—4th centuries BC. Despite the relatively limited number, processed ostracons have replenished this category of Olbia votive finds by the original graffiti of magical significance. At the same time, the fact that in general in the suburbs is a lot of graffiti with digital markings which are most often attributed to traders, deserves special attention. Of course, in the future, all the graffiti from the suburbs need a more detailed visual study both as the fragments of ceramics and their exact professional sketches, and comparative analysis of this type of inscriptions from many ancient Greek sites.


2021 ◽  
Vol 169 ◽  
pp. 106953
Author(s):  
Sahar Kafashi ◽  
Mohammad Reza Rasaei ◽  
Ehsan Eshraghi ◽  
Laura Kuhar ◽  
Andrej Bona ◽  
...  

2021 ◽  
Vol 25 (2) ◽  
pp. 145-176
Author(s):  
David Walker

The purpose of this article is to celebrate the exquisite moments when enclosed space at Hagia Sophia attains an illusory plastic state. The subject is the secularised amalgamation of the Byzantine cathedral of Hagia Sophia and the Turkish mosque of Ayasofya, prior to the restoration of the mosque in 2020. The article is intended as a visual study of intrinsic visual qualities, without the use of seductive imagery.


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