scholarly journals Ajakan rasis dan membatalkan budaya di Twitter: Keterbatasan kemampuan platform untuk mendefinisikan masalah keadilan sosial

2021 ◽  
Author(s):  
Reiner Yahya Pallo
Keyword(s):  
Social Media ◽  
Social Justice ◽  
Structural Racism ◽  
Mainstream Media ◽  
Specific Instance ◽  
Moral Position ◽  
Social Media Platforms

leading to its coverage in mainstream media outlets. It had the characteristics, labelled at the time by critics, of ‘cancel culture’, where there were calls for sackings and boycotts. This analysis demonstrates that there should be caution in regard to how social media platforms such as Twitter are able to lead in such matters of social justice. The paper shows how its affordances can work against coherent and careful discussion, fostering fast, simplified, contradictory commentary, where individual tweets load a range of different concerns onto a specific instance. In this particular case, this results in an individualization of racism, which therefore becomes decontextualized and depoliticized. While those tweeting revel in and enjoy their shared moral position, actual endemic structural racism in society remains invisible, and they misrepresent, arguably, the key question that this racist outburst raises.

scholarly journals Prevalence and source analysis of COVID-19 misinformation of 138 countries

2021 ◽  
Author(s):  
Md. Sayeed Al-Zaman
Keyword(s):  
Social Media ◽  
Positive Association ◽  
The Philippines ◽  
Source Analysis ◽  
Mainstream Media ◽  
Content Analysis Method ◽  
The Us ◽  
Political Conservatism ◽  
Social Media Platforms ◽  
Internet Literacy

This study analyzed 9,657 pieces of misinformation that originated in 138 countries and fact-checked by 94 organizations. Collected from Poynter Institute's official website and following a quantitative content analysis method along with descriptive statistical analysis, this research produces some novel insights regarding COVID-19 misinformation. The findings show that India (15.94%), the US (9.74%), Brazil (8.57%), and Spain (8.03%) are the four most misinformation-affected countries. Based on the results, it is presumed that the prevalence of COVID-19 misinformation can have a positive association with the COVID-19 situation. Social media (84.94%) produces the highest amount of misinformation, and the internet (90.5%) as a whole is responsible for most of the COVID-19 misinformation. Moreover, Facebook alone produces 66.87% misinformation among all social media platforms. Of all countries, India (18.07%) produced the highest amount of social media misinformation, perhaps thanks to the country's higher internet penetration rate, increasing social media consumption, and users' lack of internet literacy. On the other hand, countries like Turkey, the US, Brazil, and the Philippines where either political control over media is intense or political conservatism is apparent, experienced a higher amount of misinformation from mainstream media, political figures, and celebrities. Although the prevalence of misinformation was the highest in March 2020, given the present trends, it may likely to increase slightly in 2021.

scholarly journals Fake and Real News detection Using Python

2020 ◽  
pp. 423-428
Author(s):  
Fakhra Akhtar ◽  
Faizan Ahmed Khan
Keyword(s):  
Social Media ◽  
Fake News ◽  
False Information ◽  
False Negatives ◽  
Mainstream Media ◽  
Social Media Platforms ◽  
The Masses ◽  
Negative Attributes ◽  
Entire Dataset ◽  
F Measure

<p>In the digital age, fake news has become a well-known phenomenon. The spread of false evidence is often used to confuse mainstream media and political opponents, and can lead to social media wars, hatred arguments and debates.Fake news is blurring the distinction between real and false information, and is often spread on social media resulting in negative views and opinions. Earlier Research describe the fact that false propaganda is used to create false stories on mainstream media in order to cause a revolt and tension among the masses The digital rights foundation DRF report, which builds on the experiences of 152 journalists and activists in Pakistan, presents that more than 88 % of the participants find social media platforms as the worst source for information, with Facebook being the absolute worst. The dataset used in this paper relates to Real and fake news detection. The objective of this paper is to determine the Accuracy , precision , of the entire dataset .The results are visualized in the form of graphs and the analysis was done using python. The results showed the fact that the dataset holds 95% of the accuracy. The number of actual predicted cases were 296. Results of this paper reveals that The accuracy of the model dataset is 95.26 % the precision results 95.79 % whereas recall and F-Measure shows 94.56% and 95.17% accuracy respectively.Whereas in predicted models there are 296 positive attributes , 308 negative attributes 17 false positives and 13 false negatives. This research recommends that authenticity of news should be analysed first instead of drafting an opinion, sharing fake news or false information is considered unethical journalists and news consumers both should act responsibly while sharing any news.</p>

