P. P. Bazhov. The Malachite Box [Malakhitovaya shkatulka]: A scholarly edition

2021 ◽  
pp. 284-289
Author(s):  
S. S. Belyakov

A review of the first scholarly edition of The Malachite Box [ Malakhitovaya shkatulka], a famous collection of tales (skazy) by the Russian writer Pavel Bazhov. Bazhov created his distinctive artistic world, which provided the basis for the subsequent emergence of the unique mythology of the Urals. Bazhov’s skazy are an example of stylised folklore, yet the stylisation is itself rooted in folklore tradition. This scholarly edition of The Malachite Box includes a comprehensive historical, literary and philological commentary. The editors examine the differences between all nine editions of The Malachite Box published in Bazhov’s lifetime and the first publications of the tales and their holographs and discover a number of minor textual discrepancies across all publications in question. The book has the tales arranged chronologically, which offers a chance to follow Bazhov’s creative evolution and get a better understanding of his connection with his time.

LITOSFERA ◽  
2020 ◽  
Vol 20 (2) ◽  
pp. 224-230
Author(s):  
V. N. Smirnov ◽  
K. S. Ivanov ◽  
T. V. Bayanova

Research subject. The article presents the results of dating two dolerite dikes differing in geochemical features from a section along the Iset river in the area of Smolinskoe settlement (the Eastern zone of the Middle Urals). Materials and methods. The dating was performed by an U-Pb ID-TIMS technique for single zircon grains using an artificial 205Pb/235U tracer in the laboratory of geochronology and isotope geochemistry of the Geological Institute of the Kola Science Centre of the Russian Academy of Sciences. The lead isotopic composition and uranium and lead concentrations were measured using a Finnigan-MAT (RPQ) seven-channel mass spectrometer in dynamic mode using a secondary electron multiplier and RPQ quadrupole in ion counting mode. Results. The dikes were dated 330 ± 3 Ma and 240 ± 2 Ma. Conclusions. The research results indicate different ages of dolerite dikes developed within the Eastern zone of the Middle Urals. The oldest of the two established age levels corresponds to the Early Carboniferous era. This fact, along with the proximity of the dolerites to the petrochemical features of the basaltoids of the Early Carboniferous Beklenischevsky volcanic complex, allows these bodies to be considered as hypabyssal comagmates of these volcanics. The youngest obtained age level – Triassic – indicates that the introduction of some dolerite dikes was associated with the final phases of the trapp formation developed rarely within the eastern outskirts of the Urals and widely further east in the foundation (pre-Jurassic basement) of the West-Siberian Plate.


2020 ◽  
Vol 17 (4) ◽  
pp. 426-437
Author(s):  
Nikolay N. Nosov

The article is devoted to L.I. Strakhovsky (alias Leonid Chatsky; 1898—1963), a Russian writer and poet of the first wave of emigration, and his poetry and prose reflected in foreign publications of his works in Russian. Returning to our culture the name of this author, now half-forgotten in his homeland, and introducing this name into literary studies, the article tries to reveal the thematic and stylistic diversity of L.I. Strakhovsky’s poetry and prose. The research’s object is foreign publications of L.I. Strakhovsky’s artistic works in separate books, almanacs and periodicals published in Belgium, Germany, Canada and identified through collection catalogues of leading Russian libraries (the Russian State library, the Alexander Solzhenitsyn House of Russia Abroad) and library resources that display foreign Russian-language publications by L.I. Strakhovsky. The article highlights and analyzes the main stylistic (symbolism, acmeism, “junior acmeism”) and thematic (autobiographical, English, mystical) components of L.I. Strakhovsky’s works, reveals the components’ individual features, the originality of their constancy and mutual influence. The main of these features is that L.I. Strakhovsky’s works can be stylistically periodized on the basis of the author’s increased propensity to cyclize his works though without creative evolution in the usual sense and with the stable nature of his working throughout his life. To review the publications and analyze the nature of L.I. Strakhovsky’s works, the article draws on the context of Russian and emigrant literature of his era, creatively associated with L.I. Strakhovsky and its main figures, and notes his literary and cultural influence.


