scholarly journals Injustice Continuity: Gender Inequality in Japan in the 21st Century

2021 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Mukhlis Arifin

<p><em>The issue of gender equality is still a problem attached to the Japanese economic, social, political, and cultural system. The movement for Japanese liberation efforts and strived since the middle of the twentieth century is still stagnating. This problem remains inseparable from how stakeholders maintain a conservative thought. Women in the domestic sphere and women are the person who does not have the capacities as men are still the basis for reason. This paper will review how gender inequality is still a severe issue that needs to be fought for in the twenty-first century.</em></p><p class="abstrak"><span lang="EN-US">Isu kesetaraan gender masih berupa permasalahan yang erat melekat dalam sistem ekonomi, sosial, politik dan budaya Jepang. Pergerakan upaya liberasi Jepang yang telah diperjuangkan sejak pertengahan abad ke dua puluh sampai saat ini masih mengalami stagnansi. Keberlanjutan isu ini tidak terlepas dari bagaimana sebuah konstruksi berpikir konservatif tetap dipertahankan oleh pemangku kepentingan. Perempuan dengan ranah domestik dan perempuan tidak memiliki kapasitas yang mumpuni daripada laki-laki masih menjadi dasar berpikir dalam permasalahan ini. Tulisan ini akan mengulas bagaimana isu ketimpangan gender masih merupakan isu serius yang perlu diperjuangkan di abad ke dua puluh satu.</span></p>

Tempo ◽  
2019 ◽  
Vol 73 (289) ◽  
pp. 68-69
Author(s):  
Hannah Reardon-Smith

In a 2013 article Claire Chase muses on her dream to commission and premiere the ‘21st-century Density’. This performance demonstrated some of the difficulties with this idea in the actuality of twenty-first-century composition – the Work as it was perceived in the mid-twentieth century is largely displaced; the performer and her body has been rendered visible, her contribution central, and this concert is far more a portrait of Claire Chase than it is of her instrument. But Chase had in fact already accounted for this. ‘Of what will the Density of our time be made?’ she wrote, prophetically. ‘Of osmium? Of signal processing? Of wood? Of carbon? Of flesh? Of air?’


Moreana ◽  
2018 ◽  
Vol 55 (Number 209) (1) ◽  
pp. 61-78
Author(s):  
José Eduardo Reis

The history of the literary reception of Thomas More's Utopia in Portugal has been a tale of omissions, censorships and deferred translations that highlight a flaw within the Portuguese cultural system. Indeed, it is somewhat ironic that such a representative work of both Western literature and thought, historically associated with the opening of the world's geographical horizons, and which ascribed to a Portuguese sailor, Raphael Hythloday, the discovery of an ideal place, was first translated into Portuguese only in the second half of the twentieth century. However, the first decade of the twenty-first century seems to bode a more auspicious literary fortune for More's Utopia within the Portuguese literary idiom: not only has an edition of More's work finally been translated from the original Latin, but also two novels were published in 2004, A lenda de Martim Regos, by Pedro Canais, and Rafael, by Manuel Alegre. In the context of both books' plots, they rewrite the complex traits of the character of the Portuguese sailor and discoverer of the ideal island. The same reinvention of the character of Raphael had already been attempted, in 1998, by José V. de Pina Martins in his long dialogic Morean narrative, Utopia III. In this essay, I will focus both on the documental sources related to Portuguese culture that are at the root of More's Utopia and on some relevant aspects of the reception of the character of Raphael Hythloday within the aforementioned novels.


Author(s):  
Dr. Sanghamitra Behera

Abstract: As the cultural environment of the twenty first century comes into clear focus, Cambridge Studies in Twenty-First Century. Literature and culture presents a series of monographs that undertakes the most penetrating and religious analysis of contemporary culture and thoughts. The series is driven by perception that critical thinking today is in a state of transition. The global forces that produce cultural forms are entering into powerful new alignments, which demand new analytical vocabularies in the wake of later twentieth century theory. The series will demonstrate that theory is not simply availed revolutionary gesture that we need to move beyond, but rather brings us to the thresh hold of a new episteme, which will host work that explores the most important emerging critical contours of the 21st century, marrying inventive and imaginative criticism with theoretical and philosophical rigor. The aim of the series will be to produce an enduring account of the 21st century intellectual landscape that will not only stand as a record of the critical nature of our time, but that will also forge new critical language and vocabularies with which to navigate an unfolding age. Keyword: cultural environment, perception, revolutionary, episteme, transition, vocabularies


2021 ◽  
Vol 17 (3) ◽  
pp. 73-84
Author(s):  
Gabriel Galdino

In the history of international relations, the association between developing countries occurred on a reduced scale until the mid-twentieth century. This article takes a historical and economic approach about the formation of the movements characterized as South-South Cooperation, including the emergence of the BRICS in the 21st century.


