scholarly journals Praising as bodily practice: the neocharismatic culture of celebration

2011 ◽  
Vol 23 ◽  
pp. 129-140 ◽  
Author(s):  
Tuija Hovi

Rhythmic body movements and dancing, as well as singing, have been used as a means and inspiration for both individual and communal spiritual experience throughout the history of religions. This article takes a tentative look at the contemporary neocharismatic culture of celebration as a means of aiming at religious experience through collective bodily practice; namely praising, which is generally understood to take the form of singing but is, in fact, expressed also in bodily movements such as dancing. In the neocharismatic context, a celebration means a certain type of a meeting with a special focus on contemplative worship and prayer, accompanied with lively music of praise. First, the historical background of the neo­charismatic branch is outlined shortly. Secondly, the tradition of praise itself within this context is described – what are the insider definitions and what kinds of forms praise in the culture of celebration actually includes, especially in Finland. The description is basically based on internet material and the author's previous field experiences in the Word of Life congregational meetings and other charismatic Christian events. In conclusion, acts of praise as a source of religious experience are discussed.

Author(s):  
محمد خليفة حسن

يعرض البحث جهود إسماعيل الفاروقي في مجال تاريخ الأديان؛ وإسهامه في التأسيس المنهجي لهذا العلم على المستوى الدولي وعلى مستوى المنهج والمضمون. درس الفاروقي طبيعة التجربة الدينية في الإسلام، وعلاقتها بالتجارب الأخرى. وانخرط في الدرس الديني الحديث في الغرب، ومناهج فهم الدين ودراسته. وأبرز البحث دور الفاروقي في تطوير نظام من المبادئ الماوراء دينية؛ والمصدر الإلهي للأديان والحاجة إلى الدراسة النقدية للتراث الديني، أملاً في تعاون البشر في إقامة دين الفطرة، الذي يُوحِّد كل الأديان. This paper presents the efforts of Ismail al-Faruqi in the field of history of religions and his contributions in the methodological establishment of this field on the international level, particularly in the areas of methodology and content. Al-Faruqi studied the nature of the religious experience in Islam, and its relationship with other experiences.  He engaged in the modern religious studies in the West, and the methods of understanding and studying religion. The paper highlights Al-Faruqi's role in developing a system of Meta-Religious principles, the divine source of religions, and the need for critical assessment of religious heritage, in the hope that human beings would cooperate to establish the religion of Fitra (natural disposition), which unites all religions.


2017 ◽  
Vol 25 (1) ◽  
pp. 129-145
Author(s):  
I.B. Grinshpun

The paper continues the cycle of lectures by Igor Borisovitch Grinshpun on history of psychotherapy. The current part of the lecture recounts the work of American psychologist and philosopher William James. His main works “The Principles of Psychology” and “The Varieties of Religious Experience” are discussed, his ideas on consciousness and personality are considered, and their influence on psychology and psychotherapy is traced. This lecture takes stock of the historical background of psychotherapy and makes a summary of the main events of the 19th century, which either influenced psychotherapy directly or proved significant to the development of psychotherapy. Students and colleagues of I.B. Grinshpun prepared the text for publication: Yana Bovbas, Ekaterina Mazaeva, Maria Marchenkova.


2021 ◽  
Author(s):  
Amber L. Griffioen

This Element looks at religious experience and the role it has played in philosophy of religion. It critically explores the history of the intertwined discourses on mysticism and religious experience, before turning to a few specific discussions within contemporary philosophy of religion. One debate concerns the question of perennialism vs. constructivism and whether there is a 'common core' to all religious or mystical experience independent of interpretation or socio-historical background. Another central discussion concerns the epistemology of purportedly theophanic experience and whether a perceptual model of religious experience can provide evidence or justification for theistic belief. The Element concludes with a discussion of how philosophy of religion can productively widen its treatment of religious experience in the service of creating a more inclusive and welcoming discipline.


