“Look at Me! I Can Change Your Tire”

2021 ◽  
Vol 2 (2) ◽  
pp. 39-56
Author(s):  
Kristine Newhall

Outside of bodybuilding, queer women in fitness and exercise cultures have received little attention in popular discourse and academic research. In this article, I examine how queer use of gym space can inform and reify a queer identity, specifically the enactment of queer female masculinity. I use Jack Halberstam’s work on female masculinity and literature in the fields of cultural studies and sport studies to discuss how queer identity, space, and power operate on the body in the context of fitness culture.

2013 ◽  
Vol 5 (2) ◽  
pp. 273-289 ◽  
Author(s):  
Helena Tolvhed

In this article, I discuss sport and physical activities as a field of empirical investigation for feminist cultural studies with a potential to contribute to theorizing the body, gender and difference. Sport has, historically, served to legitimize and rein-force the gender dichotomy by making men “masculine” through developing physical strength and endurance, while women generally have been excluded or di-rected towards activities fostering a “feminine suppleness”. The recent case of runner Caster Semenya, who was subjected to extensive gender tests, demon-strates how athletic superiority and “masculine” attributes in women still today stir public emotions and evoke cultural anxieties of gender blurring. But the rigid gender boundaries have also made sport a field of transgressions. From the “Soviet amazon” of the Cold War, transgressions in sport have publicly demonstrated, but also pushed, the boundaries of cultural understandings of gender. Gender verification tests have exposed a continuum of bodies that cannot easily be arranged into two stable, separate gender categories. In spite of the so called “corporeal turn”, sport is still rather neglected within cultural studies and feminist research. This appears to be linked to a degradation, and fear, of the body and of the risk that women – once again – be reduced to biology and physical capacity. But studies of sport might further develop under-standings of the processes through which embodied knowledge and subjectivity is produced, in a way that overcomes the split between corporeality and discursive regimes or representations. Furthermore, with the fitness upsurge since the 1980s, the athletic female body has emerged as a cultural ideal and a rare validation of “female masculinity” (Halberstam) in popular culture. This is an area well-suited for “third wave” feminist cultural studies that are at ease with complexities and contradictions: the practices and commercialized images of the sportswoman are potentially both oppressive and empowering.


Derrida Today ◽  
2013 ◽  
Vol 6 (1) ◽  
pp. 97-114 ◽  
Author(s):  
Christopher Morris

Over the past thirty years, academic debate over pornography in the discourses of feminism and cultural studies has foundered on questions of the performative and of the word's definition. In the polylogue of Droit de regards, pornography is defined as la mise en vente that is taking place in the act of exegesis in progress. (Wills's idiomatic English translation includes an ‘it’ that is absent in the French original). The definition in Droit de regards alludes to the word's etymology (writing by or about prostitutes) but leaves the referent of the ‘sale’ suspended. Pornography as la mise en vente boldly restates the necessary iterability of the sign and anticipates two of Derrida's late arguments: that there is no ‘the’ body and that performatives may be powerless. Deriving a definition of pornography from a truncated etymology exemplifies the prosthesis of origin and challenges other critical discourses to explain how pornography can be understood as anything more than ‘putting (it) up for sale’.


