scholarly journals Revisiting the Code: The Vortical Transparency of the Space On Natália Correia’s Poetry

2021 ◽  
Author(s):  
Maria de Fátima Marinho
Keyword(s):  
Explicit Reference

In this article, we intend to explore the author’s ability to transform, subvert and recreate (spatial and/or cultural) referents that the reader recognises immediately but are presented in a disconcerting manner, always implying a critical and epistemological re-evaluation. Irreverence, an indispensable engine in Natália Correia’s poetics, is interstitially insinuated in the smallest details called for, whether they be the explicit reference to places or the appropriation of different styles. In O progresso de Édipo, Sonetos Românticos or O Anjo do Ocidente à Entrada do Ferro, Epístola aos Iamitas and many other volumes, we find the same transgression of the code, the same (ir)reverence, the same complicity with the reader.

CCAMLR Conservation Measures: How the Chairman’s Statement Works

2015 ◽  
Vol 7 (1) ◽  
pp. 501-530 ◽  
Author(s):  
Denzil G.M. Miller
Keyword(s):  
Indian Ocean ◽  
State Sovereignty ◽  
Review Panel ◽  
National Sovereignty ◽  
Performance Review ◽  
Conservation Measure ◽  
Explicit Reference ◽  
Antarctic Marine ◽  
Indian Ocean Sector ◽  
Ocean Sector

The ‘Final Act of the Conference on the Conservation of Antarctic Marine Living Resources’ included a statement made on 19 May 1980 by its Chairman. The ‘Chairman’s Statement’ addressed the CAMLR Convention’s application in waters adjacent to the Kerguelen and Crozet Islands over which France exercises jurisdiction by virtue of its sovereignty over the islands. The Statement included explicit reference to waters adjacent to other islands within the CCAMLR Area, where the existence of State sovereignty is recognised by all the Convention Contracting Parties. In 2007 the CCAMLR Performance Review noted the increasing frequency with which some Commission Members were invoking the Chairman’s Statement. In particular, the Review Panel expressed the view that a point has been reached where any Conservation Measure adopted by CCAMLR invariably attracts a formal reservation on the perception that a conservation measure affects the maritime jurisdictions of certain Members, particularly those exercising national sovereignty over sub-Antarctic islands in the CCAMLR Indian Ocean sector. This paper examines the background to, and practices associated with, applying CCAMLR Conservation Measure reservations under the Chairman’s Statement.

Joanna I of Anjou (1343–1382)

Encyclopedia ◽  
2021 ◽  
Vol 1 (4) ◽  
pp. 1303-1311
Author(s):  
Paola Vitolo
Keyword(s):  
Illuminated Manuscripts ◽  
Ruling Class ◽  
The Public ◽  
South Italy ◽  
Symbolic Representations ◽  
Works Of Art ◽  
Explicit Reference ◽  
Symbolic Image ◽  
Art And Architecture ◽  
The Church

Joanna I of Anjou (1325–1382), countess of Provence and the fourth sovereign of the Angevin dynasty in south Italy (since 1343), became the heir to the throne of the Kingdom of Sicily, succeeding her grandfather King Robert “the Wise” (1277–1343). The public and official images of the queen and the “symbolic” representations of her power, commissioned by her or by her entourage, contributed to create a new standard in the cultural references of the Angevin iconographic tradition aiming to assimilate models shared by the European ruling class. In particular, the following works of art and architecture will be analyzed: the queen’s portraits carved on the front slabs of royal sepulchers (namely those of her mother Mary of Valois and of Robert of Anjou) and on the liturgical furnishings in the church of Santa Chiara in Naples; the images painted in numerous illuminated manuscripts, in the chapter house of the friars in the Franciscan convent of Santa Chiara in Naples, in the lunette of the church in the Charterhouse of Capri. The church of the Incoronata in Naples does not show, at the present time, any portrait of the queen or explicit reference to Joanna as a patron. However, it is considered the highest symbolic image of her queenship.

scholarly journals Explicit Reference Governor for the Constrained Control of Linear Time-Delay Systems

2019 ◽  
Vol 64 (7) ◽  
pp. 2883-2889
Author(s):  
Marco M. Nicotra ◽  
Tam W. Nguyen ◽  
Emanuele Garone ◽  
Ilya V. Kolmanovsky
Keyword(s):  
Time Delay ◽  
Linear Time ◽  
Delay Systems ◽  
Constrained Control ◽  
Time Delay Systems ◽  
Explicit Reference ◽  
Reference Governor

scholarly journals ‘Dirty little secret’: Journalism, privacy and the case of Sharleen Spiteri

2012 ◽  
Vol 18 (1) ◽  
pp. 46 ◽  
Author(s):  
Tom Morton
Keyword(s):  
Unprotected Sex ◽  
Recent History ◽  
The Political ◽  
Media Ethics ◽  
Personal Privacy ◽  
Sex Worker ◽  
Perspective Drawing ◽  
The World ◽  
Explicit Reference

