scholarly journals Foreign Layer of the Chuvash Book

2020 ◽  
pp. 28-32
Author(s):  
Alena Mikhajlovna Ivanova ◽  
Eduard Valentinovich Fomin
Keyword(s):  
Foreign Language ◽  
Qualitative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Publishing House ◽  
Scientific Publications ◽  
The Past ◽  
The World ◽  
The 19Th Century ◽  
Parallel Texts

The article is devoted to the consideration of extraterritorial publications on the Chuvash theme. The purpose of the work is to identify the essential features of the foreign layer of the Chuvash book. The conclusions of the work are based on a quantitative and qualitative analysis of bibliographic indexes and a direct study of the books themselves de visu. The authors of the article consider foreign books as an important component of modern Chuvash culture, endowed with communicative, cognitive-cumulative, ethno-presentative and educational functions. Extraterritorial editions of the Chuvash book appeared in the first half of the 19th century, and only by the end of the 20th century they formed an independent layer. At the same time, one should objectively speak of two exteriorics – the Chuvash and by the poet G. Aygi. Each of them is represented by almost 150 publications. The predominant problematic of the foreign language layer of the Chuvash book proper is the Chuvash language. Moreover, its notable aspect is the publication of books in the Chuvash language or their publication with parallel texts in Sweden and Turkey. G. Aygi’s foreign publications are already represented by collections of poems in Russian, published by the publishing house of the artist N. Dronnikov in France. This work is a publication that should provide an introduction to the scientific use of literature that has not yet become the property of the Chuvash Studies. Its task is to promote the full functioning of modern Chuvash science in conjunction with the world one. The authors come to the conclusion that, in general, the foreign layer of the Chuvash book has an enduring value, and many of the scientific publications published in the past are rightly elevated to the rank of classical ones by the scientists.

scholarly journals Update on Bolognese surgeon Dr. Benedetto Schiassi: the importance of Schiassi’s tentorium

2017 ◽  
Author(s):  
Sergio Sabbatani ◽  
Luca Ansaloni ◽  
Massimo Sartelli ◽  
Federico Coccolini ◽  
Salomone Di Saverio ◽  
...  
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Microbial Contamination ◽  
Scientific Activity ◽  
Risk Of Infection ◽  
Noticeable Increase ◽  
The Past ◽  
Relevant Today ◽  
The 19Th Century

Risk of infection remains a major concern for surgeons. The expansion of surgery towards the end of the 19th century determined a noticeable increase in septicemia and gangrene, and surgeons developed various techniques to limit them. In a previous publication, we reminded our readers of one of the gems of Italian surgery, Dr. Giuseppe Ruggi, who operated in Bologna from the end of 19th to the beginning of the 20th century. To him we owe the introduction and dissemination of the antiseptic method in Bologna. His scientific activity continued with Dr. Benedetto Schiassi, his successor. The techniques used to avoid microbial contamination by the Italian surgeon Dr. Schiassi, are particularly interesting, as Schiassi’s tentorium is still useful. Despite advances in surgical technologies, many innovations to prevent infection in surgery proposed in the past are still relevant today.

De la escena a la viñeta:

Neuróptica ◽  
2021 ◽  
pp. 227-240
Author(s):  
Alejandro Silvela Calvo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Oscar Wilde ◽  
Musical Work ◽  
Visual Medium ◽  
Richard Strauss ◽  
The World ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx

Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.  

An Authopreter Narrative

2021 ◽  
pp. 1-14
Author(s):  
Arthur Asa Berger ◽  
Nurdan Oncel Taskiran
Keyword(s):  
Foreign Language ◽  
20Th Century ◽  
19Th Century ◽  
Educational Process ◽  
The 19Th Century

Few people can show mathematics, physics, chemistry, geometry, or foreign language among the lessons they love in the educational process. It is no doubt that these lessons, which are difficult to understand and challenging to solve, still maintain their vitality in memories. Apart from these well-known essential areas, it is undeniable that among the new branches of science that developed in the 20th century, one is least as scary as the others. Semiotics (or semiology) is one of the problematic fields with its sophisticated theories in the 19th century until Arthur Asa Berger applied the edutainment (learning by fun) method to semiotics by his work “Saussure Suspects.”

