scholarly journals The Phenomenology of Terrorism: The Conditional Counterviolence as a Relational Phenomenon

2020 ◽  
Author(s):  
Fahimeh Dehbashi

<div>Whether ends justify all violent means or only conditional violent means? The phenomenological analysis of terrorism prepares a way for looking accurately at how one can make sense of a major transition from an engagement to a disengagement of society. Phenomenologically speaking, Violent acts are interpreted based on intentional experience that conducts the social roots of violence towards an intersubjective relationship between oneself and the Other, understood as Ego and alter Ego. The connection between the I and the Others emanates from two phenomenal concepts of love and hatred. On the one hand, These two concepts have bonded with the freedom of their subjects, so both the I and the Others should be in permanent violence to keeping their freedom. On the other hand, the phenomenological concept of terrorism is examined through the justifi cation of relational violent means, rather than an absolute violence. The main core of this paper is centralized on the formula of Trotsky who asserts `ends justify means.' However, it must be differentiated between terrorists' actions that unconditionally use means and conditional violent actions, used by relational violent means. The latter wants to achieve some goals, such as restoring the self-respect and the personal identity of victims of terrorism, as well as decolonizing and protecting territories. Counterviolence, such as defending our national identity, is necessary to achieve these goals, but it should not be led to assassinating all humans, both civilians and statesmen. The contemporary violence can be thought of as a modern slavery such that it overlooks the idea that all humans are born free. Therefore, counterviolence is permissible without any extreme violence through different methods, such as protesting or making a real international court without any directorial and commanding aspects on behalf of colonialist leaders.</div>

2020 ◽  
Author(s):  
Fahimeh Dehbashi

<div>Whether ends justify all violent means or only conditional violent means? The phenomenological analysis of terrorism prepares a way for looking accurately at how one can make sense of a major transition from an engagement to a disengagement of society. Phenomenologically speaking, Violent acts are interpreted based on intentional experience that conducts the social roots of violence towards an intersubjective relationship between oneself and the Other, understood as Ego and alter Ego. The connection between the I and the Others emanates from two phenomenal concepts of love and hatred. On the one hand, These two concepts have bonded with the freedom of their subjects, so both the I and the Others should be in permanent violence to keeping their freedom. On the other hand, the phenomenological concept of terrorism is examined through the justifi cation of relational violent means, rather than an absolute violence. The main core of this paper is centralized on the formula of Trotsky who asserts `ends justify means.' However, it must be differentiated between terrorists' actions that unconditionally use means and conditional violent actions, used by relational violent means. The latter wants to achieve some goals, such as restoring the self-respect and the personal identity of victims of terrorism, as well as decolonizing and protecting territories. Counterviolence, such as defending our national identity, is necessary to achieve these goals, but it should not be led to assassinating all humans, both civilians and statesmen. The contemporary violence can be thought of as a modern slavery such that it overlooks the idea that all humans are born free. Therefore, counterviolence is permissible without any extreme violence through different methods, such as protesting or making a real international court without any directorial and commanding aspects on behalf of colonialist leaders.</div>


Philosophy ◽  
2021 ◽  
pp. 1-23
Author(s):  
James Laing

Abstract In this paper, I argue that we face a challenge in understanding the relationship between the ‘value-oriented’ and ‘other-oriented’ dimensions of shame. On the one hand, an emphasis on shame's value-oriented dimension leads naturally to ‘The Self-Evaluation View’, an account which faces a challenge in explaining shame's other-oriented dimension. This is liable to push us towards ‘The Social Evaluation View’. However The Social Evaluation View faces the opposite challenge of convincingly accommodating shame's ‘value-oriented’ dimension. After rejecting one attempt to chart a middle course between these extremes, I argue that progress can be made if we reject the widespread assumption that the other-oriented dimension of shame is best understood primarily terms of our concern with the way we appear to others. Instead, I outline an account which treats shame as manifesting our desire primarily for interpersonal connection and which elucidates the property of shamefulness in terms of merited avoidance (or rejection).


Author(s):  
George Thadathil

This chapter focuses on the life and achievements of Sri Narayana Guru, a transformative figure in the social, political, and intellectual landscape of modern Kerala whose impact has been felt across all communities even as he remains a largely unknown figure in north India. The manner in which one person's intervention in one community is receiving attention from individuals and groups beyond the shores of Kerala and outside the original community within which he had his receptivity is shown as providing the transformative power to effect social change not only in Kerala but even beyond. Narayana Guru and his successors in the Gurukula Foundation lineage provide the vantage point for the potential of the movement. The unique approach of the Guru in challenging domination without antagonizing the other nor deprecating the elegance of the self, cutting through the societal sham, offers a renewed 'advaita' accessible to all, as argued in this chapter.


2019 ◽  
Vol 78 (1-2) ◽  
pp. 69-75 ◽  
Author(s):  
Mikaël De Clercq ◽  
Charlotte Michel ◽  
Sophie Remy ◽  
Benoît Galand

Abstract. Grounded in social-psychological literature, this experimental study assessed the effects of two so-called “wise” interventions implemented in a student study program. The interventions took place during the very first week at university, a presumed pivotal phase of transition. A group of 375 freshmen in psychology were randomly assigned to three conditions: control, social belonging, and self-affirmation. Following the intervention, students in the social-belonging condition expressed less social apprehension, a higher social integration, and a stronger intention to persist one month later than the other participants. They also relied more on peers as a source of support when confronted with a study task. Students in the self-affirmation condition felt more self-affirmed at the end of the intervention but didn’t benefit from other lasting effects. The results suggest that some well-timed and well-targeted “wise” interventions could provide lasting positive consequences for student adjustment. The respective merits of social-belonging and self-affirmation interventions are also discussed.


Author(s):  
Stefan Krause ◽  
Markus Appel

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.


2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.


Author(s):  
Stacy Wolf

This chapter examines the eight female characters inCompany, what they do in the musical, and how they function in the show’s dramaturgy, and argues that they elicit the quintessential challenge of analyzing musical theater from a feminist perspective. On the one hand, the women tend to be stereotypically, even msogynistically portrayed. On the other hand, each character offers the actor a tremendous performance opportunity in portraying a complicated psychology, primarily communicated through richly expressive music and sophisticated lyrics. In this groundbreaking 1970 ensemble musical about a bachelor’s encounters with five married couples and three girlfriends, Sondheim’s female characters occupy a striking range of types within one show. From the bitter, acerbic, thrice-married Joanne to the reluctant bride-to-be Amy, and from the self-described “dumb” “stewardess” April to the free-spirited Marta,Company’s eight women are distillations of femininity, precisely sketched in the short, singular scenes in which they appear.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.


1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.


1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.


Sign in / Sign up

Export Citation Format

Share Document