scholarly journals Music perception: No strong evidence to reject innate biases

2017 ◽  
Author(s):  
Patrick E. Savage ◽  
Thomas E. Currie

McDermott et al. (Nature 535, 547–550; 2016) used a cross-cultural experiment to show that an isolated South American indigenous group, the Tsimane', exhibit indifference to musical dissonance. The study acts as an important counterweight to common beliefs that musical preferences reflect universal, mathematically based harmonic relationships that are biologically determined by low-level perceptual mechanisms. While we applaud their cross-cultural approach, the limited number of populations studied (n=5) makes it difficult to draw strong conclusions about causal processes. In particular, the conclusion that consonance is thus "unlikely to reflect innate biases" seems too strong, as innateness does not require complete universality. Exceptions are always found in any phenomenon as complex as human music. Indeed, our own global analysis of traditional music found dozens of aspects of music that were common cross-culturally, but none that were absolutely universal without exception (Savage et al. Proc. Natl. Acad. Sci. USA 112, 8987-8992; 2015). We showed a consistent tendency to avoid dissonance, yet we still found many examples of sustained dissonance in Western and non-Western music (e.g., Eastern European harvest songs, Papua New Guinean lullabies).Such trends and exceptions are not necessarily indicative of the degree of innateness of aspects of music (which, like other domains of culture, likely reflects some combination of nature and nurture). For example, humans and other animals display an innate aversion to bitter and sour foods, but these can be overridden by cultural conventions and developmental experience (Chandrashekar et al. Nature 444, 288-293; 2006). Diversity in musical perception and production could emerge in the context of weak cognitive biases or relaxation in selective pressures (such as the unusual absence of group performance among the Tsimane'). Broader cross-cultural studies of both perception and production of music and other aspects of human behavior (including cultural evolutionary and developmental frameworks) will be needed to clarify the roles of nature and nurture in shaping human diversity.

2018 ◽  
Vol 41 ◽  
Author(s):  
Rachel E. Watson-Jones ◽  
Cristine H. Legare

AbstractCultural evolutionary accounts of shamanism must explain the cross-cultural recurrence and variation in associated practices. We suggest that Singh's account of shamanism would be strengthened by considering the social functions of shamanism in groups. Shamanism increases social group cohesion, making it distinct from other magico-religious practices.


2018 ◽  
Vol 41 ◽  
Author(s):  
Shadab Tabatabaeian ◽  
Carolyn Dicey Jennings

AbstractSingh's cultural evolutionary theory posits that methods of inducing shamanic altered states of consciousness differ, resulting in profoundly different cognitive states. We argue that, despite different methods of induction, altered states of consciousness share neurophysiological features and cause shared cognitive and behavioral effects. This common foundation enables further cross-cultural comparison of shamanic activities that is currently left out of Singh's theory.


1994 ◽  
Vol 12 (1) ◽  
pp. 97-123 ◽  
Author(s):  
Thomas W. Goolsby

Temporal and sequential components of the eye movement used by a skilled and a less-skilled sightreader were used to construct six profiles of processing. Each subject read three melodies of varying levels of concentration of visual detail. The profiles indicates the order, duration, and location of each fixation while the subjects sightread the melodies. Results indicate that music readers do not fixate on note stems or the bar lines that connect eighth notes when sightreading. The less-skilled music reader progressed through the melody virtually note-by-note using long fixations, whereas the skilled sightreader directed fixations to all areas of the notation (using more regressions than the less-skilled reader) to perform the music accurately. Results support earlier findings that skilled sightreaders look farther ahead in the notation, then back to the point of performance (Goolsby, 1994), and have a larger perceptual span than less-skilled sightreaders. Findings support Slobodans (1984) contention that music reading (i. e., sightreading) is indeed music perception, because music notation is processed before performance. Support was found for Sloboda's (1977, 1984, 1985, 1988) hypotheses on the effects of physical and structural boundaries on visual musical perception. The profiles indicate a number of differences between music perception from processing visual notation and perception resulting from language reading. These differences include: (1) opposite trends in the control of eye movement (i. e., the better music reader fixates in blank areas of the visual stimuli and not directly on each item of the information that was performed), (2) a perceptual span that is vertical as well as horizontal, (3) more eye movement associated with the better reader, and (4) greater attention used for processing language than for music, although the latter task requires an "exact realization."


2022 ◽  
Vol 15 ◽  
Author(s):  
Johanna M. Rimmele ◽  
Pius Kern ◽  
Christina Lubinus ◽  
Klaus Frieler ◽  
David Poeppel ◽  
...  

Musical training enhances auditory-motor cortex coupling, which in turn facilitates music and speech perception. How tightly the temporal processing of music and speech are intertwined is a topic of current research. We investigated the relationship between musical sophistication (Goldsmiths Musical Sophistication index, Gold-MSI) and spontaneous speech-to-speech synchronization behavior as an indirect measure of speech auditory-motor cortex coupling strength. In a group of participants (n = 196), we tested whether the outcome of the spontaneous speech-to-speech synchronization test (SSS-test) can be inferred from self-reported musical sophistication. Participants were classified as high (HIGHs) or low (LOWs) synchronizers according to the SSS-test. HIGHs scored higher than LOWs on all Gold-MSI subscales (General Score, Active Engagement, Musical Perception, Musical Training, Singing Skills), but the Emotional Attachment scale. More specifically, compared to a previously reported German-speaking sample, HIGHs overall scored higher and LOWs lower. Compared to an estimated distribution of the English-speaking general population, our sample overall scored lower, with the scores of LOWs significantly differing from the normal distribution, with scores in the ∼30th percentile. While HIGHs more often reported musical training compared to LOWs, the distribution of training instruments did not vary across groups. Importantly, even after the highly correlated subscores of the Gold-MSI were decorrelated, particularly the subscales Musical Perception and Musical Training allowed to infer the speech-to-speech synchronization behavior. The differential effects of musical perception and training were observed, with training predicting audio-motor synchronization in both groups, but perception only in the HIGHs. Our findings suggest that speech auditory-motor cortex coupling strength can be inferred from training and perceptual aspects of musical sophistication, suggesting shared mechanisms involved in speech and music perception.


1998 ◽  
Vol 83 (3) ◽  
pp. 1095-1103 ◽  
Author(s):  
Wade Danis ◽  
Marc J. Dollinger

398 graduate and undergraduate students from the USA, Japan, and Hong Kong were administered Kirton's 1976 Adaption-Innovation Inventory of decision style. Factor analysis yielded different factor solutions for each of the three groups. Differences in factor structures suggest that adaption and innovation may be interpreted differently across cultures, with implications for group performance in cross-cultural settings. When used in cross-cultural research, Kirton Adaption-Innovation Inventory scores should be assessed not only in terms of between-group differences in mean scores but also in terms of differences in underlying factor structures.


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