The Southern Slope of Monsalvat: How Spanish Wagnerism Became Catalan

2017 ◽  
Vol 41 (1) ◽  
pp. 31-47
Author(s):  
Clinton D. Young
Keyword(s):  
Economic Development ◽  
Political Institutions ◽  
Late Nineteenth Century ◽  
Southern Slope ◽  
Modern Music ◽  
The Past ◽  
Late Nineteenth ◽  
Symphonic Culture ◽  
Similar Dynamic ◽  
The Way

This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of its musical and political institutions—the same weaknesses that were responsible for the rise of Catalan nationalism. Lack of a symphonic culture in Spain meant that audiences were not prepared to comprehend Wagner's complexity, but that same complexity made Wagner's ideas acceptable to Spanish reformers who saw in the composer an exemplar of the European ideas needed to fix Spanish problems. Thus, when Wagner's operas were first staged in Spain, the Teatro Real de Madrid stressed Wagner's continuity with operas of the past; however, critics and audiences engaged with the works as difficult forms of modern music. The rejection of Wagner in the Spanish capital cleared the way for his ideas to be adopted in Catalonia. A similar dynamic occurred as Spanish composers tried to meld Wagner into their attempts to build a nationalist school of opera composition. The failure of Tomás Bréton's Los amantes de Teruel and Garín cleared the way for Felip Pedrell's more successful theoretical fusion of Wagnerism and nationalism. While Pedrell's opera Els Pirineus was a failure, his explanation of how Wagner's ideals and nationalism could be fused in the treatise Por nuestra música cemented the link between Catalan culture and Wagnerism.

Cultivating Territorial Sovereignty in the Western Desert

2018 ◽  
Author(s):  
Matthew H. Ellis
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Western Desert ◽  
Late Nineteenth Century ◽  
Territorial Sovereignty ◽  
French Colonial ◽  
Late Nineteenth ◽  
Egyptian Government ◽  
The Relationship ◽  
The Way

Chapter 4 explores the relationship between territoriality and economic development in late-nineteenth-century Egypt. It argues that this period witnessed a raft of projects aimed at what, in the French colonial context, was called mise en valeur—the reclamation of barren, unprofitable land. After surveying a number of such projects undertaken under the auspices of the Egyptian government, the chapter then turns its attention to the Khedive’s own grand development schemes in the Egyptian West. Foremost among these was the Maryut Railway, which he intended to run from the outskirts of Alexandria all the way to the Libyan border. The Maryut Railway functioned as one of several projects through which the Khedive sought to transform the Egyptian West into a more personalized realm of territorial sovereignty. In this regard, the Khedive strove to outdo the British Residency at its own logic of “economism” as a doctrine of ruling legitimacy.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Adventism, Apocalyptic, and the Cause of Liberty

1994 ◽  
Vol 63 (2) ◽  
pp. 235-249
Author(s):  
Douglas Morgan
Keyword(s):  
Nineteenth Century ◽  
Crucial Role ◽  
Driving Force ◽  
Late Nineteenth Century ◽  
The Past ◽  
Conservative Protestantism ◽  
Late Nineteenth

“I have felt like working three times as hard as ever since I came to understand that my Lord was coming back again,” reported revivalist Dwight L. Moody, the most prominent of nineteenth-century premillennialists. Moody's testimony to the motivating power of premillennialism points to the crucial role of that eschatology in conservative Protestantism since the late nineteenth century—a role delineated by several studies within the past twenty-five years. As a comprehensive interpretation of history which gives meaning and pattern to past, present, and future, and a role for the believer in the outworking of the divine program, premillennialism has been a driving force in the fundamentalistand evangelical movements.

scholarly journals Evolution versus Authenticity: Johannes Brahms, Robert Franz, and Continuo Practice in the Late Nineteenth Century

2006 ◽  
Vol 30 (2) ◽  
pp. 182-204 ◽  
Author(s):  
Elaine Kelly
Keyword(s):  
Nineteenth Century ◽  
Johannes Brahms ◽  
Late Nineteenth Century ◽  
Early Music ◽  
The Past ◽  
Baroque Music ◽  
Heated Debate ◽  
Late Nineteenth ◽  
High Level ◽  
Early Music Revival