scholarly journals Reforming Police: Opportunities, Drivers and Challenges

2005 ◽  
Vol 38 (2) ◽  
pp. 167-180 ◽  
Author(s):  
Philip C. Stenning ◽  
Clifford D. Shearing
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Special Issue ◽  
Quiet Revolution ◽  
The World ◽  
The Creation ◽  
The 19Th Century ◽  
Different Parts

A few years ago, David Bayley and Clifford Shearing (1996) argued that at the end of the 20th century we were witnessing a ‘watershed’ in policing, when transformations were occurring in the practices and sponsorship of policing on a scale unprecedented since the developments that heralded the creation of the ‘New Police’ in the 19th century. In this special issue of the journal, we and our fellow contributors turn our attention to a somewhat neglected aspect of this ‘quiet revolution’ in policing (Stenning & Shearing, 1980), namely the nature of the opportunities for, and challenges posed by, the reform of policing in different parts of the world at the beginning of the 21st century. Our attention in this issue is particularly focused on the opportunities, drivers and challenges in reforming public (state-sponsored) police institutions.

scholarly journals Is There A Need in a New «Concert of Great Powers»? Discussions in the American Expert Community

2021 ◽  
pp. 0
Author(s):  
Korney Kozlov
Keyword(s):  
19Th Century ◽  
Political System ◽  
Great Powers ◽  
Charles I ◽  
The Past ◽  
Rapid Changes ◽  
The World ◽  
Expert Community ◽  
The 19Th Century

The world political system is recently passing through a period of rapid changes. Decades of Western dominance are coming to an end, while strengthening China and Russia are eroding the weakening western leadership and its liberal values. In order to reduce tensions between the great powers and prevent possible confrontation, Richard N. Haas and Charles I. Kupchan propose to create a modern edition of the "European Concert" of the 19th century. Their opponents claim that the experience of the past is not always relevant in the present, and the "concert" system will not work in the modern circumstances. The article reveals the arguments of both sides.

scholarly journals Jejak Islamisasi Jawa Oleh KH Soleh Darat (Studi Kasus Naskah Kitab Syarah Al-Hikam)

2018 ◽  
Vol 13 (3) ◽  
pp. 418
Author(s):  
Muhammad Abdullah
Keyword(s):  
Character Education ◽  
19Th Century ◽  
Past Century ◽  
Multicultural Society ◽  
Islamic Culture ◽  
The Past ◽  
Islamic Thought ◽  
The World ◽  
Relationship Of ◽  
The 19Th Century

By translating many books of jurisprudence and Sufism in Javanese, KH Sholeh Darat delivered a message of da'wah at the house of the Regent of Demak which was the uncle of R.A. Kartini. KH Sholeh Darat translates the Quran in Javanese using Arabic Pegon. The book was recorded as the first translation book in the world in Javanese. The first book of interpretation in Arabic Javanese Pegon was given the name Faidhur Rohman. In his missionary ethos, KH Soleh Darat was very concerned about how Javanese culture and character education of Javanese people lack understanding in Arabic. Therefore, the effort to translate various books into banhasa Jawa is nothing more than the process of Javanese Islamization which is very accommodating to Javanese culture. One of the books that reveals the Javanese ethic of Sufism is the Syarah Al Hikam Book. This research is based on the consideration that the manuscript includes some of the cultural riches of the archipelago of the past century which until now can still be saved. Therefore, this manuscript needs to be studied philologically and thematically, especially the values of the propaganda of KH Sholeh Darat which provide a wind of harmony in religion. Through intertextual studies this study intends to find the character relationship of Syarah Al Hikam KH Soleh Darat. Through the learning of the Al Hikam book, traces of Islamic thought and the method of da'wah that combines Islamic culture and Javanese culture, accommodating, moderate, between the Shari'a and the tarekat is the harmonization of Islam can be accepted in the multicultural society in Semarang and Java in the 19th century.

