scholarly journals Pour la douce France: un progetto editoriale

Author(s):  
Raffaella Castagnola Rossini

Pour la douce France is the title of a painting by Romaine Brooks, an American artist who lived in France during World War I, who became a close friend of D’Annunzio at the times of La Capponcina. The newspaper Le Figaro published a picture of the painting in its May 5, 1915 issue together with several poetical texts of D’Annunzio. These materials were then included into an elegant folder, put on sale the same year in order to raise funding for the Red Cross. However, that volume remained a project: the publication was supposed to bring together his other texts and lectures on war to  be subsequently edited and published by the librarian and bibliophile Édouard Champion. The project eventually produced only some drafts, which are now preserved in a private collection in Switzerland.

2019 ◽  
pp. 104-113
Author(s):  
Mariia Huk

The paper discusses the development trends of the available thesis studies, which fully discuss the participation of women in the times of World War I. The methodological basis of the paper is formed by general scientific and special historical methods of logical and historiographical analysis.The papers for analysis reveal the history of women in two hostilestates, namelythe Russian and Austro-Hungarian Empires. It has been determined that there have beenwritten just a few thesis paperson gender-based issuesof the period of World War I. This is currently a developing. The available studies have demonstrated that the history of women during World War I has been generally explored in the context of acts of charity and solving the everyday issues of the war-engulfed towns. It has been proven that women did not occupy a passive position in the times of war. On the contrary, they took it upon themselves to aid as much as possible and performed the generally attributed “male” functions. The scholars are unanimous in their claims that World War I challenged the society's viewpointas to the status of women. The woman was forced to run her own household and at the same timebe the breadwinner for the family. Society did not condemn such zest, but on the contrary, encouraged women's work. Women began to master new professions, which previously were considered fit only for males. A woman working at the factory, or the railroad has become a commonplace phenomenon. Business ownersused this to their own benefit. Women were paid much less than men, allowing owners to save a substantial amount. Most women distinguished themselves by doing charity. Here, theywere able to show their talents and abilities most. Women of the royal family, nobility, the intellectual elite, and peasantry worked side by side for the benefit of their own military, wounded, and refugees. «Women's Committees» took over the guardianship of families that moved and lost almost everything; took care of the children left without parents, and women who lost their husbands. These committees watched over the production of clothes for the army and refugees, collected funds for pharmaceuticals for various medical institutions. Hospitals, shelters, dormitories had their own female guardian, who saw to the order and life of these «wards». At the front lines, in hospitals, in the places of refugee dislocations they helped with the functioning of the Russian Red Cross Society. The latter attracted not only experienced nurses, but also prepared and conducted training for all those interested. The Russian Red Cross Society had its own affiliations work closely with the local women's committees, opened refugee stations, created points of evacuation, collected funds for various needs, organized charity events. Some women scoured the front lines and defended their Fatherland. The scholars provide data on 37 women which served their country at the front lines as part of the medical teams. Among them were Elena Stepaniv, Sofia Galechko and many others. Whereas Evdokiya Chernyavskya from Odessa disguised herself as a man and went to serve in the Russian military. The focus on specific aspects of World War I allowed to reveal the other side of war, showing that it was not only a males bidding. Women did not stay aloof. Historysaw to it that women were represented both as certain communities the, women's organizations, society, committees and also the contributions of each and every individual. Yelizaveta Volodymyrivna, Efrosynia Mykolayivna, Olga Tereshchenko, Varvara Khannenko, Duchess M.O. Svyatopolk-Mirsky, Countess Tolstaya, Princess Demidova San Donato, Princess Branycka, Elyzaveta, and Vira Lopukhin-Demidov were unveiled as well-known philanthropists.They opened hospitalsin their estates,and workshops for the manufacture of medical instruments. At their own expense they tended to the wounded, and if it was necessary, helped out themselves in hospitals. The analysis of the available thesis papers has shown that it is necessary to conduct a historical analysis on the role ofwomen during World War I. Many issues have remained unpublished, thus there are many possibilities for further research.


2016 ◽  
Vol 29 (2) ◽  
pp. 79-85
Author(s):  
Andrzej Wrobel ◽  
Malgorzata Korzeniowska ◽  
Agnieszka Polak ◽  
Marcin Szczygiel ◽  
Rafal Wrobel

AbstractThis is one of a series of articles about pharmacists in Lublin district, in the 19th and 20th c. The first recorded owner of the pharmacy in Adamów was Aleksander Biernacki (1851-1897), who passed it onto his son-in-law, Aleksander Rogoziński (1873-1941), and who, in turn, passed it onto his son, Stanisław Rogoziński (1913-1998), married to Tatiana (1918-1998). This family's history is an example of the history of Polish intelligentsia in the second half of 19th c., in the times of the Russian partition, World War I, 1918-1939, World War II and until contemporary times.