The early-music revival provoked much heated debate in the second half of the nineteenth century. The leading scholars of the era, Philipp Spitta and Friedrich Chrysander were keen to encourage performances and editions of early music that presented it in the spirit in which it was conceived. This approach met with vociferous opposition from Robert Franz and his supporters, who embraced a Darwinian aesthetic. Although committed to reviving the past, Franz believed that the tastes of nineteenth-century listeners had become too sophisticated to enjoy early music in its original state and modernized it accordingly. The source of the most heated debates was the issue of continuo realization, a topic in which Brahms, through his performing and arranging activities, had a vested interest. Franz, who dismissed the musicologists as artistic philistines, found a difficult adversary in Brahms. Brahms's scholarly inclinations have been well documented, and predictably, his approach to reviving Baroque music reflected a high level of historical awareness. He was, however, first and foremost a creative musician, and as a consequence, aesthetic issues were paramount in his performances and publications. Considerable tensions arose between Franz, and Brahms, and Chrysander, which are explored here in relation to the latter's editions of Handel's Italian duets and trios. The difficulties surrounding continuo practice were not confined to opposition from Franz; even among musicologists there was much disagreement about how the music should be performed. Brahms's approach to continuo realization is considered in this context.

Murderous Mumbo-Jumbo: The Significance of Fraternity to Three Criminal Organizations in Late Nineteenth-Century America

2015 ◽  
Vol 50 (4) ◽  
pp. 1067-1088
Author(s):  
KRISTOFER ALLERFELDT
Keyword(s):  
Race And Ethnicity ◽  
Social Issues ◽  
Turn Of The Century ◽  
Late Nineteenth Century ◽  
The West ◽  
Nineteenth Century America ◽  
The Past ◽  
Criminal Organizations ◽  
Mumbo Jumbo ◽  
Late Nineteenth

Over the past thirty years or so the study of American fraternity has been used to explore a variety of phenomena in the nation's evolution, especially around the turn of the twentieth century. Fraternities have been used to understand the exploration, taming and exploitation of the West. They have been shown to represent proof of the various turn-of-the century crises of gender, race and ethnicity. They have been seen as the very embodiment of bygone caring, sharing, communities. However, among the aspects to have escaped attention is the importance of fraternity in criminal organizations. Given that crime, then as now, was seen as one of the most pressing of social issues, and given that over these years there was a deep suspicion that there were a variety of ultra-secret fraternities organizing, facilitating and manipulating wide-ranging criminal activities, this may be considered a little odd. This article investigates the idea that there was really such a thing as a genuine criminal “fraternity.” Looking at three of the most famous of such organizations – the Ku Klux Klan (KKK), the Molly Maguires and the Mafia – it demonstrates that not only were ideas of fraternity central to their very existence, but they are also crucial to our understanding both of them and of the period in which they were situated.

scholarly journals Identity considerations for a psychology based on a complex epistemology

2009 ◽  
Vol 2 (2) ◽  
pp. 158-166 ◽  
Author(s):  
Juan Carlos Jaramillo Estrada
Keyword(s):  
Quality Of Life ◽  
Nineteenth Century ◽  
Active Part ◽  
Late Nineteenth Century ◽  
Human Beings ◽  
The Poor ◽  
The World ◽  
Late Nineteenth ◽  
The Way

Born in the late nineteenth century, within the positivist paradigm, psychology has made important developments that have allowed its recognition in academia and labor. However, contextual issues have transformed the way we conceptualize reality, the world and man, perhaps in response to the poor capacity of the inherited paradigm to ensure quality of life and welfare of human beings. This has led to the birth and recognition of new paradigms, including complex epistemology, in various fields of the sphere of knowledge, which include the subjectivity, uncertainty, relativity of knowledge, conflict, the inclusion of "the observed" as an active part of the interventions and the relativity of a single knowable reality to move to co-constructed realities. It is proposed an approach to the identity consequences for a psychology based on complex epistemology, and the possible differences and relations with psychology, traditionally considered.

“Horn of Plenty”: The Globalization of Mediterranean Horticulture and the Economic Development of Southern Europe, 1880–1930

1999 ◽  
Vol 59 (2) ◽  
pp. 316-352 ◽  
Author(s):  
José Morilla Critz ◽  
Alan L. Olmstead ◽  
Paul W. Rhode
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Late Nineteenth Century ◽  
Southern Europe ◽  
Political Crises ◽  
Late Nineteenth ◽  
Agricultural Economies

During the late nineteenth century, competition from cheap American grains undermined agricultural economies across Europe. This article investigates how similar forces of globalization in the production of Mediterranean fruits and nuts dampened economic prospects across southern Europe and in some cases contributed to outright economic and political crises.

