Going West

2011 ◽  
Vol 25 (4) ◽  
pp. 785-791 ◽  
Author(s):  
Tara Zahra
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
Minority Rights ◽  
European History ◽  
East European ◽  
European Context ◽  
The World ◽  
History Of

“Going West” explores the potential of integrating East European History into broader histories of Europe and the world. Placing the history of Eastern Europe in a European context, I argue, may enable us to challenge the tropes of backwardness, pathology, and violence that still dominate the field. I also suggest that historians explore the extent to which conceptions of minority rights, development, and humanitarianism first developed in Eastern Europe radiated beyond the region in the twentieth century.

scholarly journals REPATRIATION OF THE BAKHMETEFF ARCHIVE: RUSSIAN DREAMS AND AMERICAN REALITY

2005 ◽  
Vol 6 (1) ◽  
pp. 44-51
Author(s):  
Tanya Chebotarev
Keyword(s):  
Twentieth Century ◽  
European History ◽  
Russian History ◽  
Columbia University ◽  
Government Program ◽  
East European ◽  
The World ◽  
Critical Resource

Since the early 1990s, the Bakhmeteff Archive of Russian and East European History and Culture at Columbia University, like many other Russian émigré archives all over the world, has become a critical resource in the process of rewriting twentieth-century Russian history. Now and then, references to the Bakhmeteff's holdings have appeared in Russian archival publications. Regrettably, some of these publications contain alarming instances of Russian demands for the “repatriation” of the Bakhmeteff Archive's holdings. A major factor behind this trend is an official government program to retrieve archival Rossica at any price; but it also is due in part to . . .

Eastern European Jewry in the Modern Period: 1750–1939

2009 ◽  
Author(s):  
Michael Stanislawski
Keyword(s):  
Eastern Europe ◽  
Jewish Life ◽  
Eastern European ◽  
East European ◽  
The Past ◽  
Modern Age ◽  
Modern Period ◽  
The Holocaust ◽  
The World ◽  
History Of

This article notes that the study of the modern history of East European Jews is not a field driven at present by deep conceptual or ideological divides or abiding scholarly or methodological controversies. The past debates on this score between Israeli and diaspora Jewish scholarship have all but disappeared, as has even more dramatically the attempt at a Marxist version of juedische Wissenschaft. While the major works of the founders of the field from Simon Dubnov on ought to be studied and the impressive resurgence of interest in the history and culture of East European Jewry in the modern age is underway, the work is still largely undone. The crucial challenge to the field is not to succumb to the lachrymose and romanticized stereotypes of Jewish life in Eastern Europe while continuing to explore the history of this the largest Jewry in the world before the Holocaust.

Hard Objects in George Oppen's Discrete Series

2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock
Keyword(s):  
Twentieth Century ◽  
Ludwig Wittgenstein ◽  
Discrete Series ◽  
Human Experience ◽  
John Ruskin ◽  
Gerard Manley Hopkins ◽  
Marcel Duchamp ◽  
The World ◽  
Production History ◽  
History Of

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.

scholarly journals On Becoming a Non-Jewish Holocaust Writer: Yann Martel’s Beatrice and Virgil

Humanities ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 12
Author(s):  
Rachel F. Brenner
Keyword(s):  
Eastern Europe ◽  
Jewish Identity ◽  
Personal Life ◽  
Holocaust Memory ◽  
The Holocaust ◽  
The World ◽  
Family Level ◽  
History Of ◽  
Religious Origins

To appraise Martel’s non-Jewish perspective of Holocaust thematic, it is important to assess it in the context of the Jewish relations with the Holocaust. Even though the Jewish claim to the uniqueness of the Holocaust has been disputed since the end of the war especially in Eastern Europe, the Jewish response determined to a large extent the reception of the disaster on the global scene. On a family level, the children of survivors have identified themselves as the legitimate heirs of the unknowable experience of their parents. On a collective level, the decree of Jewish annihilation constructed a Jewish identity that imposed an obligation to keep the Holocaust memory in the consciousness of the world. Martel proposes to supersede the history of the Holocaust with a story which would downplay the Jewish filiation with the Holocaust, elicit an affiliative response to the event of the non-Jewish writer and consequently integrate it into the memory of humanity at large. However, the Holocaust theme of Beatrice and Virgil refuses to assimilate within the general memory of humanity; rather, the consciousness of the event, which pervades the post-Holocaust world, insists on its constant presence. The omnipresence of the Holocaust blurs the distinctions between the filiative (Jewish) and affiliative (non-Jewish) attitudes toward the Jewish tragedy, gripping the writer in its transcendent horror. Disregarding his ethnic or religious origins, the Holocaust takes over the writer’s personal life and determines his story.