2019 ◽  
pp. 14-17
Author(s):  
B. E. Nosenok

Cultural studies as a humanities researcher takes the place of an expert. The relevance of this topic is due to the lack of development of the issues of “culture-based studies” in Ukrainian culturology. There is a lack of translated into French or Ukrainian languages of French sources published since 1975. French culturological science, which developed after 1975, is almost not represented in Ukrainian culturology. The present stage of the development of French historiography, which lies at the heart of cultural history, and cultural studies, is associated with increased attention to social knowledge. This stage is characterized by the deployment of a “critical turn”, which proceeds from the following principles: the interdisciplinary approach, the significance of cultural expertise, the severity of publications and the multiplicity of their forms, multidisciplinarity. The “critical turn” affects the following spheres of knowledge: la Culturologie, les Études culturelles, les Sciences de la Culture. The article substantiates the relevance of the use of the concept of “culture-based studies” to the definition of processes that are unfolding within the framework of French humanities and are associated exclusively with the theoretical formations in the context of the social sciences. The purpose of the article is to outline a map of culture-based studies in the field of French humanitaristics. The methodology of the article is based on the application of interdisciplinary and multidisciplinary approaches to research in the field of culturology. Also, methodological developments in the field of “critical turn” and the achievements of the sociological circle and the interdisciplinary discussion club “Eranos” were applied. The scientific novelty of the article is to substantiate the appropriateness of the use of the concept of “culture-based studies” on the definition of processes that are unfolding within the framework of French humanitaristics and relate exclusively to theoretical formations in the context of social sciences. This concept to the field of Ukrainian culturology is introduced for the first time. Also, for the first time, the place and forms of culturology in French humanities were clarified. Conclusions. Working with a source base and methodology is one of the points that are compulsory on the way to the solution of the tasks, the main of which is the formation of the body of fundamental works for French history (including the history of culture) and historiography of the period since 1975 year to the present day. On the basis of this building, there is the prospect of building an alternative national cultural history project addressed to the vector of the French historiographical, historical-anthropological and cultural-related issues in the field of social knowledge. The article presents the arguments why it is appropriate to use the concept of “culture-based studies” in the context of conducting research in relation to French humanitaristics, in particular, the modern period of its development.


Author(s):  
Sheila Robbie

Education is at a transitional point: multicultural, multilingual environments are the norm and diversity a defining feature. Classrooms embrace a culture of change, enriched by people who experience the world differently - conceptually, linguistically, and emotionally, with different world visions, values, beliefs, socio-cultural and socio-economical experiences. A new understanding of identities in multicultural contexts requires pedagogies that teach and practise intercultural competence. With specific reference to (1) the author's research on the embodied learning of literacies through drama, sociodrama and empathy, and (2) the projects of The Empathy Reactive Media Lab (eRMLab), an interdisciplinary academic research lab which investigates virtual reality and its educational potential with reference to empathy, this chapter draws on diverse academic research from the fields of education, the arts, psychology, medicine, image processing, and computer vision, to examine present and future pedagogies which foster intercultural competence and the development of literacies.


Author(s):  
Carl Knappett ◽  
Lambros Malafouris ◽  
Peter Tomkins

This article focuses on the importance of ceramics in material cultural studies. It proceeds to say that ceramics are considered a key feature of human material culture because of what they are taken to represent in economic, technological, and evolutionary terms. The innovation of taking the plastic medium of clay and marrying it with pyrotechnology to create irreversibly a resilient object — usually in the form of a container, has frequently been assumed to mark a revolutionary stage in the development of modern human thought and practice, forming with agriculture and sedentism a trinity of epoch-changing innovations. This article talks about the idea of the body as being used as a container. It says that ‘Containment’ may well be the ‘function’ offering archaeology one of the most important sources of archaeological data and windows into society, and culture; but very little is known about the cognitive, experiential, and evolutionary grounding of the concepts embodied in each and every container.


2020 ◽  
Vol 12 (19) ◽  
pp. 8055
Author(s):  
Vasco Santos ◽  
Paulo Ramos ◽  
Nuno Almeida ◽  
Enrique Santos-Pavón

This study develops a scale to measure wine tourism experiences and was tested in Portugal, in two of the main wine tourism centres: Porto and Madeira. The wine experience scale combines experience traits with the traditional approach to scales related to wine tourism. The development of the scale follows the most recognised validated procedures. Data were collected from a total of 647 international wine tourists in the wine cellars of the two main fortified wine tourism regions visiting areas: Porto and Madeira. Structural equation modelling (SEM-AMOS) was used as the main analysis and validation tool. The resulting 18-item wine experience scale comprises four major dimensions: (1) Wine storytelling, (2) wine tasting excitement, (3) wine involvement, and (4) winescape. All these showed reliable and validated indicators. This new scale presents a valid new tool to better measure and evaluate experiences in a wine tourism setting. This study offers a broad range of use for academics, managers, planners, and practitioners. It shows how a new measurement tool focused on the wine tourism experience in terms of several outcomes and applications, addressing important practical managerial implications, can have an impact on academic research. Most previous tourism scales still fail to measure the specifics of wine settings. This is the first scale that comprises the dimensions of experience with wine senses, applied in a relevant wine destination where research is still limited. The results are relevant in boosting the increasingly recognized awareness of Portugal as wine tourism, as well as bringing experience scales to the body of knowledge.