New Media and Terrorism

2014 ◽  
pp. 184-196
Author(s):  
Pauline Hope Cheong
Keyword(s):  
Social Media ◽  
New Media ◽  
Critical Examination ◽  
War On Terrorism ◽  
Mainstream Media ◽  
Social Media Networks ◽  
Social Media Platforms ◽  
Hearts And Minds ◽  
Video Material

Beyond the widespread coverage of terrorism-related stories on international news outlets, we are witnessing the swift spread of alternative interpretations of these stories online. These alternative narratives typically involve digital transmediation or the remix, remediation, and viral dissemination of textual, audio, and video material on multiple new and social media platforms. This chapter discusses the role of new(er) media in facilitating the transmediated spread of extremist narratives, rumors, and political parody. Drawing from recent case studies based upon multi-modal analyses of digital texts on social media networks, including blogs, vlogs, Twitter, and Jihadist sites associated with acts of terror in Asia, Middle East, and North America, the chapter illustrates how digital transmediation significantly works oftentimes to construct counter narratives to government counter insurgency operations and mainstream media presentations. In discussing these examples, the chapter demonstrates how the new media points to varied narratives and reifies notions of national security, global politics, terrorism, and the media's role in framing the “War on Terrorism.” Moreover, a critical examination of remix texts and digital mashups of popular artifacts inform a Web 2.0 understanding of how the creative communication practices of online prosumers (hybrid consumers and producers) contest dominant interests in the online ideological battlefield for hearts and minds.

Outro

Renegades ◽  
2021 ◽  
pp. 123-128
Author(s):  
Trevor Boffone
Keyword(s):  
Social Media ◽  
Social Movements ◽  
Social Justice ◽  
Significant Role ◽  
Black Girls ◽  
New Music ◽  
Black Lives Matter ◽  
Social Media Platforms ◽  
The Revolution

The Outro explores how the Renegades throughout this book used their social media platforms and clout to further social justice messages during the height of the renewed Black Lives Matter movement following the murder of George Floyd in summer 2020. Renegade Zoomers played a significant role in celebrating Blackness and made many of these “moves” on social media. Whether it was through attending marches, creating viral dance challenges, or producing new music, Renegades positioned their creativity, joy, and labor as central to the movement for Black lives. Their work forced onlookers, moreover, to recognize the labor of Black girls in our social movements. Renegades reveal, ultimately, that the revolution will be digital.

Political communication Modi style: A case study of the demonetization campaign on Twitter

2019 ◽  
Vol 15 (3) ◽  
pp. 361-379 ◽  
Author(s):  
Usha M. Rodrigues ◽  
Michael Niemann
Keyword(s):  
Social Media ◽  
Political Communication ◽  
News Media ◽  
Mass Communication ◽  
Communication Strategy ◽  
Direct Communication ◽  
Mainstream Media ◽  
Social Media Platforms ◽  
Government Websites

Abstract Indian Prime Minister Narendra Modi (@narendramodi) is one of the world's most followed political leaders on Twitter. During the 2014 and 2019 election campaigns, he and his party used various social media networking and the Internet services to engage with young, educated, middle-class voters in India. Since his first sweeping win in the 2014 elections, Modi's political communication strategy has been to neglect the mainstream news media, and instead use social media and government websites to keep followers informed of his day-to-day engagements and government policies. This strategy of direct communication was followed even during a critical policy change, when in a politically risky move half-way through his five-year prime ministership, Modi's government scrapped more than 85 per cent of Indian currency notes in November 2016. He continued to largely shun the mainstream media and use his social media accounts and public rallies to communicate with the nation. As a case study of this direct communication strategy, this article presents the results of a study of Modi's Twitter articulations during the three months following the demonetization announcement. We use mediatization of politics discourse to consider the implications of this shift from mass communication via the mainstream news media, to the Indian prime minister's reliance on direct communication on social media platforms.

