scholarly journals The historical significance of the ARMU during the NEP and Ukrainization

2021 ◽  
pp. 51-68
Author(s):  
Andriy SYDORENKO
Keyword(s):  
Cultural Policy ◽  
Fine Arts ◽  
Historical Significance ◽  
Teachers And Students ◽  
History Of ◽  
Left And Right ◽  
Revolutionary Art ◽  
Left Front ◽  
Russian Association ◽  
Broad Program

The article examines the circumstances of the founding of the Association of Revolutionary Art of Ukraine (ARMU), its program principles and significance in the history of Ukrainian art in the second half of the 1920s — early 1930s. The cultural and political reasons and consequences of the introduction of the NEP, Ukrainization, collectivization and reform of art education in the Ukrainian SSR, as well as the changes that took place after the transfer of power in the USSR from V. Lenin to J. Stalin were analyzed. It was found that the ARMU was founded against the background of intensifying competition between left and right wings of art, as well as the emergence of branches of the Russian associations AHRR (Association of Artists of Revolutionary Russia) and LEF (Left Front of Art) in the Ukrainian SSR. It is shown how the connection of the ARMU with the Kyiv Art Institute (KKhI), its rector, teachers and students influenced the formation of a broad program of this association, which proclaimed the equality of all types of fine arts and design. It is analyzed how the resolutions of the Communist Party and the peculiarities of cultural policy in the field of fine arts in the Ukrainian SSR during the time of O. Shumsky and M. Skrypnyk influenced the activities of art associations and the ARMU in particular. The statements of the ideologists of the ARMU I. Vrona and V. Sedlyar about the realism and activity of the Russian association of the AKhRR in the Ukrainian SSR are analyzed. The consequences of the collapse of the NEP and Ukrainization, with the fight against formalism on the fate of the ARMU and its members were revealed.

scholarly journals History of the Syrian Christians on the pages of the book “The Urmia Tragedy. The Life of the Holy Martyr Pimen (Belolikov, 1879–1918), Bishop of Semirechensk and Vernen”

2021 ◽  
pp. 946-952
Author(s):  
Z. P. Inozemtseva ◽  
Keyword(s):  
Primary Sources ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Government ◽  
Russian Orthodox Church ◽  
Historical Significance ◽  
Teachers And Students ◽  
History Of Religions ◽  
History Of ◽  
Comprehensive Study

The peer-reviewed monographic study by Archimandrite Damaskin (Orlovsky), dedicated to the little-studied problem of the missionary activity of the Russian Orthodox Church and the policy of the Russian government towards the Christian part of the Syrian people, has been carried out on the basis of a vast array of archival primary sources, many of which have been thus introduced into scientific use. It is noted that the peer-reviewed work is one of the first, where the author, acting simultaneously as historian and as agiator, recreates the historical canvas of the saint’s life on the basis of a comprehensive study of archival sources, including documented testimonies of persons who were canonized, but whose names and works were crossed out from the official historiography. The review shows that the historical and agiographic context of the author's study has allowed him to quickly and comprehensively recreate historical facts and events, fates of individuals and to reveal their morality. The reviewer appreciates the historical significance of the book's materials, believing that they deserve the closest attention of historians, foreign policy specialists, political scientists, clergy, scholars in historical psychology. The book will be of interest to teachers and students studying the history of religions and of the Russian Orthodox Church.

TO THE HISTORY OF THE STATION OF THE OPERA BY PI TCHAIKOVSKY "EUGENE ONEGIN" IN CHINA

2021 ◽  
Vol 1 (1) ◽  
pp. 108-112
Author(s):  
Wang Dan ◽  
Keyword(s):  
Soviet Union ◽  
Literary Text ◽  
Historical Significance ◽  
The Soviet Union ◽  
Teachers And Students ◽  
History Of ◽  
Eugene Onegin

The article provides evidence of eyewitnesses and performers about the history of performance in China of PI Tchaikovsky's opera "Eugene Onegin", the first acquaintance with which the Chinese audience took place back in the 20s of the last century. It is noted that the premiere of "Eugene Onegin" in Chinese was held in an abridged version at the Central Music Conservatory of Tianjin on May 26, 1956 by the efforts of teachers and students under the leadership of Huang Lifay. Professors and vocal teachers from the Soviet Union - PM Medvedev and NK Kuklina-Vrana - contributed to the first production. The historical significance of the first production of Eugene Onegin is that it was performed in Chinese. It was difficult to translate the literary text of the opera due to the need to correlate the Chinese verbal text with musically complex opera parts and at the same time preserve the charm of Pushkin's poetry. The production of the opera in Chinese made it more accessible to music lovers. It is noted that the opera "Eugene Onegin" without any cuts saw the light of the footlights of the Beijing Tian Qiao Theater in August 1962.

