“March was but a moment”: 15 March, the Revolution Day from Sándor Petöffy to György Petri

Author(s):  
Oksana Yakimenko

The article traces the transformation of the way Hungarian poetry has treated one of Hungary’s main national holidays — 15 March, the Day of the Hungarian Revolution of 1848 — starting from the late nineteenth century up to the early twenty-first century. Over this period, the Revolution of 1848 became a part of the national historical mythology while poets shifted from praising the heroic deeds of the past to reflecting on the role of this memorial day in national, as well as personal history. Such a shift might be explained not only by new political and ideological contexts that have emerged over time, but also through the way the concept of freedom has transformed at both the national and universal level. In terms of the historical scene, we see a shift from a remembrance day glorifying the past to a revolutionary “holiday of holidays” and later to a symbolic celebration of fighting against enemies which vary depending on the period; finally, national romanticism has been replaced with individual and family history.

Anafora ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 443-468
Author(s):  
Jelena Šesnić

The text examines the well-known late-nineteenth century novel The Country of the Pointed Firs (1896) by Sarah Orne Jewett and the early twenty-first century novel Olive Kitteridge (2008) by Elizabeth Strout, and sets them in several distinct but intersecting contexts within a larger argument about the reading methodology motivated by age studies and their growing appreciation in the humanities. This argument is then extended in the sections focusing on pastoralism and the way it incorporates, or evades, the question of age and ageing. The next section takes up the possibilities opened up by the pastoral mode and links them to another strain of fiction to which both texts belong despite the temporal distance, that of regionalism and its long tradition specifically in New England fiction examined from the vantage point of age. Finally, the last section of the argument adds further considerations not only of the parallels but also of telling differences between the two texts due to the different temporal and cultural context in which they strive to represent age and ageing. By focusing on emotions and their display as part of the narrative of ageing, both texts (Olive Kitteridge in particular) meaningfully illustrate the issue of age with its many ramifications for the contemporary Western societies. The two texts thus show a transition in American culture in the representations of age and ageing from its pre-scientific phase (in Jewett’s text) to the current medicalized and scientific view of age and its consequences (in Strout’s text).


Paragraph ◽  
2012 ◽  
Vol 35 (2) ◽  
pp. 281-298
Author(s):  
Stéphane Nadaud

This article approaches queer history by offering a salutary corrective to dominant cultural and subcultural forces enjoining us to remember. The life-enabling and properly revolutionary effects of actively forgetting the past and, in particular, the legacy of previous generations, are first outlined in readings of Nietzsche, The Aeneid, Freud, Deleuze and Guattari. The localized exercise of an active forgetting is proposed as a response to one especially problematic case of intergenerational (non-)transmission in recent French gay and lesbian history: a collective act of self-censorship by the team responsible for the 2002 internet republication of the 1973 ‘cult’ special issue of Recherches, entitled Three Billion Perverts. While the article does not seek to contest the decision to censor these thirty-two pages headed ‘Pédo-Philie’ from the republication, it does take issue with the assumptions underlying the way in which the decision was presented. The article suggests that this act of self-censorship typifies the way in which younger gay and lesbian people of the early twenty-first century are placed in a schizogenic ‘double bind’ by their immediate forebears, radical gays and lesbians of the 1970s, the generation of Guy Hocquenghem and the FHAR; members of the younger generation are told simultaneously to remember and that what they are being told to remember cannot be conveyed to them. The ascesis of an active forgetting is presented as the only way out of this impasse and a necessary emancipating prerequisite for new life and new possibilities.


2017 ◽  
Vol 41 (1) ◽  
pp. 31-47
Author(s):  
Clinton D. Young

This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of its musical and political institutions—the same weaknesses that were responsible for the rise of Catalan nationalism. Lack of a symphonic culture in Spain meant that audiences were not prepared to comprehend Wagner's complexity, but that same complexity made Wagner's ideas acceptable to Spanish reformers who saw in the composer an exemplar of the European ideas needed to fix Spanish problems. Thus, when Wagner's operas were first staged in Spain, the Teatro Real de Madrid stressed Wagner's continuity with operas of the past; however, critics and audiences engaged with the works as difficult forms of modern music. The rejection of Wagner in the Spanish capital cleared the way for his ideas to be adopted in Catalonia. A similar dynamic occurred as Spanish composers tried to meld Wagner into their attempts to build a nationalist school of opera composition. The failure of Tomás Bréton's Los amantes de Teruel and Garín cleared the way for Felip Pedrell's more successful theoretical fusion of Wagnerism and nationalism. While Pedrell's opera Els Pirineus was a failure, his explanation of how Wagner's ideals and nationalism could be fused in the treatise Por nuestra música cemented the link between Catalan culture and Wagnerism.