Author(s):  
Menachem Katz ◽  
Hillel Gershuni ◽  
Yaron Bar
Keyword(s):  

2018 ◽  
Vol 147 (6) ◽  
pp. 113-132
Author(s):  
Rakin V.I. ◽  
◽  
Pomazansky B.S. ◽  
Kovalchuk O.E. ◽  
◽  
...  
Keyword(s):  

2020 ◽  
Vol 63 (4) ◽  
pp. 115-131
Author(s):  
Maria M. Kuznetsova

The article examines the philosophy of Henri Bergson and William James as independent doctrines aimed at rational comprehension of spiritual reality. The doctrines imply the paramount importance of consciousness, the need for continuous spiritual development, the expansion of experience and perception. The study highlights the fundamental role of spiritual energy for individual and universal evolution, which likens these doctrines to the ancient Eastern teaching as well as to Platonism in Western philosophy. The term “spiritual energy” is used by Bergson and James all the way through their creative career, and therefore this concept should considered in the examination of their solution to the most important philosophical and scientific issues, such as the relationship of matter and spirit, consciousness and brain, cognition, free will, etc. The “radical empiricism” of William James and the “creative evolution” of Henry Bergson should be viewed as conceptions that based on peacemaking goals, because they are aimed at reconciling faith and facts, science and religion through the organic synthesis of sensory and spiritual levels of experience. Although there is a number of modern scientific discoveries that were foreseen by philosophical ideas of Bergson and James, both philosophers advocate for the artificial limitation of the sphere of experimental methods in science. They call not to limit ourselves to the usual intellectual schemes of reality comprehension, but attempt to touch the “living” reality, which presupposes an increase in the intensity of attention and will, but finally brings us closer to freedom.


2018 ◽  
Vol 52 (2) ◽  
pp. 407-416
Author(s):  
T. V. Makryi

Sedelnikovaea baicalensis, the Siberian-Central Asian lichen species, is recorded for the first time for Europe. Based on all the known localities, including those first-time reported from Baikal Siberia, the peculiarities of the ecology and distribution of this species are discussed, the map of its distribution is provided. It is concluded that the species was erroneously considered earlier as a Central Asian endemic. The center of the present range of this lichen is the steppes of Southern Siberia and Mongolia. Assumptions are made that S. baicalensis is relatively young (Paleogene-Neogene) species otherwise it would have a vast range extending beyond Asia, and also that the Yakut locations of this species indicate that in the Pleistocene its range was wider and covered a significant part of the Northeastern Siberia but later underwent regression. Based on the fact that in the mountains of Central Asia the species is found only in the upper mountain belts, it is proposed to characterize it as «cryo-arid xerophyte» in contrast to «arid xerophytes». A conclusion is made that the presence of extensive disjunctions of S. baicalensis range between the Southern Pre-Urals and the Altai-Sayan Mountains or the Mountains of Central Asia is unlikely; the lichen is most likely to occur in the Urals and most of Kazakhstan.


2019 ◽  
pp. 50-68
Author(s):  
A. A. Guskova

The article examines the ‘geographical dimension’ of modern Russian prose, in particular, through a mythological, and even demonological, prism. The mythological-dimensional complex is especially prominent in the Urals-themed works by O. Slavnikova (2017 (2006)) and A. Ivanov (his 2-volume series Parma’s Heart, or Cherdyn – The Mountain Princess [Serdtse Parmy, ili Cherdyn – knyaginya gor] (2003) and The Gold of the Uprising, or Down the River Gorge [Zoloto bunta, ili Vniz po reke tesnin] (2005)). Not only do the novels promote a region-specific metaphorical and mystic flavor of theUral Mountains, but they also feature very active and authentic demons, thus creating a unique provincial topos, whose spiritual quality stands out especially in comparison with its callous and apathetic metropolitan counterpart. Mainly based in the spiritual opposition between the Urals and the capital city, the conflict in the novels by Slavnikova and Ivanov is resolved in a historical dimension, because the hitherto culturally unexploredRussia offers unlimited riches for literary and mythological constructs and their integration into fiction.


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