scholarly journals Decolonizing processes in film education

2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Jyoti Mistry
Keyword(s):  
Social Media ◽  
Social Justice ◽  
Case Studies ◽  
Image Sequences ◽  
Site Specific ◽  
Moving Image ◽  
Film Education ◽  
Social Media Platforms ◽  
Research Initiatives ◽  
Different Cultures

This paper considers what decolonizing film education might mean through a series of research initiatives undertaken across different cultures which explore social media platforms for creating moving image sequences. The paper attends to three factors in the current climate of education: the accessibility of the medium, its immediacy in dissemination, and the democratizing effect that these conditions have had on the medium of film. Working with these three conditions in contemporary film education, the case studies described include workshops that aimed to shift the curriculum from film canons to proposing the introduction of concepts. Furthermore, elided histories are explored through site-specific projects that show how decolonial processes allow these histories to be reclaimed in film practice, and for marginal subjectivities to be made visible. Finally, the proposal of decolonial processes seeks to work with creating opportunities for social and historical visibilities. The proposition is to work with film(ed) evidence as material connected to broader social justice issues that are expressed through aesthetic forms closely associated with decolonial processes and described as decolonial aesthesis.

Branding the Islamic State of Iraq and Syria

2019 ◽  
Vol 15 (3) ◽  
pp. 285-301
Author(s):  
Suvojit Bandopadhyaya
Keyword(s):  
Social Media ◽  
The Other ◽  
Islamic State ◽  
Mainstream Media ◽  
Historical Significance ◽  
Social Media Platforms ◽  
Youtube Videos ◽  
Media Organizations ◽  
The One

This article will explore three crucial parameters that have been taken into consideration to attract millennials towards the Islamic State or Islamic State of Iraq and Syria (ISIS) brand: the first parameter is story creation around the historical significance of Islamic prophecies justifying the ISIS brand. Second is the symbolisms attached to the ISIS brand and its relevance (a flag, a leader, a logo, a caliphate) and, third, the actions or the sense of attachment to the ISIS brand in the form of practising ideology, gaining recognition and appeal to the millennials. The promotion of the brand has been advanced through diverse means – social media platforms, mainstream media organizations, YouTube videos, all orchestrated to gain recognition of a rising state brand on the one end and a brand of fear and intimidation on the other.

scholarly journals Assessing Suicide Reporting in Top Newspaper Social Media Accounts in China: Content Analysis Study (Preprint)

2020 ◽  
Author(s):  
Kaisheng Lai ◽  
Dan Li ◽  
Huijuan Peng ◽  
Jingyuan Zhao ◽  
Lingnan He
Keyword(s):  
Social Media ◽  
Content Analysis ◽  
Information Dissemination ◽  
Application Programming Interface ◽  
World Health ◽  
Who Guidelines ◽  
Reporting Practices ◽  
Mainstream Media ◽  
Social Media Platforms

BACKGROUND Previous studies have shown that suicide reporting in mainstream media has a significant impact on suicidal behaviors (eg, irresponsible suicide reporting can trigger imitative suicide). Traditional mainstream media are increasingly using social media platforms to disseminate information on public-related topics, including health. However, there is little empirical research on how mainstream media portrays suicide on social media platforms and the quality of their coverage. OBJECTIVE This study aims to explore the characteristics and quality of suicide reporting by mainstream publishers via social media in China. METHODS Via the application programming interface of the social media accounts of the top 10 Chinese mainstream publishers (eg, People’s Daily and Beijing News), we obtained 2366 social media posts reporting suicide. This study conducted content analysis to demonstrate the characteristics and quality of the suicide reporting. According to the World Health Organization (WHO) guidelines, we assessed the quality of suicide reporting by indicators of harmful information and helpful information. RESULTS Chinese mainstream publishers most frequently reported on suicides stated to be associated with conflict on their social media (eg, 24.47% [446/1823] of family conflicts and 16.18% [295/1823] of emotional frustration). Compared with the suicides of youth (730/1446, 50.48%) and urban populations (1454/1588, 91.56%), social media underreported suicides in older adults (118/1446, 8.16%) and rural residents (134/1588, 8.44%). Harmful reporting practices were common (eg, 54.61% [1292/2366] of the reports contained suicide-related words in the headline and 49.54% [1172/2366] disclosed images of people who died by suicide). Helpful reporting practices were very limited (eg, 0.08% [2/2366] of reports provided direct information about support programs). CONCLUSIONS The suicide reporting of mainstream publishers on social media in China broadly had low adherence to the WHO guidelines. Considering the tremendous information dissemination power of social media platforms, we suggest developing national suicide reporting guidelines that apply to social media. By effectively playing their separate roles, we believe that social media practitioners, health institutions, social organizations, and the general public can endeavor to promote responsible suicide reporting in the Chinese social media environment.

