scholarly journals VALERY BRUSOV: FROM VITAL AND CREATIVE IDEAS TO RECREATING REALITY AND THE CREATIVE PERSONALITY IN THE SPIRIT OF BOLSHEVISM

2018 ◽  
pp. 146-155
Author(s):  
OLEG KLING
Keyword(s):  
October Revolution ◽  
Creative Personality ◽  
The Creation ◽  
Creation Of Life

We don’t need to blame Brusov and other symbolists for all the deadly sins almost including the October revolution. In fact, the Bolsheviks first destroyed symbolism as an old school, and their attempts in selecting figures of the new culture went far beyond Symbolistic ideas on the creation of life. After all, it is not the fault of the Russian Symbolists that their idea to reshape a new creative personality resulted in the destruction of this very personality in the U.S.S.R.

scholarly journals The reflection of Ivan Kotlarevsky’s stylistics in Language of Artistic prose of Pavlo Zagrebelny

2019 ◽  
pp. 66-76
Author(s):  
Natalia Holikova
Keyword(s):  
Semantic Similarity ◽  
Language Game ◽  
Literary Language ◽  
Literary Traditions ◽  
Rhetorical Figures ◽  
Creative Personality ◽  
The World ◽  
The Creation ◽  
The Individual

The article explores the intertextual interaction of stylists, who in the works of I. Kotlyarevsky and P. Zahrebelny represent the concept of «laugh culture». The linguistic and aesthetic signs in the epic burlesque-travesty poem «Aeneid» by I. Kotlyarevsky, which served as a model for the creation of expressive and pictorial means – carriers of humorous axiology in the language of a number of P. Zahrebelny's novels, are revealed. Attention is drawn to the fact that the foundations for the formation of a ridiculous culture as a genre segment of Ukrainian literature are laid in the poem «Aeneid» by I. Kotlyarevsky, which is written in a syllabic-tonic verse (iamb) – the size most appropriate for the Ukrainian language. The linguistic and literary traditions of ridicule are at the heart of the humorously narrative tonality of P. Zahrebelny's two novels – «The Lion's Heart» and «Exile from Paradise», which form the thematic-storyline. It is emphasized that the figure of I. Kotlyarevsky is a significant creative personality for P. Zagrebelny, who often appeals to the creator of the creator of Ukrainian literary language in his prose. The novelist dialogues with the artistic texts of the laughingstock, introducing meaningfully expressive fragments of them into the intersemiotic field of prose works. The intertextual interplay of linguistic components of the individual-linguistic paintings of the world of two writers can be traced in the functional and structural-semantic similarity of a number of style word, which are often the result of stylistic reception of the language game: intertext (linguocultural and ethno-language characters), literary and artistic anthroponyms, as well as words-symbols, which are functionally significant components of the peripheral-evaluative sphere. The individual and authorial rhetorical figures of P. Zahrebelny are comprehensively analyzed within the limits of linguistics, ethno-linguistics, theory of intertextuality, literary onomastics. It has been concluded that the linguistic creation of the prose contains an important humorous-axiological segment of artistic narrative, which is organically incorporated into the context of Ukrainian laugh culture.

The creation of life: Past, future, alien

1988 ◽  
Vol 4 (8) ◽  
pp. 239
Author(s):  
Harmke Kamminga
Keyword(s):  
The Creation ◽  
Creation Of Life

scholarly journals NEKRASOV'S DISCOURSE OF THE MODERN INTERNET SPACE

2020 ◽  
Vol 117 (6) ◽  
pp. 157-164
Author(s):  
Tatiyana I. Erokhina ◽  
Keyword(s):  
Media Culture ◽  
The Internet ◽  
Information Communication ◽  
Modern Culture ◽  
Media Technologies ◽  
Creative Personality ◽  
The Media ◽  
The Creation ◽  
The Individual ◽  
Cultural Hero

In modern culture, a special place is occupied by the Internet space, which is a space for obtaining information, communication, constructing virtual reality and self-realization of the individual. The Internet space has a multifunctional nature and is part of the media culture, in the context of which ideas about the creative personality, artistic creativity, and cultural memory are updated. The process of representation of a creative personality in the Internet space is especially actively developing during anniversary events and dates that form an informational occasion. On the eve of the 200th anniversary of Russian poet N. A. Nekrasov, the author of the article turned to understanding the Nekrasov discourse of the modern Internet space. The aim of the research is to analyze the Nekrasov discourse in terms of its representation, specificity, and functions. In the course of the study, the author considered options and ways to represent the poet's work on the Internet: special projects dedicated to the life and work of N. A. Nekrasov were analyzed. There is a tendency to represent biographical information about N. A. Nekrasov on the Internet, which transforms or destroys the stereotypical ideas about the poet received in the course of school education. Special attention is paid to the media technologies of the mythologization of the personality and creativity of N. A. Nekrasov, which are associated with the creation of new myths about the poet as a cultural hero who acquires a trickster beginning, and the mythologization of the Nekrasov chronotope is indicated. The author draws attention to the specifics of the Nekrasov discourse, which is associated with the creation of hypertext in the Internet space. The article considers the principles of hypertextual construction of the Nekrasov discourse, notes its non-linearity, actualization of the creative activity of the addresser and addressee, and features of modeling the Nekrasov text in the Internet space. The author outlined the main functions of the Nekrasov discourse that have informational and symbolic meaning, and noted its positive and negative connotations.