2016 ◽  
Vol 21 (3) ◽  
pp. 1-13 ◽  
Author(s):  
Valerie M Sheach Leith

This article experiments with some of the insights provided by the work of Deleuze and Guattari as a move towards deterritorializing fat bodies. This is necessary because in contemporary Western society the fat [female] body is positioned and frequently experienced as lacking in social, cultural and political value and as being in need of surveillance and control, not least by the neo-liberal ‘self’. This article is a response to Deleuze and Guattari's plea to ‘think differently’, in this case about fat and weight loss. The article eschews the paradigmatic form of the traditional academic research paper, adopting a semi autoethnographic approach to present an analysis of my engagement with the Biggest Loser (diet) Club. Thinking through rather than about the body it focuses on embodied experiences of fat and the on-going process of cutting that body down to ‘normal’ size. By utilising two central concepts in Deleuzoguattarian thought – ‘becoming’ and the ‘body – without – organs’ (BwO) - I seek to demonstrate the embodied, theoretical and ethical potential of utilising Deleuze and Guattari's work to explore fat and weight loss and how this might productively serve to deterritorialize contemporary discourses which stigmatise fat bodies.


1917 ◽  
Vol 25 (2) ◽  
pp. 341-347 ◽  
Author(s):  
Tokuzo Ohira ◽  
Hideyo Noguchi

Trichomonades from the mouth were studied by Steinberg who proposed to group them into three distinct types; namely, Trichomonas elongata, Trichomonas caudata, and Trichomonas flagellata. Doflein (3) regards them as probably identical with Trichomonas hominis. Opinions differ as to whether or not Trichomonas vaginalis Donné and Trichomonas hominis Grassi are the same species. Lynch, for instance, believes that they are the same species, while von Prowazek (4), Bensen (5), and others (6, 7) insist that they are different types. Bensen's view seems to be well supported by the difference alleged to be found between the mode of encystment in the two trichomonades, were it not for the fact that our knowledge about the so called cyst of trichomonades is still obscure. According to Alexeieff (8) many of the so called cysts were evidently blastomyces contained in the cell body of the trichomonas. An autogamy alleged to take place in cysts as described by Bohne and von Prowazek (9) has not been confirmed by Dobell (10). And Wenyon (11) contends that it has never been found possible to produce any development of these cysts outside the body on the warm stage as can be done with the cysts of Entamœba coli. Therefore, it is still premature to take the process of encystment into consideration as far as the classification of trichomonas is concerned. On the other hand, Rodenwaldt (12) seems to think that there are many species of trichomonas in the human intestines, and Wenyon has described a new trichomonas from the human intestines (Macrostoma mesnili Wenyon). Further cultural studies in the morphology and biology of these organisms must be carried out in order to solve these problems. In the light of modern investigations there are five subgenera to be included under the genus Trichomonas Donné. They are as follows: (1) Protrichomonas Alexeieff, with three anterior flagella, without an undulating membrane. (2) Trichomastix Biitschli) with three anterior flagella and a trailing flagellum (Schleppgeissel) without an undulating membrane. (3) Trichomonas Donné, with three anterior flagella and an undulating membrane. (4) Macrostoma Alexeieff, Amend, Wenyon (11), with three anterior flagella and an undulating membrane wedged in a deep groove (peristome). (5) Tetratrichomonas Parisi (13), with four anterior flagella and an undulating membrane. As far as our culture trichomonas from the human mouth is concerned, it has been shown that it is not strictly a trichomonas and that it should be classed under the subgenus Tetratrichomonas.


Sign in / Sign up

Export Citation Format

Share Document