scholarly journals Understanding factors and barriers to alternative media development in emerging economies: Learning from the Check Global project

First Monday ◽  
2021 ◽  
Author(s):  
Jerome Turner ◽  
Dima Saber
Keyword(s):  
Social Media ◽  
Digital Literacy ◽  
Alternative Media ◽  
Development Project ◽  
Operational Experience ◽  
Mainstream Media ◽  
Arab Uprisings ◽  
Starting Point ◽  
Social Media Platforms ◽  
Media Narratives

Check Global is a journalism and digital literacy development project (2019–2021) supporting countries and regions affected by conflict or state controls. In such contexts, expectations are set high for alternative journalism to accurately counter mainstream media narratives, controlled as they often are by the state; this article presents factors to be taken into consideration as a starting point for better understanding the challenges involved in developing journalism, e.g., through funded training initiatives. The article draws on interviews with prominent alternative and independent media outlets (some of them Check Global partners) from India, Latin America, Egypt and Lebanon, who therefore have operational experience of these issues. By viewing digital and social media through an anti-determinist lens, we challenge assumptions — especially prevalent following the 2011 Arab uprisings — that ‘open access’ and social media platforms can easily provide solutions to media plurality concerns. We explore factors such as the role of technology in alternative media, but also the main barriers faced by alternative media projects and outlets. This article therefore opens up a more honest discussion about the nature of alternative media projects in such contexts, and the ways in which digital literacy projects such as Check Global could support them.

scholarly journals Marginalizing the Mainstream: How Social Media Privilege Political Information

2021 ◽  
Vol 4 ◽  
Author(s):  
Richard Rogers
Keyword(s):  
Social Media ◽  
Web Search ◽  
User Engagement ◽  
Mainstream Media ◽  
Online Platforms ◽  
Social Media Platforms ◽  
Cross Platform ◽  
Data Journalism ◽  
Run Up ◽  
Official Sources

The following reports on research undertaken concerning the “misinformation problem” on social media during the run-up to the U.S. presidential elections in 2020. Employing techniques borrowed from data journalism, it develops a form of cross-platform analysis that is attuned to both commensurability as well as platform specificity. It analyses the most engaged-with or top-ranked political content on seven online platforms: TikTok, 4chan, Reddit, Twitter, Facebook, Instagram and Google Web Search. Discussing the extent to which social media platforms marginalize mainstream media and mainstream the fringe, the analyses found that TikTok parodies mainstream media, 4chan and Reddit dismiss it and direct users to alternative influencer networks and extreme YouTube content. Twitter prefers the hyperpartisan over it. Facebook’s “fake news” problem also concerns declining amounts of mainstream media referenced. Instagram has influencers (rather than, say, experts) dominating user engagement. By comparison, Google Web Search buoys the liberal mainstream (and sinks conservative sites), but generally gives special interest sources, as they were termed in the study, the privilege to provide information rather than official sources. The piece concludes with a discussion of source and “platform criticism”, concerning how online platforms are seeking to filter the content that is posted or found there through increasing editorial intervention. These “editorial epistemologies”, applied especially around COVID-19 keywords, are part of an expansion of so-called content moderation to what I call “serious queries”, or keywords that return official information. Other epistemological strategies for editorially moderating the misinformation problem are also treated.

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