Author(s):  
Mark Cirino ◽  
Mark P. Ott

The introduction provides an overview on Hemingway’s association with Italy, both his biographical connection and through the resonance of his Italian work. The introduction continues to trace the narrative of the volume, providing the context of each essay and the loose narrative that emerges from our sequence. He first traveled to Italy in the crucible experience of 1918, as a volunteer with the Red Cross serving the Italian Army during World War I. Hemingway’s writing on Italy presented a constant and relentless criticism of Italian fascism. For this reason, he felt unwelcome in the country until after World War II and the election of 1948 that democratized Italy. Soon after, he returned to Italy, but as a wealthy celebrity


Author(s):  
David J. Bettez

This chapter covers the commonwealth’s response to World War I and efforts to support the war after the United States entered it in April 1917. It describes support from newspaper editors Henry Watterson and Desha Breckinridge. It also discusses attitudes toward the state’s extensive German American population, including an effort to ban the teaching of the German language in schools and the repression of people deemed disloyal or insufficiently supportive of the war. Kentuckians also rallied to the war effort in a positive way, supporting Liberty Bond and Red Cross campaigns. They joined support organizations such as the Four Minute Men and the American Protective League.


Author(s):  
Barbara Barksdale Clowse

Working in four other southern states (Virginia, South Carolina, Georgia, and Mississippi), Bradley chafed under scheduling and logistical pressures. World War I brought new opportunities for her when Julia Lathrop, the head of the Children’s Bureau, persuaded President Wilson to declare a “Children’s Year.” Then doctors working for the American Red Cross in France recruited Bradley to join them treating refugees and evaluating civilians’ health in war zones.


2007 ◽  
Vol 80 (2) ◽  
pp. 317-321
Author(s):  
Marcy L. Tanter

The article recovers poet Martha Dickinson Bianchi, niece of Emily Dickinson, who served in the Amherst, Massachusetts, branch of the Red Cross and tended wounded soldiers in New York City at the end of World War I. Two previously unpublished poems reflect American despair in the aftermath of the war.


2009 ◽  
Vol 9 (3) ◽  
pp. 15-21
Author(s):  
adam greenhalgh

During the 1920s the image of dairy cows in a pastoral setting was a complex, ideologically-charged motif. The cow was one of American artist Yasuo Kuniyoshi's (1889––1953) signature iconographic emblems at this time. This article briefly assesses autobiographical, geographic, stylistic, and symbolic meanings the subject held for the artist before considering Cows in Pasture (1923, Corcoran Gallery of Art) alongside contemporaneous imagery and rhetoric employed by the U.S. dairy industry and the U.S. Department of Agriculture in the decade following World War I, when milk was being marketed as the perfect food for future generations of Americans. Considering Kuniyoshi's penchant for creating images that engage with dairy advertisements that incorporated idyllic images of America's rural past inflected with nationalist ideology and Christian religious iconography complicates prior interpretations of his images of cows.


2015 ◽  
Vol 96 (6) ◽  
pp. 1079-1084
Author(s):  
N N Blokhina

The article describes Romanov dynasty representatives work as the Sisters of Mercy: the sister of Emperor Nicholas II Grand Duchess Olga Alexandrovna, and cousin of the Emperor Grand Duchess Maria Pavlovna, in the Russian military hospitals from the very first days of the First World War. Realizing that sick and wounded need care, they gave all their energy to service to them. Complying with hospitals everyday life order where they held the service, not distinguishing themselves, they lived everyday hospital life. August sisters seemed humane and kindred because they aspired to alleviate the suffering of the paternalized wounded, console them, show them kindness. The Romanov dynasty representatives personified for the wounded all near and dear to their hearts. They constituted that higher female creature which embodies the virtues of mother and wife, and at the same time the Christian service paragon, what was always much valued among Russian people. Both Grand Duchess Olga Alexandrovna and Grand Duchess Maria Pavlovna, Jr., the Red Cross Evgenevskiy community nurse, activities flowed in the tense daily work, difficult military life conditions and hardships. Sisters of Mercy of the Romanov dynasty - Grand Duchess Olga Alexandrovna and Grand Duchess Maria Pavlovna - became exemplary models for all young sisters, who joined the road of charity in the grim days of First World War.


2021 ◽  
Vol 7 (1) ◽  
pp. 179-208
Author(s):  
Ryan Radice

Located on what is today New Jersey soil, the hospital facilities on Ellis Island, run by the Public Health Service (PHS) to treat immigrant patients, were a medical marvel of their time. While known primarily for its use as an immigration facility, Ellis Island went through several major changes from the time war was declared in Europe in 1914, to the time that the last military members left the Island in 1919. During the First World War, Ellis Island and its associated hospital facilities would be the victims of German terrorism, a mobilization point for thousands of Red Cross nurses bound for the frontlines, and a debarkation hospital that was the first stop home for countless sick and wounded soldiers returning from the battlefield. This paper examines how the PHS, the Red Cross, and the Army Medical Corps tried to protect public health, screen immigrants for disease, and care for our military casualties, all under the tension and strain of a world war and a global pandemic.


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