scholarly journals La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días Constantes y variables en la formación de un canon

2020 ◽  
Author(s):  
Fausta Antonucci
Keyword(s):  
Golden Age ◽  
Spanish Golden Age ◽  
Distinctive Features ◽  
General Acceptance ◽  
Long Span ◽  
Poetic Translation ◽  
Marked Preference ◽  
Siglo Xix ◽  
The Many ◽  
The 19Th Century

This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side.

scholarly journals El Banco de Santander, 1857-1934: las particularidades de un banco local

2020 ◽  
pp. 7-18
Author(s):  
Andrés Hoyo Aparicio
Keyword(s):  
Risk Aversion ◽  
19Th Century ◽  
Financial Policy ◽  
Distinctive Features ◽  
Family Ties ◽  
Long Period ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx ◽  
Over Time

Este artículo tiene por objetivo identificar las razones que pueden explicar cómo un modesto banco local, fundado por un grupo de comerciantes que desempeñaban su actividad en el puerto de Santander en los años centrales del siglo XIX, pudo mantenerse en el tiempo hasta, avanzado ya el siglo XX, lograr estar en condiciones de entrar a formar parte en el selecto club de los “siete grandes” de la banca española. Se concluye que fueron los fuertes vínculos familiares y de amistad instrumental entre sus gestores, junto con el diseño de una política financiera con marcada aversión al riesgo, y el talante proteccionista, los que conforman los tres principales rasgos a tener en consideración para explicar el porqué de su longevidad y prolongado acomodo al ámbito de lo local a lo largo del periodo considerado. Estos rasgos caracterizadores empezaron a perfilarse ya en sus orígenes como banco emisor. This paper aims to identify the reasons can help us to explain how a modest local bank, founded by a group of merchants that carried out their activity in the port of Santander in the central years of the 19th century, was able to sustain over time until joining the select club of the “big seven” of Spanish banking. It is concluded that three distinctive features should take into account in order to explain its longevity and prolonged accommodation to the local sphere throughout this long period: the strong family ties and instrumental friendship between its managers, the design of a financial policy with marked risk aversion and a protectionist attitude, against all competition. These distinctive features began to emerge in its very origins as an issuing bank.

scholarly journals El teatro clásico español en Alemania Cuatro siglos y veinte años de recepción

2020 ◽  
Author(s):  
Simon Kroll
Keyword(s):  
19Th Century ◽  
Golden Age ◽  
German Romanticism ◽  
Spanish Golden Age ◽  
Strong Focus ◽  
Spanish Baroque ◽  
The Creation ◽  
The 19Th Century

This article seeks to give a first and comprehensive impression on the different stages of translations from Spanish Baroque theatre into German. While in the 17th and 18th centuries that contact is usually established through Dutch, Italian and French translations, it is at the beginning of the 19th century that key figures of the German Romanticism translate theatrical plays of the Spanish Baroque with a strong focus on formal aspects and philological accuracy. Nevertheless, this article shows that the first contacts between Golden Age theatre and Germany are much older than generally assumed and that the influence of Calderón and Lope on the creation of a German theatre tradition might be much stronger than it is commonly thought. Therefore, this article calls for a more profound study of the circulation of Spanish Golden Age theatre in Europe.

scholarly journals La Colección de arte español de William Stirling Maxwell en Pollok House, Glasgow

Imafronte ◽  
2020 ◽  
pp. 149-182
Author(s):  
Gloria Alberca Rodríguez
Keyword(s):  
Nineteenth Century ◽  
United Kingdom ◽  
Golden Age ◽  
Siglo De Oro ◽  
Spanish Golden Age ◽  
The United Kingdom ◽  
New Vision ◽  
Siglo Xix ◽  
Spanish Art