scholarly journals THE SYMBOLS OF WISDOM IN VISHNU PURANA AND “THE THREE BROTHERS AND THE GOLDEN APPLE” (ON SOME GENERAL PHILOSOPHICAL ASPECTS IN THE BULGARIAN FAIRYTALE AND VISHNU PURANA, CHAPTER 2)

2020 ◽  
Vol 18 (1) ◽  
pp. 119-124
Author(s):  
Anna KALTSEVA
Keyword(s):  
Human Society ◽  
Sacred Texts ◽  
The Third ◽  
Divine Wisdom ◽  
Tree Of Knowledge ◽  
The World ◽  
The Creation ◽  
Creation Of Life

e article draws parallels between the Bulgarian fairytale “The Three Brothers and the Golden Apple” and the second chapter of Vishnu Purana. The general philosophical aspects of these texts, which serve as a basis for the proposed hypothesis, are discussed. These are narratives of wisdom as a basis for the creation, development, existence of life, and human civilization. The gold thread in Vishnu Purana and the golden apple in the Bulgarian magic fairytale are symbols of knowledge and wisdom, with the power of which the visible world and the human society were created. If in Vishnu Purana this symbol is wrapped in a philosophical narrative about the creation of life, in “The Three Brothers and the Golden Apple” philosophy is hidden behind the seemingly concrete images and characters of the fairytale. In “The Three Brothers and the Golden Apple”, the tree with golden fruits symbolizes the tree of knowledge - an image that is present in all the sacred texts of the religions around the world. The tale is a story of the trials that one goes through in order to overcome one’s weaknesses, to know oneself, to understand the spiritual possibilities and qualities that make a person close and equal to God. The third brother continues his journey in the world, having a faithful companion - his intuition, symbolized by the most beautiful and intelligent princess. The third brother, or the symbol of the man who has overcome his weaknesses, can always benefit from the eternal Divine wisdom, symbolized by the golden apple.

scholarly journals Ukrainian-Russian dictionary-addition to I. Kotlyarevsky’s Aeneides: the leakes of the levels of modern Ukrainian lexicography

2019 ◽  
pp. 32-45
Author(s):  
Zinaida Kozyreva
Keyword(s):  
Literary Language ◽  
Fourth Part ◽  
Creative Personality ◽  
The Creation ◽  
The One ◽  
The Impact ◽  
Russian Dictionary

The lexicographic activity of Ivan Kotlyarevsky, the founder of the new Ukrainian literary language, has constantly attracted and attracted the attention of researchers. The further in time his figure moves away from us, the more noticeable is his influence on the present. In the field of linguistic interests, the most prominent place is the issue of selection and extension of lexical and phraseological means, syntactic constructions of the author of “Aeneid”. Less attention is given to the research of I. Kotlyarevsky's work as a lexicographer – the founder and sponsor of the author's lexicography. The article attempts to trace the impact on the following Ukrainian lexicographic works of the Dictionary of the Lesser Russian words contained in “Aeneid” and many other Little Russians used for the fourth part of I. Kotlyarevsky. Small in size (1,125 words) and composed mainly to the text of the one work (“Aeneids”), Kotlyarevsky's dictionary is valuable both as the first Ukrainian-Russian dictionary with a vocabulary register of the new Ukrainian literary language, and as a model for compilling similar dictionaries in different editions. The lexical and phraseological units, attested in the annex to the “Aeneid” in 1809, are traced to the presence in the following Ukrainian lexicographic works of the 19th – beginning of the 21st centuries. Particular emphasis is placed on the role of Ivan Kotlyarevsky as the originator of Ukrainian author's lexicography in connection with the creation of the vocabulary of the creative personality language.

scholarly journals Artistic activities and creativity in argentinian school-age children

2012 ◽  
Vol 5 (2) ◽  
pp. 40-48 ◽  
Author(s):  
Gabriela Krumm ◽  
Viviana Lemos
Keyword(s):  
Creative Thinking ◽  
Peer Assessment ◽  
School Age Children ◽  
School Age ◽  
Self Assessment ◽  
Personality Scale ◽  
Parental Assessment ◽  
Creative Personality ◽  
The Creation

This work intended to assess whether performing artistic activities influence Creativity. To this end, 301 children aged 8-14 years were assessed. Creativity was studied from a multicomponent assessment, by means of diverse techniques (i.e., sociograms, tests and scales) and different informants (i.e., peers, parents and the child himself/herself). The results consistently indicated that children who perform artistic activities obtained higher scores in Creativity assessed by: the creation of drawings (figural test of the Torrance Tests of Creative Thinking), parental assessment and the child’s creative personality self-assessment (Creative personality scale hetero and auto-evaluation version, Garaigordobil, 2004) and peer assessment (Garaigordobil’s Sociogram “Creative peer”, 2004).

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