Conclusion

2018 ◽  
Author(s):  
David Randall
Keyword(s):  
Public Opinion ◽  
Early Modern ◽  
Intellectual History ◽  
Fine Arts ◽  
James Madison ◽  
Modern Conception ◽  
Political World ◽  
The Enlightenment ◽  
History Of ◽  
Constitutional Thought

The changed conception of conversation that emerged by c.1700 was about to expand its scope enormously – to the broad culture of Enlightenment Europe, to the fine arts, to philosophy and into the broad political world, both via the conception of public opinion and via the constitutional thought of James Madison (1751–1836). In the Enlightenment, the early modern conception of conversation would expand into a whole wing of Enlightenment thought. The intellectual history of the heirs of Cicero and Petrarch would become the practice of millions and the constitutional architecture of a great republic....

THE TIMURID PERIOD FROM THE HISTORY OF THE FINE ARTS

2019 ◽  
Vol 19 (2) ◽  
pp. 28-33
Author(s):  
Ulug'bek Kuryazov ◽  
Keyword(s):  
Comparative Analysis ◽  
Fine Arts ◽  
The World ◽  
History Of

The article examines the works of scholars in the study of the history of fine arts, in particular miniatures of the Amir Temur era and temurids. Special attention is paid to the history of the creativity of Mirak Nakkosh and the outstanding miniaturist Kamoliddin Behzod. A comparative analysis of several miniature works is given. As well as analyzed some miniatures stored in the collections of museums and libraries of the world

From the history of manufacturing Romanian nai at the turn of 20–21 centuries

2018 ◽  
pp. 71-74
Author(s):  
A. Drutsé
Keyword(s):  
20Th Century ◽  
Fine Arts ◽  
Research Interest ◽  
Modern World ◽  
Music Theater ◽  
Technical Improvement ◽  
Performance Skills ◽  
Doctoral Candidate ◽  
History Of ◽  
And Performance

The modern world popularity of the nai — a traditional Romanian instrument — has identified interest in writing this article. This problematic constitutes the circle of our research interest as a doctoral candidate, but also as a concert performer, a graduate of the Academy of Music, Theater and Fine Arts. One of the most interesting aspects of the study of nai is its technical improvement since 60s of the 20th century, which led to the acquisition of a number of new, innovative skills and performance skills. In this article we have identified some pages of the modern history of the manufacture of this ancient instrument associated with these processes.

KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION

2020 ◽  
Vol 384 (2) ◽  
pp. 185-193
Author(s):  
A. Raimkulova
Keyword(s):  
20Th Century ◽  
Cultural Policy ◽  
Information Technologies ◽  
Cultural Landscapes ◽  
Social Institutions ◽  
Music Culture ◽  
Oral Transmission ◽  
Intercultural Interaction ◽  
History Of ◽  
New Type

At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etc. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture – Kazakh composers’ music – appeared. It was connected with the formation of a national style based on transcriptions and borrowing. Traditional music was influenced by new social institutions (philharmonic halls, theatres, radio, conservatoire) that caused changes in the creative process (decrease of oral transmission, lack of traditional social context) as well as in the style (virtuoso performance, new genres of songs).

Case Study: Rome's House of Memory and History: The Politics of Memory and Public Institutions

2012 ◽  
Author(s):  
Alessandro Portelli
Keyword(s):  
Oral History ◽  
Cultural Policy ◽  
Public Institutions ◽  
Politics Of Memory ◽  
Political Events ◽  
History Of ◽  
Ambitious Program ◽  
The City

This article centers around the case study of Rome's House of Memory and History to understand the politics of memory and public institutions. This case study is about the organization and politics of public memory: the House of Memory and History, established by the city of Rome in 2006, in the framework of an ambitious program of cultural policy. It summarizes the history of the House's conception and founding, describes its activities and the role of oral history in them, and discusses some of the problems it faces. The idea of a House of Memory and History grew in this cultural and political context. This article traces several political events that led to the culmination of the politics of memory and its effect on public institutions. It says that the House of Memory and History can be considered a success. A discussion on a cultural future winds up this article.