El siglo XIX supondrá un punto de inflexión en el mercado artístico europeo. La introducción de España en dicho mercado dará lugar a una nueva tendencia en el coleccionismo que se interesará especialmente por el arte del Siglo de Oro español. Este artículo busca analizar una de las colecciones más relevantes en todo Reino Unido por convertirse en paradigma del nuevo contexto que acontecía en dicho siglo, la del escocés Stirling Maxwell, y en particular la llamada colección Pollok que ha llegado a nuestros días, ubicada en Glasgow. Así como los motivos que le llevaron a interesarse por el coleccionismo de arte español y las consecuencias que tuvo para la nueva forma de mirar la cultura y el arte españoles en la sociedad anglosajona. The Nineteenth century was a decising point in the European artistic market. The introduction of Spain into that market would build a new collectionism interested by Spanish Golden Age art. This article analyses one of the most important collections throughout the United Kingdom because it became the paradigm of new century context, the collection of the Scottish Stirling Maxwell, and in particular, the Pollok collection that has survived, placed in Glasgow. And the reasons of the interest of the Scottish collector about Spanish art and the consequences that it had for the new vision of the anglosaxon society about the Spanish culture and art.

scholarly journals Pietro Monti y el teatro del Siglo de Oro Estrategias de traducción del humor

2020 ◽  
Author(s):  
Elena Marcello
Keyword(s):  
19Th Century ◽  
Golden Age ◽  
Siglo De Oro ◽  
Spanish Golden Age ◽  
Italian Translation ◽  
The 19Th Century ◽  
Calderón De La Barca

This article deals with the humor translation in Italian through the analysis of two comedies by Calderón de la Barca. In the 19th century, Pietro Monti published several volumes with different plays of the Spanish Golden Age, among which are Amar después de la muerte and Casa con dos puertas malas es de guardar. This article focuses on two problem areas, language-specific and culture-specific jokes, and it analyses the strategies used for Italian translation, in particular, the forms of compensation and adaptation or cases of ‘untranslatability’.

scholarly journals Mariano de Osuna, entre la realidad y la leyenda

2020 ◽  
pp. 151
Author(s):  
Antonio Sánchez-González
Keyword(s):  
19Th Century ◽  
Siglo Xix ◽  
The Many ◽  
The 19Th Century

Resumen: Este trabajo rinde homenaje al noble que más dio de qué hablar en su tiempo, el XII Duque de Osuna Mariano Téllez-Girón y Beaufort-Spontin (1814-1882), sin duda el último vástago de la gran raza de Osuna. Esta casa nobiliaria precisamente alcanzaba su cenit en pleno siglo XIX, convirtiéndose en una de las más poderosas de Europa. Pero el inmenso patrimonio amasado durante generaciones que recibe Mariano sin esperarlo, al ser segundón de la Casa, se consume por completo, al gastar el duque con tanto derroche que ni siquiera pudo pagarse el sepulcro donde yace. De ahí que Mariano Osuna haya pasado a la historia, por encima de todo, como arquetipo de despilfarrador. Sin embargo, también desbordaba humanidad y generosidad a raudales, de lo que recibieron sobradas muestras no solo sus deudos y dependientes sino también su propia patria pues jamás cobró los muchos servicios militares y diplomáticos que prestó a España.Abstract: This work pays homage to the most controversial noblemen of his time, the XII Duke of Osuna Mariano Téllez-Girón and Beaufort-Spontin (1814-1882); undoubtedly the last scion of the great breed of Osuna. This noble house precisely reached its zenith at the height of the 19th century becoming one of the most powerful houses all over Europe. However, the vast wealth gathered over generations that Mariano received unexpectedly, since he was the second son of the house, ran out because of the Duke’s wasteful spending. He could not even afford the payment of his tomb where he lies. That is why Mariano Osuna has passed into history, above all, as the archetype of spendthrift. Anyway, he also overflowed humanity and generosity in abundance, as quite evidenced to his relatives, dependents and homeland. He never wanted to charge the emoluments of the many military and diplomatic services that he provided Spain with.

