"Isa Monogatari" and religious representations of "Hayan"

2001 ◽  
pp. 23-33
Author(s):  
S. V. Kapranov

"Ise monogatari" is a remarkable monument of Japanese classical literature, dated around the end of the XIX - the beginning of the tenth century. The author of this piece is not known, although the most common traditional version states that it is one of the leading poets of Heaven's (794-1192) years of Arrivar-Narihira (825-880). "Ise monogatari" occupies an important place in the classical hierarchy of texts - deep knowledge of it was obligatory for an educated person; in addition, this work includes a review of the life of the Heianan aristocrat, and therefore has the character of "encyclopedic" self-writing culture.

2020 ◽  
pp. 244-263
Author(s):  
Димитрий Барицкий

Основная цель, которую ставит перед собор автор статьи, - привлечь внимание к герменевтической теории м. м. Бахтина и указать на её актуальность в рамках такого направления филологического анализа текста, как религиозное литературоведение. в статье в систематическом виде изложены основные положения герменевтической теории учёного. в начале рассматривается общая теория познания м. м. Бахтина, важное место в которой занимают понятия «монологизм» и «диалогизм». После особое внимание направляется на его концепцию структуры содержательной стороны произведения, и здесь изучаются понятия «знак», «значение» и «смысл». отдельно выделяются критерии, которые, по мнению м. м. Бахтина, сообщают смыслу текста стабильную форму, а также приводится критика учёным литературоведческого структурализма. Помимо этого, автор обращает внимание на ту методологию интерпретации произведения, которая складываются на основе предложенной теории текста. в заключение даётся оценка тому эвристическому потенциалу, которым может обладать герменевтическая теория м. м. Бахтина в контексте анализа произведений мировой классической литературы. The main goal of the author of the article is to draw attention to M. M. Bakhtin’s hermeneutic theory and to point out its relevance in the framework of such a direction of philological analysis of the text as «religious literary criticism». The article presents the main terms of the hermeneutical theory of the scientist in a systematic way. In the beginning, we consider the general theory of knowledge of M. M. Bakhtin, an important place in the framework of which is occupied by such concepts as «monologism» and «dialogism». After that, special attention is paid to the scientist’s concept of the structure of the content side of the work, in which such concepts as «sign», «signification» and «meaning» play an important role. The criteria that, according to M. M. Bakhtin, give the meaning of the text a stable form are singled out separately, and academic criticism of literary structuralism is also given. In addition, the author pays attention to the methodology of interpretation of the work, which is formed on the basis of the proposed theory of the text. In conclusion, we assess the heuristic potential that M. M. Bakhtin’s hermeneutical theory can have in the context of analyzing works of world classical literature.


Author(s):  
John Osborne

Analyses of writing culture in tenth-century Rome have been impeded by an absence of manuscripts and documents that can be assigned unquestionably to scriptoria in the city. This paper will examine the possibility that one such document has hitherto been hiding in plain sight, as it were: the dower charter given by Emperor Otto II to the Byzantine princess Theophanu on the occasion of their marriage in St Peter's on 14 April 972. Usually considered to be ‘Ottonian’, rather than ‘Italian’ or ‘Roman’, this document nevertheless states explicitly that it was undertaken at the Roman church of Santi Apostoli, and this possibility is assessed in light of what is known about that church, the Via Lata region and their connections to the foremost noble family in the city.


Author(s):  
Elena V. Stepanova

In the tenth-century Byzantine sigillography, along with the classical iconographic repertoire (images of the Mother of God, saints, and cross potent), there appeared images of birds, real animals and monsters, and even portraits of the owners of seals. An important place among them belongs to the seals showing griffin, an imaginary monster combining the features of an eagle and a lion. Its images on seals comprise three variants: 1) single image of a griffin, 2) griffin trampling an animal, 3) paired griffins in the flight scene of Alexander the Great. Among the lead seals in the State Hermitage Museum collection, the first variant is represented by the seals of Theophylaktos Argyros, anthypatos patrikios; Stephen, protospatharios, episkeptites and the anagrapheus of the imperial domains protected by God; Constantine, imperial spatharokandidatos and kommerkiarios of Thessalonike; Theophylaktos, patrikios, imperial protospatharios, ἐπὶ τοῦ Χρυσοτρικλίνου and chartoularios of the dromos; Demetrios, imperial spatharokandidatos and ἐπὶ τῆς μεγάλης ἑταιρείας; George; and Theophilus (?). The second variant occurs on the seals of Leo, imperial protospatharios, ἐπὶ τῆς μεγάλης ἑταιρείας, and Staurakios, imperial protospatharios, ἐπὶ τῶν οἰκειακῶν and ἐπὶ τῶν βαρβάρων. The third variant shows a unique seal from the State Hermitage Museum featuring an image of SS. Constantine and Helena on the obverse. Taking the seals from other collections along with the sigillographic monuments from the State Hermitage Museum into account, the author of this paper has run to the conclusion that the appearance of the image of a griffin in the tenth century coincided with the Macedonian Renaissance and was connected mainly with the revival of interest in the antique past. It was the time when this image retained only its apotropaic and decorative function. It was placed on the seals of secular officials, civilian and the military persons.


1983 ◽  
Vol 12 ◽  
pp. 153-182 ◽  
Author(s):  
M. L. Cameron

Among the surviving medical writings in Old English, Bald's Leechbook holds a deservedly important place. It is preserved uniquely in London, British Library, Royal 12. D. xvii, a manuscript which may be dated on palaeographical grounds to the mid-tenth century (s. xmed), and which may arguably be attributed to a scriptorium at Winchester.1 Linguistic evidence suggests that this manuscript is in turn a copy of a manuscript written perhaps half a century earlier. Although it is written by one scribe throughout, the manuscript contains three distinct books. A metrical colophon at the end of the second book contains the hexameter ‘Bald habet hunc librum Cild quem conscribere iussit’. Neither Bald nor Cild can be identified, and the ambiguity of conscribere in medieval Latin makes it difficult to determine whether Bald ordered Cild to compile the book or simply to transcribe it. (Because of this ambiguity, I shall refer to the person responsible as the ‘compiler’.) In any case, it is clear that the first two books form a distinct unit, and it is these two books that are customarily described as Bald's Leechbook2 (a practice I shall follow in the present essay). The third book is a collection of medical recipes, of lesser scholarly import, entirely separate from and unrelated to Bald's Leechbook; it will not be discussed further here.


2004 ◽  
Vol 40 (4) ◽  
pp. 531-544 ◽  
Author(s):  
David Bridges ◽  
Amare Asgedom ◽  
Setargew Kenaw

2001 ◽  
pp. 29-36
Author(s):  
N. Nedzelska

The paradox of the existence of the species Homo sapiens is that we do not even know: Who are we? Why are we? Where did you go from? Why? At all times - from antiquity to our time - the philosophers touched on this topic. It takes an important place in all religions of the world. These eternal questions include gender issues. In the religious systems of the religions of the Abrahamic tradition there is no single answer to the question of which sex was the first person. Recently, British scientists have even tried to prove that Eve is 84 thousand years older Adam


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