Numen ◽  
1999 ◽  
Vol 46 (4) ◽  
pp. 345-369
Author(s):  
Eric Ziolkowski

AbstractDespite the abundance of lore about Joachim Wach's lifelong passion for literature, music, and other arts, the pertinence of his aesthetic reflections to his formation as historian of religions is often ignored or under-appreciated. Yet his involvement with the Kreis surrounding the poet Stefan George was perhaps one of the chief early factors that led Wach to liken the study of the history of religions to contemplation of literature and the arts. It is even possible that ideas of the literary historian Friedrich Gundolf about the relationship between the artist and the artist's work helped stimulate Wach's early thinking about the relationship between religious experience and the theoretical, practical, and institutional expressions of that experience. Indeed, throughout his own scholarly writings Wach displays an irrepressible tendency toward combining religionswissenschaflich theorizing with aesthetic reflection, and toward encompassing literary, musical, and other artistic examples within the scope of data to be considered by scholars of religion. This article analyzes the development of that tendency in Wach's scholarship, paying special attention finally to his notion of the modern Western "emancipation of art" from religious influence. This notion, while reflecting a general optimism that characterizes his view of the diversifying, developmental course of numerous other religious and cultural phenomena over time, may ultimately be too strong or reductive for describing what has actually occurred over the past several centuries in the relation between artistic and religious phenomena.


2000 ◽  
Vol 36 (1) ◽  
pp. 35-46 ◽  
Author(s):  
JOHN HICK

Within each of the major world religions a distinction is drawn between the ultimate ineffable Godhead or Absolute and the immediate object of worship or focus of religious meditation. I examine the notion of ineffability, or transcategoriality, in the influential Christian mystic Pseudo-Dionysius, who reconciles the divine ineffability with the authority of the Bible by holding that the biblical language is metaphorical, its function being to draw us towards the Godhead. If we extend this principle to other faiths we have gone half way towards making the global history of religions intelligible. The other half consists in a recognition of the different human conceptualities and spiritual practices that give concrete form to the divine reality within religious experience. However, William Rowe, and Christopher Insole, have criticized this use of ineffability, and their arguments are responded to here.


2018 ◽  
Vol 29 (1) ◽  
pp. 59
Author(s):  
Ismail Fahmi Arrauf Nasution

<p class="Iabstrak"><strong>Abstract</strong>: <em>The aim of this article is to critically evaluate the thought of Nūr al-Dīn al-Ranīrī, particularly his thought in Tibyān fī Ma’rifat al-Adyān. The book contained his accusation of others as being a kafir. This Indian origin theologian explained the history of religions from the times of Adam to the times of Jesus. He claimed that those pre-Islamic religion had perverted. He discussed also Islamic theological schools such as Rafidi, Khawarij, Jabbariyah, Qadariyah, Jahmiyah, Murji'ah and Karamiyah. He said that those schools are perverted as well. According to him, only Ahl al-Sunnah wa ’l-jamā’ah is the right theology. He also discussed various ideologies and the practices of mysticism that have ever grown and claimed that those are perverted too, except the akhlaqi tasawwuf. This article reviews the historical background of Aceh chronically till this "guidance book of takfir" come into existence. For that cause, the content of Tibyān fī Ma’rifat al-Adyānwill is discussed in brief. Finally, the theological thought of al-Ranīrī regarding the unity of being. The article focuses on the criticism over the attack of al-Ranīrī against the concept of the unity of being held by Hamzah Fansūrī and Shams al-Dīn al-Sumatranī.</em></p><strong>Abstrak</strong>: Tulisan ini bertujuan melakukan evaluasi kritis atas pemikiran Nūr al-Dīn al-Ranīrī, khususnya dalam bukunya <em>Tibyān fī Ma’rifat al-Adyān. </em>Dalam buku tersebut dia mengkafirkan banyak pihak. Teolog asal India itu mengulas sejarah agama-agama sejak Adam hingga Isa al-Masih. Dia mengatakan agama-agama tersebut telah menjadi agama yang sesat setelah Islam muncul. Selanjutnya dia membahas aliran-aliran teologi seperti Rafidi, Khawarij, Jabariyah, Qadariyah, Jamamiyah, Murji’ah dan Karamiyah. Dia mengatakan semua aliran teologi ter­sebut adalah sesat. Menurutnya aliran yang benar hanya Ahl al-Sunnah wa ’l-Jamā’ah. Selanjutnya dia mengulas berbagai itikad dan praktik mistisme yang pernah berkembang dan mengatakan semua itu sesat kecuali aliran tasawuf akhlaqi. Tulisan ini mengulas tentang latar belakang Aceh secara kronologis hingga “buku panduan pengkafiran” tersebut hadir. Selanjutnya diulas secara ringkan isi <em>Tibyān fī Ma’rifat al-Adyān. </em>Terakhir dilakukan evaluasi kritis atas pandangan teologis al-Ranīrī tentang <em>Waḥdat al-Wujūd</em>. Tulisan ini berfokus pada kritik atas serangan al-Ranīrī terhadap pemikiran <em>Waḥdat al-Wujūd</em> yang dipegang oleh Hamzah Fansūrī dan Shams al-Dīn al-Sumatranī.


