Dialogue East/West in the Russian Avant-garde and Poetics of Primitive
The essay examines interrelation between the motif and the poetics in the visual arts, specifically,as it concerns the East / West motif and the style of primitivism in the Russian art of the twentieth century. It discussesvarious forms and meanings of this theme as presented in the works of M. Larionov, N. Goncharova, and P. Filonov. Two models are shown: the early historical avant-garde and the avant-garde of the late 1920s. If at the beginning of the century, the style is contingent on the plot and focuses mainly on the theme of the East, the primitivism of the next decade develops in the context of the Western Europeanturn towards documentary in art and therefore addresses the theme of the West. The third model describes the painting of the early 1930s when the appeal to the East, required by the order of the official ideology, gave rise to a form of primitivism as a way to escape from the pressure of socialist realism (Vasnetsov, Volkov). Conclusion: in relation to the topic East / West, primitivism acted as geopoetics of a kind, generating new meanings. Inherent dualism of the Russian culturefound a correspondence in primitivism as a borderline type of poetics.