scholarly journals Muslim Pop: Voicing Da’wa through Contemporary English Nasyid Love Song Lyrics in Southeast Asia

2018 ◽  
Author(s):  
Maria Ulfa
Keyword(s):  
Southeast Asia ◽  
Love Song ◽  
Song Lyrics

HYPERBOLIC EXPRESSIONS IN ONE DIRECTION’S LOVE SONG LYRICS

2017 ◽  
Vol 14 (1) ◽  
pp. 115-126
Author(s):  
Ruminda Ruminda ◽  
◽  
Nida Kharimah
Keyword(s):  
Love Song ◽  
Song Lyrics

‘Now everybody can wear a skirt’: Linguistic constructions of non-heteronormativity at Eurovision Song Contest press conferences

2013 ◽  
Vol 24 (5) ◽  
pp. 590-614 ◽  
Author(s):  
Heiko Motschenbacher
Keyword(s):  
Discourse Analysis ◽  
Community Of Practice ◽  
Macro Level ◽  
Local Context ◽  
Same Sex ◽  
Transnational Community ◽  
Eurovision Song Contest ◽  
Love Song ◽  
Song Lyrics ◽  
Gender Discourses

This article provides an ethnographically-based, in-depth discourse analysis of linguistic constructions of non-heteronormativity at Eurovision Song Contest press conferences. Contexts of high national salience have been found to largely support or even promote heteronormative discourses. The present study, by contrast, sets out to look at the construction of sexuality in a transnational community of practice of high European salience, in which macro-level heteronormativity has to face greater competition from the non-heteronormativity of the local context. The analysis identifies the following patterns of non-heteronormative construction: non-heteronormative talk about love song lyrics and performances, the construction of male same-sex desire, and the challenging of dominant gender discourses. Finally, it is argued that the European transnationalism of the context causes a normative shift from (nationally associated) heteronormativity to an expectation that non-heterosexual identities and desires be met with greater tolerance.

'I think Houston wants a kiss right?'

2012 ◽  
Vol 1 (2) ◽  
pp. 127-150 ◽  
Author(s):  
Heiko Motschenbacher
Keyword(s):  
Sexual Identity ◽  
Community Of Practice ◽  
Critical Discussion ◽  
Transnational Media ◽  
Eurovision Song Contest ◽  
Love Song ◽  
Song Lyrics ◽  
Queer Linguistics ◽  
Alternative Discourses ◽  
Shed Light

This article provides an ethnographically based discourse analysis of linguistic practices of heterosexual construction in a transnational media context, Eurovision Song Contest press conferences. It aims to shed light on how research on heterosexualities can contribute to the critical discussion of heteronormativity as commonly found in Queer Linguistics. The analysis identifies the following patterns of heterosexual construction: 1. talk about spouses, partners and family, 2. talk about heterosexual love song lyrics, 3. binary gender polarisation, and 4. the projecting of heteronormative desire onto participants. This order roughly corresponds to an increase in the heteronormative force of the constructions found. More blatant forms of heteronormative enforcement prove to cause negative reactions in this community of practice. It is argued that the sexual constructions documented incorporate aspects of both sexual identity and desire and that the transnational salience of the context facilitates a stronger confrontation of heterosexual construction with alternative discourses.

scholarly journals MAKNA CINTA DALAM LIRIK LAGU AUT BOI NIAN SOUNDTRACK FILM TOBA DREAMS (Analisis Semiotika Ferdinan De Saussure)

2020 ◽  
Vol 4 (2) ◽  
pp. 123
Author(s):  
Drilona Vicenovieoisina Situmeang
Keyword(s):  
Qualitative Research ◽  
Research Approach ◽  
Semiotic Analysis ◽  
Descriptive Research ◽  
Love Song ◽  
Song Lyrics

ABSTRAK Biasanya lirik lagu memiliki makna tersendiri yang menjadi ciri khas dari lagu tersebut. Lirik lagu ada yang bertemakan cinta, keluarga, mengungkapkan rasa senang maupun rasa sedih dari penciptanya.  Sama halnya denga lirik lagu dari Aut Boi Nian yang digunakan dalam sountrack film Toba Dreams yang menceritakan tentang cinta yang ditentang oleh keluarga dikarenakan alasan faktor ekonomi. Penelitian ini menggunakan analisis semiotika Ferdinan De Saussure tentang lirik yang ada dalam lagu tersebut. Menggunakan paradigma konstruktivisme dengan pendekatan penelitian kualitatif dan sifat penelitian deskriptif. Hasil dalam penelitian ini memberikan makna pada lirik terkait tentang Signifier (penanda) dan signified (petanda), Form (bentuk) dan content (isi), Langue (bahasa) dan parole (tuturan/ujaran), Synchronic (sinkronik) dan diachronic (diakronik), Syntagmatic (sintagmatik) dan associative (paradigmatik). Keyword: Makna Cinta, Lirik Lagu, Aut Boi Nian, Semiotika, Semiotika Ferdinan De Saussure. ABSTRACT Generally the song lyrics have their own meaning that is characteristic of the song. Song lyrics there are themed love, family, expressing the feeling of pleasure and sadness of the creator. Likewise, the song lyrics from Aut Boi Nian used in the Toba Dreams movie soundtrack tell about love that is opposed by families due to economic reasons. This study uses Ferdinan De Saussure's semiotic analysis of the lyrics contained in the song. Using the constructivist paradigm with a qualitative research approach and the nature of descriptive research. The results in this study give meaning to the lyrics related to Signifier and signified, Form and content, Langue (language) and parole (speech / utterance), Synchronic (synchronous) and diachronic (diachronic) ), Syntagmatic (syntagmatic) and associative (paradigmatic). Keyword: Meaning of Love, Song Lyrics, Aut Boi Nian, Semiotics, Semiotics of Ferdinan De Saussure.

scholarly journals An Analysis of Figurative Language in Maroon 5 – Nobody’s Love Song Lyrics

2021 ◽  
Vol 13 (1) ◽  
pp. 32-38
Author(s):  
Farhan Muhammad ◽  
Didin Nuruddin Hidayat ◽  
Alek Alek
Keyword(s):  
Figurative Language ◽  
Love Song ◽  
Song Lyrics

On The Possibility of an Autonomous History of Modern Southeast Asia

1961 ◽  
Vol 2 (2) ◽  
pp. 73-105 ◽  
Author(s):  
John R. W. Small
Keyword(s):  
Southeast Asia ◽  
Contemporary History ◽  
The Past ◽  
History Of

It is generally accepted that history is an element of culture and the historian a member of society, thus, in Croce's aphorism, that the only true history is contemporary history. It follows from this that when there occur great changes in the contemporary scene, there must also be great changes in historiography, that the vision not merely of the present but also of the past must change.

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