Queering Fashion in Hajji Baba: James Morier, Mirza Abul Hassan Khan, and the Crisis of Imperial Masculinity

2021 ◽  
Vol 34 (1) ◽  
pp. 1-31
Author(s):  
Humberto Garcia
Keyword(s):  
Twentieth Century ◽  
News Media ◽  
Racial Identities ◽  
Early Twentieth Century ◽  
Celebrity Status ◽  
Gender Deviancy

James Justinian Morier’s The Adventures of Hajji Baba of Ispahan (1824) shaped orientalist stereotypes until the early twentieth century. Scholars have examined the novel’s racism separately from gender and class anxieties in the often-neglected sequel, The Adventures of Hajji Baba of Ispahan in England (1828). Reading these two novels jointly reveals a British imperial masculinity in crisis during a precarious period in Anglo-Persian relations: the embassy of Mirza Abul Hassan Khan Shirazi Ilchi from Qajar Iran to late Georgian Britain in 1809–10 and 1819–20. This essay argues that Abul Hassan’s celebrity status in the tabloid news media inspired Londoners to adopt Persian fashions queerly, their gender deviancy informing Morier’s fiction about a foppish cross-dressed upstart from Ispahan. I argue that Abul Hassan’s mediatized body drove Morier to satirize fashionable Englishmen as a foreign race, allowing him to claim British gentility. Less concerned with Persians than with their effeminate admirers in England, his satire suggests that the “Orient” was constituted by intersectional gender, class, and racial identities in flux.

The “Black Buddhism Plan”: Buddhism, Race, and Empire in the Early Twentieth Century

2021 ◽  
pp. 1-47
Author(s):  
Adeana McNicholl
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Racial Identities ◽  
Early Twentieth Century ◽  
History Of ◽  
Black Pacific ◽  
The One ◽  
Single Figure ◽  
The Relationship

ABSTRACT This article traces the life of a single figure, Sufi Abdul Hamid, to bring into conversation the history of the transmission of Buddhism to the United States with the emergence of new Black religio-racial movements in the early twentieth century. It follows Hamid's activities in the 1930s to ask what Hamid's life reveals about the relationship between Buddhism and race in the United States. On the one hand, Hamid's own negotiation of his identity as a Black Orientalist illustrates the contentious process through which individuals negotiate their religio-racial identities in tension with hegemonic religio-racial frameworks. Hamid constructed a Black Orientalist identity that resignified Blackness while criticizing the racial injustice foundational to the American nation-state. His Black Orientalist identity at times resonated with global Orientalist discourses, even while being recalcitrant to the hegemonic religio-racial frameworks of white Orientalism. The subversive positioning of Hamid's Black Orientalist identity simultaneously lent itself to his racialization by others. This is illustrated through Hamid's posthumous implication in a conspiracy theory known as the “Black Buddhism Plan.” This theory drew on imaginations of a Black Pacific community formulated by both Black Americans and by government authorities who created Japanese Buddhists and new Black religio-racial movements as subjects of surveillance. The capacious nature of Hamid's religio-racial identity, on the one hand constructed and performed by Hamid himself, and on the other created in the shadow of the dominant discourses of a white racial state, demonstrates that Buddhism in the United States is always constituted by race.

scholarly journals How Repertoires Evolve: The Diffusion of Suicide Protest in the Twentieth Century

2013 ◽  
Vol 18 (4) ◽  
pp. 407-428 ◽  
Author(s):  
Michael Biggs
Keyword(s):  
Twentieth Century ◽  
News Media ◽  
Potential Utility ◽  
Early Twentieth Century ◽  
Repertoire Of Contention ◽  
Almost All ◽  
The Sacrifice

Although "repertoire of contention" is a ubiquitous term in the literature, the concept remains undertheorized and untested. The crucial implication, I argue, is that instances of a tactic belong to one or a few lineages, each radiating from a single invention and comprising a series of adoptions and repetitions. This implication is tested by examining suicide protest: killing oneself, without harming others, for a collective cause. The decline in cruel public punishment and the growth of news media increased the potential utility of this tactic. There were multiple inventions of suicide protest, but only in Japan was there a recognizable lineage in the early twentieth century. The sacrifice of a Vietnamese monk in 1963 created a model, which was adopted in many different countries for varied collective causes. Almost all subsequent acts can be traced—directly or indirectly—back to this origin.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

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