1994 ◽  
Vol 63 (2) ◽  
pp. 235-249
Author(s):  
Douglas Morgan

“I have felt like working three times as hard as ever since I came to understand that my Lord was coming back again,” reported revivalist Dwight L. Moody, the most prominent of nineteenth-century premillennialists. Moody's testimony to the motivating power of premillennialism points to the crucial role of that eschatology in conservative Protestantism since the late nineteenth century—a role delineated by several studies within the past twenty-five years. As a comprehensive interpretation of history which gives meaning and pattern to past, present, and future, and a role for the believer in the outworking of the divine program, premillennialism has been a driving force in the fundamentalistand evangelical movements.


2021 ◽  
Vol 59 (1) ◽  
pp. 287-289

Andreas Grein of Zicklin School of Business, Baruch College, City University of New York reviews “Outside the Box: How Globalization Changed from Moving Stuff to Spreading Ideas,” by Marc Levinson. The Econlit abstract of this book begins: “Explores the development of globalization in the early twenty-first century, focusing on the role of transportation, communication, and information technology in enabling firms to organize their businesses around long-distance value chains.”


2009 ◽  
Vol 3 (1) ◽  
pp. 63-77 ◽  
Author(s):  
Peter Coleman

AbstractThe nature and experience of human ageing is changing as people come to live longer lives both as active 'young-old' and dependent 'old-old'. Europe is in the forefront of population ageing and stands in great need of a creative response at many levels, including from religious bodies. There needs to be recognition that older Europeans benefit less than in the past from the elder's traditional religious role of witnessing and transmitting faith. Indeed in some European countries older people can be greatly troubled in their own faith yet pastorally unsupported as Christian churches focus on evangelizing the reluctant young. Pastoral theology needs to be developed to encourage creative responses to the older person's isolation, which can be cultural and spiritual as well as physical. Possibly the greatest challenge is to respond effectively to the rising numbers entering the fourth age in a state of dementia. In this respect western Christianity has much to learn from the Eastern Orthodox tradition, which lays less emphasis on rationality as the criterion for human and moral status, and more on the person in relationship. Even if we forget who we are, we can and should be remembered by others, and in the last analysis are remembered by God.


Author(s):  
Alfred L. Brophy

This chapter discusses the role of historical analysis in property law. The history of property has been used to offer support for property rights. Their long history makes the distribution of property look normal, indeed natural and something that cannot or should not be challenged. However, historically in the U.S there have been competing visions of property. From the Progressive era onward especially, the history of property has been used to show the unequal distribution of property and to offer an alternative vision that expands the rights of non-owners of property. In the late twentieth and early twenty-first century, the history of opposition to feudalism and protection of the rights of non-owners was used to protect the rights of non-owners. Thus, the history of property has been a tool of judges and legislators to support property rights and it has also been, less frequently, a tool of critique.


2017 ◽  
Vol 9 (2) ◽  
pp. 114-122
Author(s):  
Nina A Tsyrkun

The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.


2019 ◽  
Vol 25 (2) ◽  
pp. 289-292
Author(s):  
Gabriela Mihăilă-Lică

Abstract The paper analyses the image of Maria Rosetti, the first female journalist in Romania, one of the personalities that played a crucial role for the outcome of the Revolution of 1848, and the way in which she remained in the public consciousness. Born in Guernsey, Scotland, the sister of the diplomat Effingham Grant and wife of the Romanian revolutionary Constantin Alexandru Rosetti “made the cause of Romania her own“. Despite being a foreigner, through everything she did, Maria Rosetti tried to help her adoptive country evolve and become a modern unitary state. Besides playing an active role in the escape of her husband and of other revolutionaries arrested by the Turks, she was also the mother of eight children (only four survived) in whom she instilled the most fervent patriotism. Last, but not least, the wife of C. A. Rosetti used her literary talent for pedagogical purposes in order to educate the younger generations according to the desiderata of a new Romanian society. Admired by her contemporaries and by her followers, her portrait was immortalized by C. D. Rosenthal in the famous painting “Revolutionary Romania”, becoming a symbol of the love and of the power of sacrifice for her country.


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