In both the Australian and British debates about media ethics and accountability, a key question about the News of the World phone-hacking scandal was whether or not the law should provide stronger protection for individuals from invasion of their privacy by news organisations. There is no explicit reference to privacy in the terms of reference of either Britain’s Leveson or Australia’s Finkelstein inquiries. It can safely be said, however, that invasions of personal privacy by NOTW journalists were an important element in the political atmospherics which lead to their establishment. This article also asks where that dividing line should be drawn. However, it approaches the issue of privacy from a rather different perspective, drawing on a case study from relatively recent history involving Sharleen Spiteri, an HIV+ sex worker who caused a national scandal when she appeared on television in Australia in 1989 and revealed that she sometimes had unprotected sex with her clients.

scholarly journals The Functionality of Color Terms in Antarah IBN SHADAD's Poetry

2018 ◽  
Vol 214 (1) ◽  
pp. 47-74
Author(s):  
M . Raad Abdul Jabbar Jawad
Keyword(s):  
Personal Experience ◽  
Arabic Language ◽  
The Other ◽  
Color Terms ◽  
Black And White ◽  
Poetic Image ◽  
Explicit Reference ◽  
Poetic Diction ◽  
Definition Of ◽  
Poetry Collection

     To start with, a definition of the term 'color' in Arabic language is presented.  Then, a study of colors implications in Al-Jahili poetry is proceeded; the poet's creativity in using color terms and incorporating these terms in Jahili poems explicitly or implicitly in forming up the topics of their poetry, then outlined. Color figures and images are dominant in Al-Jahili poetry to its extreme so as to propagate an oasis of environmental emulations, on one hand, and an outlet for personal experience on the other. In his poetry, Antara followed his ancestors' poetic traditions and closely textualized their inspirations and fantasies in his versification.  Partly, his poetic diction was personalized; whereas, the semantic contents tackled by ancestors were mediated and de toured astray in some instanses.  Reviewing his poetry collection one can infer his typical attitudes of using colors: the black, the white, the red, the green, the blue, and the yellow. Excessive use of these colors can be cited along with multiplicity of presentation in creating a quantum of color implications especially those of the white and the black, he used a decorated mosaic of colors in forming his poetic image; whereas he incorporated a corona of colors in restoring his poeticity.  Color contrasts are foregrounded in building up perceptible imagesof his poems. Colorful images, he used, asa loverand as a knight are merged with his passion and bravery; though gloomy in his macabre. The paper concludes that Antara used an excessive influx of colors terminology and semantic sheds in entailing his topics, focusing on the red, black and white.  The black was his favorite; whereas the red and the black are used excessively in his expressions.  Explicit reference to the red and black was the highest in number in the selected poems.  Essentially, some node that the notability of the black was a symptom of suffering and degrading he suffered as a black.

On Reverie: Using Clinical Facts while Conducting My Group

2017 ◽  
Vol 50 (3) ◽  
pp. 376-388 ◽  
Author(s):  
Uri Levin
Keyword(s):  
Clinical Vignette ◽  
Practical Application ◽  
Analytic Group ◽  
Group Settings ◽  
Psychoanalytic Discourse ◽  
Explicit Reference ◽  
State Of Mind

Reverie, like love, is difficult to define yet easy to acknowledge when present. Like the container and the contained—reverie refers more to a state of mind, to a process, than to a concrete, momentary entity. Bion centralized this concept in the heart of the psychoanalytic discourse, and Ogden gave the term a more practical application. Foulkes had no explicit reference to the concept, yet we might suppose that his ‘free floating discussion’ is one example of his implicit interest with the idea of reverie experiences in the group. This article will introduce the concept of reverie and its implementations in both individual and group settings. A detailed clinical vignette of my group-analytic group will be presented and discussed, demonstrating how I (sometimes manage to) work with clinical facts in my room.

Onqelos in Byzantium in the Twelfth and Thirteenth Centuries: The Relationship of R. Samuel of Rossano and R. Meyuhas ben Elijah to the Aramaic Translation

2021 ◽  
Vol 24 (2) ◽  
pp. 231-246
Author(s):  
Jonathan Jacobs
Keyword(s):  
Twelfth Century ◽  
Qualitative Difference ◽  
The Other ◽  
Other Hand ◽  
Explicit Reference ◽  
Relationship Of ◽  
The Relationship

Abstract This study addresses the views of two Byzantine commentators regarding Targum Onqelos: R. Samuel Roshano of the twelfth century and R. Meyuhas ben Elijah of the thirteenth. R. Samuel explicitly refers to the translation forty-six times; R. Meyuhas makes explicit reference to it 104 times. But there are differences between the two commentators in their relation to the Targum: R. Samuel never mentions the name Onqelos, while R. Meyuhas does so explicitly; R. Samuel systematically cites the text of the Targum, while in most cases in R. Meyuhas’ commentary, there is no accurate citation. The qualitative difference is in their respective relationships with the Targum: all of R. Samuel’s references to it signal his agreement; R. Meyuhas, on the other hand, while frequently agreeing with Onqelos, also brings the Targum as one of two possible alternatives and sometimes openly challenges its interpretation.

Camus’s War

Traces of War ◽  
2018 ◽  
pp. 65-79
Author(s):  
Colin Davis
Keyword(s):  
German Occupation ◽  
Explicit Reference ◽  
Armed Resistance

Camus’s great novel L’Etranger was published in 1942. Although it contains no explicit reference to the war, the chapter argues that it bears the marks of a trauma text. It is compared to his more polemical essays, Lettres à un ami allemand, which acknowledge the need for armed resistance to the German Occupation.

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