Gender, History and ‘Small Europe’

2010 ◽  
Vol 40 (4) ◽  
pp. 685-700
Author(s):  
Jitka Malečková
Keyword(s):  
Eastern Europe ◽  
Ottoman Empire ◽  
Transnational History ◽  
European History ◽  
Gender History ◽  
Gender Perspective ◽  
Good Place ◽  
European Dimension ◽  
History Of ◽  
And Gender

Gender is a good place from which to start reflections on European history: gender history deliberately transcends borders and, at the same time, demonstrates the difficulties of writing European, or transnational, history. Focusing on recent syntheses of modern European history, both general works and those specifically devoted to gender, the article asks what kind of Europe emerges from the encounter between gender and history. It suggests that the writing of European history includes either Eastern Europe (and, sometimes, the Ottoman Empire) or a gender perspective, but seldom both. Thus, the projects of integrating a European dimension into gender history and gender into European history remain unfinished. The result is a history of a rather ‘small Europe’.

The Cambridge History of America and the World

2021 ◽  
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Military Power ◽  
American Empire ◽  
Global Power ◽  
Cultural Terms ◽  
The World ◽  
Fourth Volume ◽  
History Of

The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.

André Martinet (1908–1999)

2012 ◽  
Vol 36 (3) ◽  
pp. 273-293
Author(s):  
Johannes Klare
Keyword(s):  
New York ◽  
Twentieth Century ◽  
Foreign Language ◽  
World Wide ◽  
Columbia University ◽  
The World ◽  
History Of Linguistics ◽  
History Of ◽  
Important Position ◽  
Research Director

André Martinet holds an important position in the history of linguistics in the twentieth century. For more than six decades he decisively influenced the development of linguistics in France and in the world. He is one of the spokespersons for French linguistic structuralism, the structuralisme fonctionnel. The article focuses on a description and critical appreciation of the interlinguistic part of Martinet’s work. The issue of auxiliary languages and hence interlinguistics had interested Martinet greatly from his youth and provoked him to examine the matter actively. From 1946 onwards he worked in New York as a professor at Columbia University and a research director of the International Auxiliary Language Association (IALA). From 1934 he was in contact with the Danish linguist and interlinguist Otto Jespersen (1860–1943). Martinet, who went back to Paris in 1955 to work as a professor at the École Pratique des Hautes Études (Sorbonne), increasingly developed into an expert in planned languages; for his whole life, he was committed to the world-wide use of a foreign language that can be learned equally easily by members of all ethnic groups; Esperanto, functioning since 1887, seemed a good option to him.

A major study on Ottoman architecture in Hungary

1982 ◽  
Vol 45 (1) ◽  
pp. 67-73
Author(s):  
Géza Fehérvári
Keyword(s):  
Eastern Europe ◽  
European Countries ◽  
Classical Period ◽  
East European ◽  
The Balkans ◽  
South Eastern ◽  
The World ◽  
Ottoman Architecture ◽  
South Eastern Europe ◽  
Art And Architecture

Recent years have witnessed an increasing interest in Turkish art and architecture, an interest that embraces not only the monuments in Turkey proper but also those which were erected in south-eastern Europe during the Ottoman occupation. Thus a few years ago, when in conjunction with the World of Islam Festival a symposium was held in Edinburgh dedicated to Islam in the Balkans, the participants dealt with Islamic monuments in Bulgaria, Rumania, Greece and Yugoslavia. The Ottoman monuments of Hungary are admittedly not as numerous as those of these south-east European countries; nevertheless,they represent the achievements of a period which is justifiably called the ‘classical’ period in Ottoman art.

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