1996 ◽  
pp. 41-45
Author(s):  
Mykhailo Babiy

This is extremely relevant and very important both in theoretical and practical dimensions, the problem was at the center of the discussions of the international scientific conference, which took place on May 6-7, 1996 in Lviv. The mentioned conference was one of the main events within the framework of the VI International Round Table "History of Religions in Ukraine", at its meetings 3-6, as well as on issues of outstanding dates in the history of the development of religious life in Ukraine on the 8th of May: "400 "the anniversary of the Brest Union", and "400th anniversary of the birth of Peter Mohyla"


This is the first book in English dedicated to the actress and director Tanaka Kinuyo. Praised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development of cinema - from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguchi, Naruse and Kurosawa, Tanaka was also the only Japanese woman filmmaker between 1953 and 1962, and her films tackled distinctly feminine topics such as prostitution and breast cancer. Because her career overlaps with a transformative period in Japan, especially for women, this close analysis of her fascinating life and work offers new perspectives into the Japanese history of women and classical era of national cinema. The first half of the book focuses on Tanaka as actress and analyses the elements and meanings associated with her star image, and her powerful embodiment of diverse, at times contradictory, ideological discourses. The second half is dedicated to Tanaka as director and explores her public image as filmmaker and her depiction of gender and sexuality against the national history in order to reflect on her role and style as author. With a special focus on the melodrama genre and on the sociopolitical and economic contexts of film production, the book offers a revision of theories of stardom, authorship, and women’s cinema. In examining Tanaka’s iconic reification of femininities in relation to politics, national identity, and memory, the chapters shed light on the cultural construction of female subjectivity and sexuality in Japanese popular culture.


2006 ◽  
Vol 23 (3) ◽  
pp. 98-100
Author(s):  
Muhamad Ali

Studies of Islam in Southeast Asia have sought to better understand its multifacetedand complex dimensions, although one may make a generalizedcategorization of Muslim beliefs and practices based on a fundamental differencein ideologies and strategies, such as cultural and political Islam.Anna M. Gade’s Perfection Makes Practice stresses the cultural aspect ofIndonesian Muslim practices by analyzing the practices of reciting andmemorizing the Qur’an, as well as the annual competition.Muslim engagement with the Qur’an has tended to emphasize the cognitiveover the psychological dimension. Perfection Makes Practice analyzesthe role of emotion in these undertakings through a combination ofapproaches, particularly the history of religions, ethnography, psychology,and anthropology. By investigating Qur’anic practitioners in Makassar,South Sulawesi, during the 1990s, Gade argues that the perfection of theQur’an as a perceived, learned, and performed text has made and remade thepractitioners, as well as other members of the Muslim community, to renewor increase their engagement with the holy text. In this process, she suggests,moods and motivation are crucial to preserving the recited Qur’an and revitalizingthe Muslim community.In chapter 1, Gade begins with a theoretical consideration for her casestudy. Drawing from concepts that emphasize the importance of feeling andemotion in ritual and religious experience, she develops a conceptualizationof this engagement. In chapter 2, Gade explains memorization within thecontext of the self and social relations. She argues that Qur’anic memorizershave a special relationship with its style and structure, as well as with thesocial milieu. Although Qur’anic memorization is a normal practice for mostMuslims, its practitioners have learned how to memorize and recite beautifullysome or all of the Qur’an’s verses, a process that requires emotion ...


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