THE IDEA OF «COMMUNITY» IN THE GOVERNMENT CONCEPTS OF GALICIA OF THE XIX – BEGINNING OF THE XX CENTURY

2019 ◽  
pp. 15-21
Author(s):  
Liubomyr Ilyn
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Practical Significance ◽  
Distinctive Features ◽  
Legal Studies ◽  
Legal Principle ◽  
General Scientific ◽  
The Government ◽  
The Right ◽  
The 19Th Century

Purpose. The purpose of the article is to analyze and systematize the views of social and political thinkers of Galicia in the 19th - beginning of the 20th centuries. on the right and manner of organizing a nation-state as a cathedral. Method. The methodology includes a set of general scientific, special legal, special historical and philosophical methods of scientific knowledge, as well as the principles of objectivity, historicism, systematic and comprehensive. The problem-chronological approach made it possible to identify the main stages of the evolution of the content of the idea of catholicity in Galicia's legal thought of the 19th century. Results. It is established that the idea of catholicity, which was borrowed from church terminology, during the nineteenth century. acquired clear legal and philosophical features that turned it into an effective principle of achieving state unity and integrity. For the Ukrainian statesmen of the 19th century. the idea of catholicity became fundamental in view of the separation of Ukrainians between the Russian and Austro-Hungarian empires. The idea of unity of Ukrainians of Galicia and the Dnieper region, formulated for the first time by the members of the Russian Trinity, underwent a long evolution and received theoretical reflection in the work of Bachynsky's «Ukraine irredenta». It is established that catholicity should be understood as a legal principle, according to which decisions are made in dialogue, by consensus, and thus able to satisfy the absolute majority of citizens of the state. For Galician Ukrainians, the principle of unity in the nineteenth century. implemented through the prism of «state» and «international» approaches. Scientific novelty. The main stages of formation and development of the idea of catholicity in the views of social and political figures of Halychyna of the XIX – beginning of the XX centuries are highlighted in the work. and highlighting the distinctive features of «national statehood» that they promoted and understood as possible in the process of unification of Ukrainian lands into one state. Practical significance. The results of the study can be used in further historical and legal studies, preparation of special courses.

The Many Pasts of Detective Fiction

2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch
Keyword(s):  
Detective Fiction ◽  
Golden Age ◽  
Public History ◽  
Detective Novel ◽  
Sherlock Holmes ◽  
Detective Story ◽  
The Past ◽  
Wide Range ◽  
Detective Novels ◽  
The Many

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.

Unrivalled Influence

2013 ◽  
Author(s):  
Judith Herrin
Keyword(s):  
Political Life ◽  
General Introduction ◽  
Women And Gender ◽  
Mothers And Daughters ◽  
Diverse Range ◽  
Long Span ◽  
Imperial Court ◽  
And Gender ◽  
The Many ◽  
First Time

This book explores the exceptional roles that women played in the vibrant cultural and political life of medieval Byzantium. This book evokes the complex and exotic world of Byzantium's women, from empresses and saints to uneducated rural widows. Drawing on a diverse range of sources, the book sheds light on the importance of marriage in imperial statecraft, the tense coexistence of empresses in the imperial court, and the critical relationships of mothers and daughters. It looks at women's interactions with eunuchs, the in-between gender in Byzantine society, and shows how women defended their rights to hold land. The book describes how women controlled their inheritances, participated in urban crowds demanding the dismissal of corrupt officials, followed the processions of holy icons and relics, and marked religious feasts with liturgical celebrations, market activity, and holiday pleasures. The vivid portraits that emerge here reveal how women exerted an unrivalled influence on the patriarchal society of Byzantium, and remained active participants in the many changes that occurred throughout the empire's millennial history. The book brings together the author's finest essays on women and gender written throughout the long span of her career. This volume includes three new essays published here for the very first time and a new general introduction. It also provides a concise introduction to each essay that describes how it came to be written and how it fits into her broader views about women and Byzantium.

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