scholarly journals The Danger of Analogical Myths: Explaining the Power and Consequences of the Sykes-Picot Delusion

AJIL Unbound ◽  
2016 ◽  
Vol 110 ◽  
pp. 132-136 ◽  
Author(s):  
Toby Dodge
Keyword(s):  
United States ◽  
Middle East ◽  
The United States ◽  
Historical Background ◽  
Minor Role ◽  
Historical Significance ◽  
Historical Analogy ◽  
History Of ◽  
Political Units ◽  
Postcolonial States

Even before its hundredth year anniversary on 16 May 2016, the Sykes-Picot agreement had become a widely cited historical analogy both in the region itself and in Europe and the United States. In the Middle East, it is frequently deployed as an infamous example of European imperial betrayal and Western attempts more generally to keep the region divided, in conflict, and easy to dominate. In Europe and the United States, however, its role as a historical analogy is more complex—a shorthand for understanding the Middle East as irrevocably divided into mutually hostile sects and clans, destined to be mired in conflict until another external intervention imposes a new, more authentic, set of political units on the region to replace the postcolonial states left in the wake of WWI. What is notable about both these uses of the Sykes-Picot agreement is that they fundamentally misread, and thus overstate, its historical significance. The agreement reached by the British diplomat Mark Sykes and his French counterpart, François Georges-Picot, in May 1916, quickly became irrelevant as the realities on the ground in the Middle East, U.S. intervention into the war, a resurgent Turkey and the comparative weakness of the French and British states transformed international relations at the end of the First World War. Against this historical background, explaining the contemporary power of the narrative surrounding the use of the Sykes-Picot agreement becomes more intellectually interesting than its minor role in the history of European imperial interventions in the Middle East.

Corruption and Integration – Does the Expansion of the European Union Represent a Risk Factor?

2004 ◽  
Vol 12 (4) ◽  
pp. 301-320
Author(s):  
Wolfgang Hetzer
Keyword(s):  
European Union ◽  
Contemporary History ◽  
The European Union ◽  
Member States ◽  
Historical Significance ◽  
Success Stories ◽  
History Of ◽  
The Cold War ◽  
Administrative Structures ◽  
Second World

AbstractThe imminent entry of ten countries into the European Union is one of the greatest success stories in the contemporary history of the continent. Following the devastation of the Second World War and the political and economic paralysis during the ‘Cold War’ period the future holds promise of development opportunities of historical significance for twenty-five Member States. It must not be overlooked, however, that, due to the still prevalent differences in living standards, in income ratios and in administrative structures, the process of economic approximation is also not without risks. Among these is the tendency towards corruption. The expansion of the European Union can only succeed economically and politically if the dangers associated with corruption are minimized by far-sighted legislation and consistent implementation measures throughout Europe. This is true not only with respect to the new Member States.

scholarly journals Introduction: Some ponderings on the use of the law in the writing of histories

2001 ◽  
Vol 16 (2) ◽  
pp. 169-175
Author(s):  
NIMROD HURVITZ ◽  
EDWARD FRAM
Keyword(s):  
Legal Doctrine ◽  
Legal Cases ◽  
Legal Documents ◽  
Historical Significance ◽  
Partial Reconstruction ◽  
The Social ◽  
The Hours ◽  
History Of ◽  
The Subject ◽  
The Law

Professional jurists are often inquisitive about the subject matter of their calling and in the course of their careers may well develop fascinating insights into the law and those who interpret it. Their employers, however, be they governments, corporations, firms, or private clients, rarely show similar enthusiasm for such insights unless the hours spent pondering the social or historical significance of this or that legal view have a contemporary value that justifies the lawyer's fee.Thankfully, other members of society are rewarded for mining the legal records of the past. For legal historians, the search often focuses on the changing legal ideas and how legal doctrine develops over time to meet the changing needs of societies. Yet because the law generally deals with concrete matters – again, because jurists are paid by people who are unlikely to remunerate those who simply while away their hours making up legal cases – it offers a reservoir of information that can be used, albeit with caution, in fields other than just the history of the law.A partial reconstruction of the law of any given time and place is among the more obvious historical uses of legal documents but statutes, practical decisions, and even theoretical texts can be used to advance other forms of the historical endeavour. Legal works often reflect the values both of jurists and society-at-large, for while the law creates social values it is not immune to changes in these very values.

Sign in / Sign up

Export Citation Format

Share Document