2020 ◽  
Vol 10 (Special) ◽  
pp. 12-18
Author(s):  
Phan Vang Anh Thai

As a focus of introduction since the early 1990s of the twentieth century, Bakhtin’s theroy has significantly influenced the research, criticism and writing activities of the Vietnamese literary circle. Bakhtin’s foundational concepts, especially the dialogical principle, have urged Vietnamese writers to renovate their thinking for novels and their forms of creativity. This article is based on Bakhtin's dialogue theory to identify the movements and renovations of Vietnamese novels in the early twenty-first century. Accordingly, many novels that have gone from “multiphonics” to “polyphony” in the narrative language tone not only demonstrate the intersubjective dialogic feature but also bear the intertextuality dialogic sense. Particularly, novels have been transformed into a language play with endless dialogues between storytellers and characters, among characters as well as among writers, characters and readers, etc.


2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Sven Kunisch ◽  
Markus Menz ◽  
David Collis

Abstract The corporate headquarters (CHQ) of the multi-business enterprise, which emerged as the dominant organizational form for the conduct of business in the twentieth century, has attracted considerable scholarly attention. As the business environment undergoes a fundamental transition in the twenty-first century, we believe that understanding the evolving role of the CHQ from an organization design perspective will offer unique insights into the nature of business activity in the future. The purpose of this article, in keeping with the theme of the Journal of Organization Design Special Collection, is thus to invigorate research into the CHQ. We begin by explicating four canonical questions related to the design of the CHQ. We then survey fundamental changes in the business environment occurring in the twenty-first century, and discuss their potential implications for CHQ design. When suitable here we also refer to the contributions published in our Special Collection. Finally, we put forward recommendations for advancements and new directions for future research to foster a deeper and broader understanding of the topic. We believe that we are on the cusp of a change in the CHQ as radical as that which saw its initial emergence in the late nineteenth/early twentieth century. Exactly what form that change will take remains for practitioners and researchers to inform.


2013 ◽  
Vol 138 (1) ◽  
pp. 129-174 ◽  
Author(s):  
Matthew Pritchard

AbstractThis article examines a range of writings on the status of musical interpretation in Austria and Germany during the early decades of the twentieth century, and argues their relevance to current debates. While the division outlined by recent research between popular-critical hermeneutics and analytical ‘energetics’ at this time remains important, hitherto neglected contemporary reflections by Paul Bekker and Kurt Westphal demonstrate that the success of energetics was not due to any straightforward intellectual victory. Rather, the images of force and motion promoted by 1920s analysis were carried by historical currents in the philosophy, educational theory and arts of the time, revealing a culturally situated source for twenty-first-century analysis's preoccupations with motion and embodiment. The cultural relativization of such images may serve as a retrospective counteraction to the analytical rationalizing processes that culminated specifically in Heinrich Schenker's later work, and more generally in the privileging of graphic and notational imagery over poetic paraphrase.


2015 ◽  
Vol 27 (02) ◽  
pp. 1630001 ◽  
Author(s):  
Dietrich Stauffer

Capital usually leads to income and income is more accurately and easily measured. Thus, we summarize income distributions in USA, Germany, etc.


2006 ◽  
Vol 1 (4) ◽  
pp. 279-282 ◽  
Author(s):  
A. R. Champneys

This paper represents the author’s view on the impact of the book Nonlinear Oscillations, Dynamical Systems and Bifurcations of Vector Fields by John Guckenheimer and Philip Holmes, first published in 1983 (Springer-Verlag, Berlin). In particular, the questions addressed are: if one were to write a similar book for the 21st century, which topics should be contained and what form should the book take in order to have a similar impact on the modern generation of young researchers in applied dynamical systems?


2021 ◽  
Vol 10 (2) ◽  
pp. 298
Author(s):  
Lorenzo Ridola ◽  
Oliviero Riggio

Why write about hepatic encephalopathy (HE) in the twenty-first century [...]


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