scholarly journals Медичний дискурс художньої літератури

Author(s):  
Валерія Юріївна Пустовіт

The article analyses the medical discourse of the fiction. The interaction of the medicine, art and literature is examined. The author studies the devoted work of the doctors-writers, analyses their creative work, gives special consideration to the work of the Ukrainian writers that depicted the doctor image in the creative work having a medical degree.

2020 ◽  
Vol 72 (2) ◽  
pp. 335-343
Author(s):  
M. Aitimov ◽  
◽  
G. Karimova ◽  

The article examines and systematizes the artistic features of the images of Abay and one of his students Abdrakhman and Alash Alikhan Bokeikhanov (author's narration, dialogue, monologue, characterization, portrait, etc.) in the novel-Hamsa by writer Ramazan Toktarov "Abaydyn zhumbagi" (Abay's Riddle). Novels of modern Kazakh prose are the result of creative work in the system of national and world literary processes. The works of modern writers, who are followers of artists who described various periods in the history of the Kazakh people, have a direct impact on the formation and renewal of the historical and national consciousness of the current reader. The subject of special consideration is the features of the image of historical truth and artistic solution in the novel-Hamsa by Ramazan Toktarov "Abaydyn zhumbagi" (the Abay Riddle). The article also analyzes the artistic solution of the continuity of motives of realism and romanticism (realistic character and artistic fiction ) in modern Kazakh novels.


Author(s):  
Natalya N. Rostova

The article is devoted to the study of the creative work of the Russian writer Anatoly Konstantinovich Omelchuk and his place in Russian literature. Through the prism of the analysis, the author discusses such fundamental topics as: what it means to be Russian; what it means to feel at home; what art and literature are; what the meaning of modern literature crisis is; what the relation between content and form in art is. The article examines the ideas of A.K. Omelchuk regarding Siberia as metaphysical space that makes Russia Russia; about Siberia as the last territory of humanity, which today is threatened with extinction in the post-human future; about literature as kind of service to the Motherland. The author comes to the conclusion that the work of A.K. Omelchuk is located in the horizon of the tradition of Russian literature, set by F.M. Dostoevsky.


2007 ◽  
Author(s):  
Abraham Carmeli ◽  
John Schaubroeck

1994 ◽  
Vol 33 (03) ◽  
pp. 312-314 ◽  
Author(s):  
J. Michaelis

Abstract:In addition to the medical education in the Federal Republic of Germany which includes a compulsory Medical Informatics course there exists a formal program for professional qualification of physicians in Medical Informatics. After two years of clinical practice and 1.5 years of professional training at an authorized institution, a physician may receive in addition to the medical degree a “supplement Medical Informatics”. The qualification requirements are described in detail. Physicians with the additional Medical Informatics qualification perform responsible tasks in their medical domain and serve as partners for fully specialized Medical Informatics ex-’ perts in the solution of practical Medical Informatics problems. The formal qualification is available for more than 10 years, has become increasingly attractive, and is expected to grow with respect to future Medical Informatics developments.


Author(s):  
Pierre Iselin

Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on the drama and the limits of comedy. Pinned against contemporary contexts, Twelfth Night is therefore regarded as experimenting with an aural perspective and as a play in which the genre and mode of the song, the identity and status of the addressee, and the more or less ironical distance that separates them, constantly interfere. Eventually, the author sees in this dark comedy framed by an initial and a final musical event a dramatic piece punctuated, orchestrated and eroticized by music, whose complex effects work both on the onstage and the offstage audiences. This reflection on listening and reception seems to herald an acoustic aesthetics close to that of The Tempest.


Moreana ◽  
2014 ◽  
Vol 51 (Number 197- (3-4) ◽  
pp. 115-137
Author(s):  
Daniel Lochman

John Colet knew Thomas Linacre for approximately three decades, from their mutual residence in Italy during the early 1490s through varied pedagogical, professional, and social contacts in and around London prior to Colet’s death in 1519. It is not certain that Colet knew Linacre’s original Latin translations of Galen’s therapeutic works, the first printed in 1517. Yet several of Colet’s works associate a spiritual physician—a phrase linked to Colet himself at least since Thomas More’s 1504 letter inviting him to London—with Paul’s trope of the mystical body. Using Galenic discourse to describe the “physiology” of the ideal mystical body, Colet emphasizes by contrast a diseased ecclesia in need of healing by the Spirit, who alone can invigorate the mediating “vital spirits” that are spiritual physicians—ministers within the church. Colet’s application of sophisticated Galenic discourse to the mystical body coincided with the humanist interest in Galen’s works evident in Linacre’s translations, and it accompanied growing concern for health related to waves of epidemics in London during the first two decades of the sixteenth century as well as Colet’s involvement in licensure of London physicians. This paper explores the implications of Colet’s adaptation of Galenic principles to the mystical body and suggests that Colet fostered a strain of medical discourse that persisted well into the sixteenth century.


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