THE EXCLUSION OF WOMEN IN THE MITHRAIC MYSTERIES: ANCIENT OR MODERN?

Numen ◽  
2000 ◽  
Vol 47 (2) ◽  
pp. 121-141 ◽  
Author(s):  
Jonathan David
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
The Past ◽  
Late Nineteenth

AbstractThe following paper deals with the scholarly supposition that females were excluded from the ancient mystery cult of Mithraism. This notion has been part of scholarly dialogue about the religion since Franz Cumont, the father of modern Mithraic studies, introduced it in the late nineteenth century. Though many of his conclusions about Mithraism have been challenged or refuted in the past thirty years, the particular idea that the cult excluded women has persisted, and actually has become taken for granted by most scholars. Thanks to the publication of much important archaeological and epigraphical evidence during the past fifty years, a reexamination of this notion is now possible. By surveying a few examples of Mithraic inscriptions and iconography in light of heretofore discounted textual clues from such ancient authors as Porphyry, Jerome, and Tertullian, it will be argued that the theory of universal female exclusion from Mithraism is untenable. In order to demonstrate this, it will be necessary to challenge and scrutinize the work of the only modern scholar to explore gender within ancient Mithraism, Richard Gordon. Instead of starting from a preconceived notion of exclusion and attempting to explain away the various exceptions to this rule, this article will tally these "exceptions" to conclude simply that women were involved with Mithraic groups in at least some locations of the empire. Some possible implications of this conclusion then will be suggested.

La modernizzazione delle cittŕ spagnole tra il tramonto della Restaurazione e la Guerra civile

STORIA URBANA ◽  
2009 ◽  
pp. 9-20
Author(s):  
Mirás Araujo Jesús ◽  
María Cardesín Díaz José
Keyword(s):  
Economic Development ◽  
Urban Growth ◽  
New Technologies ◽  
Urban System ◽  
Late Nineteenth Century ◽  
Significant Delay ◽  
General Picture ◽  
Socio Economic Development ◽  
Late Nineteenth ◽  
Demographic Patterns

- The article provides a general picture in which to frame the modernization that the Spanish cities underwent between the late nineteenth century and the Civil War, and its consequences on the form of the development of several second industrialization infrastructures. The objective is to present a succinct global synthesis on the first third of the twentieth century, a period in which a remarkable take-off of the Spanish urbanmetropolitan phenomenon took place, as a result of a socio-economic development that stimulated the building of several urban equipment. The paper aims at providing a framework to better understand some case studies, which have been applied to the analysis of the financing of municipal treasuries, the influence of trams on urban growth and morphology, the location of water supply companies and their impact, the construction of the telephone network, and the repercussions of the transformation in demographic patterns on the national urban system. In conclusion, the rhythm of implementation of new technologies did not involve any significant delay as to other European countries, which lets us question traditional interpretations of the alleged Spanish failure in terms of modernization during those.

Scottish Gothic Drama

2017 ◽  
pp. 59-74
Author(s):  
Barbara A. E. Bell
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Good Deal ◽  
Late Nineteenth Century ◽  
Visual Effects ◽  
Gothic Revival ◽  
Performance Culture ◽  
Late Nineteenth ◽  
Music Hall ◽  
The Way

Scottish theatre, from the mid-eighteenth century onwards, has been characterised by a distinctive performance culture that values anti-illusionist techniques, breaking the fourth wall, music and song, strongly physical acting styles and striking visual effects. These were accepted traits of the Georgian theatre as a whole; however, they endured in Scotland through the music hall and pantomime traditions, when late nineteenth-century Western theatre was focused on realism/naturalism. Their importance to the search for a distinctive Scottish Gothic Drama lies in the way that the conditions of the Scottish theatre during the Gothic Revival valued these skills and effects. That theatre was heavily constricted in what it could play by censorship from London and writers were cautious in their approach to ‘national’ topics. At the same time a good deal of work portraying Scotland as an inherently Gothic setting was imported onto Scottish stages.

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