scholarly journals Kabbalah in Sweden

2008 ◽  
Vol 20 ◽  
pp. 88-97
Author(s):  
Thomas Karlsson

This article examines the history of Kabbalah in Sweden. The reader is presented with an overall view to Kabbalah in Sweden: first, the Johannes Bureus and the Nordic Kabbalah, Kabbalah after Bureus, Kabbalistic literature, and last, Kabbalah in Sweden today. When the Kabbalah reached Sweden it was mainly the non-Jewish Kabbalah that gained influence, even if its Jewish roots were acknowledged. Johannes Bureus unites, in a similar fashion as do the Christian Kabbalists in continental Europe, Christian motifs with the symbolic world of the Kabbalah. Bureus, however, adds runes, ancient Norse gods and Gothic ideas in his own unique manner. The Kabbalah invites speculation and the search for correspondences which has caused the Kabbalah in Sweden to be united with a number of other traditions. Bureus combined the Kabbalah with runes and Gothicism; in the eighteenth and nineteenth centuries we can find the Kabbalah in Freemasonry and Esoteric societies, while the Kabbalah in the twentieth century and onwards has been associated with New Age, Parapsychology and Indian Mysticism. Apart from Bureus, most Kabbalists in Sweden have followed the trends that flourished in the rest of the world. Bureus was the first to create a specifically Swedish interpretation of the Kabbalah.

1972 ◽  
Vol 14 (3) ◽  
pp. 306-327 ◽  
Author(s):  
Daniel Walker Howe

One of the major themes in the intellectual history of the Western world has been the rise and fall of Calvinism. A militant and crusading ideology during the Reformation era, Calvinism was nevertheless showing signs of losing its expansive force by the time of the Treaty of Westphalia (1648) and the Restoration of the English monarchy (1660). Before much longer, the inner conviction of Calvinist adherents as well as their determination to impose their beliefs upon others somehow faltered. Despite periodic ‘revivals’ such as the Great Awakening of the 1740s in the British colonies, the eighteenth and nineteenth centuries were, for the most part, a time of gradual weakening for the Calvinist impulse. This weakening was by no means uniform; it occurred at different rates among different groups of people. (Indeed, even in the mid-twentieth century, a virtually undiluted Calvinism remains a powerful force in at least one part of the world: Afrikaans-speaking South Africa.)


2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.


1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.


2021 ◽  

The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.


2011 ◽  
Vol 25 (4) ◽  
pp. 785-791 ◽  
Author(s):  
Tara Zahra

“Going West” explores the potential of integrating East European History into broader histories of Europe and the world. Placing the history of Eastern Europe in a European context, I argue, may enable us to challenge the tropes of backwardness, pathology, and violence that still dominate the field. I also suggest that historians explore the extent to which conceptions of minority rights, development, and humanitarianism first developed in Eastern Europe radiated beyond the region in the twentieth century.


2012 ◽  
Vol 36 (3) ◽  
pp. 273-293
Author(s):  
Johannes Klare

André Martinet holds an important position in the history of linguistics in the twentieth century. For more than six decades he decisively influenced the development of linguistics in France and in the world. He is one of the spokespersons for French linguistic structuralism, the structuralisme fonctionnel. The article focuses on a description and critical appreciation of the interlinguistic part of Martinet’s work. The issue of auxiliary languages and hence interlinguistics had interested Martinet greatly from his youth and provoked him to examine the matter actively. From 1946 onwards he worked in New York as a professor at Columbia University and a research director of the International Auxiliary Language Association (IALA). From 1934 he was in contact with the Danish linguist and interlinguist Otto Jespersen (1860–1943). Martinet, who went back to Paris in 1955 to work as a professor at the École Pratique des Hautes Études (Sorbonne), increasingly developed into an expert in planned languages; for his whole life, he was committed to the world-wide use of a foreign language that can be learned equally easily by members of all ethnic groups; Esperanto, functioning since 1887, seemed a good option to him.


Tanaka Kinuyo ◽  
2018 ◽  
pp. 1-35
Author(s):  
Irene González-López ◽  
Michael Smith

The introduction presents an overview of Tanaka’s life and career vis-a-vis the history of twentieth-century Japan, emphasising how women participated in and were affected by legal, political and socio-economic changes. Through Tanaka’s professional development, it revisits the evolution of the Japanese studio system and stardom, and explains the importance of women as subjects within the films, consumers of the industry, and professionals behind the scenes. This historical overview highlights Japan’s negotiation of modernity and tradition, often played out through symbolic dichotomies of gender and sexuality. By underscoring women’s new routes of mobility, the authors challenge the simplified image of Japanese oppressed women. The second part of the introduction posits director Tanaka as an outstanding, yet understudied, figure in the world history of women filmmaking. Her case inspires compelling questions around labels such as female authorship, star-as-author, and director-as-star and their role in advancing the production and acknowledgement of women filmmaking.


Author(s):  
Eli Jelly-Schapiro

Though ubiquitous in contemporary political discourse, the trope of “security” is under-historicized. Countering ahistorical accounts of “post-9/11” political-economic order, this chapter situates the contemporary manifestation and twentieth-century evolution of security rhetoric and practice within the long history of colonial modernity at large. It proceeds through an examination of three elemental relations: security and property, security and race, and security and emergency. The security state emerges to guarantee the process and outcome of capitalist accumulation, in the colony as in the metropole. The securing of private property is enabled by and in turn reinforces race thinking and practice. And the enactment of emergency or exception legitimates the preemptive and punitive violence of the security state.


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