Why the “True” Philosophy of Valisiy Rozanov Is So Consanguineal for Me

2019 ◽  
Vol 60 ◽  
pp. 237-261
Author(s):  
Alexander Tsipko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Political History ◽  
Intrinsic Value ◽  
The World ◽  
Rich People ◽  
The Right ◽  
The 19Th Century ◽  
World Mission

The author of the article analyzes the key directions of Russian philosophic thought starting with the end of the 19th century, as well as the course of Russian political history in the 19th century, and using his fist-hand experience gives his own interpretation of the phenomena of Russian nihilism, Russian socialism and Russian messianism. In particular the author discusses the ascetic Orthodoxy idea of “rich people being worse than poor”, that during long periods united the narratives of various, and very often oppositional to each other, directions of the Russian thought, as well as the purposes of intelligentsia on the whole. That attitude to “richness” according to the author was based on the long-standing tradition of the mobid attitude to asceticism, and he develops Rozanov’s idea that there is no proof of the postulate that a suffering proletarian is closer to spiritual perfection than a so-called “exploiter”. At the bottom of Russian nihilism was the total denial of life, that later led the attitude to any individual as just means in the revolutionary doctrine and in post-revolutionary political practices. On the contrary, the acknowledgement of the world intrinsic value can serve as philosophical prerequisite of the opposition to the interpreting of an individual as “just means”. V.V. Rozanov supported that idea of intrinsic value connecting the divine with the living in his “philosophy of the mundane”, thus defending the right of any Russian man to the joys of commonness. On the basis of that position the author of the article discredits the Russian messianism that was understood as socialist world mission by some thinkers at the beginning of the 20th century. According to the author the paradox lies in the fact that Russian messianism was generated in reality not by the love to Russia, but by the lack of national feelings, he also states that all these problems are still relevant in contemporary Russia.

Looking Back as an Antidote for the Fear of the Turn of the Centuries. „Kurier Warszawski” and its „Contest of the Century”

Tekstualia ◽  
2020 ◽  
Vol 4 (63) ◽  
pp. 49-68
Author(s):  
Iwona Przybysz
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Daily Newspaper ◽  
The Past ◽  
The Arts ◽  
The World ◽  
Looking Back

The article focuses on the construction of the narration about the end of 19th and the beginning of the 20th century in the daily newspaper „Kurier Warszawski”. Its crucial manifestation was the „contest of the century”, a questionnaire addressed to representatives of the world of science and the arts evaluating the most important Polish scientifi c and artistic achievements of 19th century. A key assumption of the narration thus shaped was the recapitulation and appreciation of the past and the idea of a long passing of the history. Such an idea served as an answer to the catastrophic atmosphere and the fear of the unknown.

THE BEGINNINGS OF ESTABLISHMENT AND DEVELOPMENT FOR UKRAINIAN ACADEMIC VOCAL PERFORMING

2019 ◽  
pp. 25-36
Author(s):  
A. K. Tereshchenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Scientific Work ◽  
Historical Method ◽  
The World ◽  
Characteristic Features ◽  
Vocal Art ◽  
Opera Singers ◽  
The 19Th Century ◽  
Creative Life

The purpose of this article is disclosing genic underground for germination and evolution of Ukrainian academic vocal performing. The target of this investigation is also revealing the most characteristic features of domestic vocal tradition into the stage concerning to formation of Ukrainian professional vocal art. The methodology of this exploration is formed by researcher on the basis employment of historical method, which connects with studying definite biographical information of Ukrainian academic singers. The systematic manner has the specific significance for special formation the investigative sequence of Ukrainian performers’ the most characteristic vocal criterions. The structurally analytical method26allows to hold out the logic of scientific disquisition, its structure and to texture the general conclusions. The scientific newness of the presented article is determined by appeal to phenomenon of Ukrainian vocal academic art into its stage beginning and further evolutional development. The discovering of not renowned facts from creative life of celebrated Ukrainian singers namely Mykola Ivanov, Semen Hulak-Artemovsky, Alexander Mishug, Kamil Everardy, Alexander Korobeychenko, Anatoly Solovyanenko and Lyudmila Yurchenko is novelty into the scientific work. Conclusions. The world famous creation of Ukrainian opera singers specifically Mykola Ivanov and Semen Hulak-Artemovsky is genic foundation of Ukrainian academic vocal performing. Namely these artists, from the middle of the 19th century, began its approving and passing to descendants on the highest professional level. The permanent connect with Italian vocal tradition as well as Ukrainian-Italian concert-creative relationships are the most peculiar traits, the characterological features of domestic vocal performing, into the stage organization of Ukrainian vocal art’s phenomenon. The successors of such a type art events in the 20th century were celebrated performers, exactly the singers and teachers Alexander Mishug, Kamil Everard, Alexander Korobeychenko, Anatoly Solovyanenko, Lyudmila Yurchenko and others.

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