Aisthetik Research on media performance

2021 ◽  
Vol 32 (2) ◽  
pp. 45-78
Author(s):  
Hea-Ryun Shim
Keyword(s):  
2021 ◽  
Vol 7 (1) ◽  
pp. 205630512199064
Author(s):  
Claudia Mellado ◽  
Alfred Hermida

One of the main challenges of studying journalistic roles in social media practice is that the profession’s conceptual boundaries have become increasingly blurred. Social media has developed as a space used by audiences to consume, share, and discuss news and information, offering novel locations for journalists to intervene at professional and personal levels and in private and public spheres. This article takes the “journalistic ego” domain as its starting point to examine how journalists perform three specific roles on social media: the promoter, the celebrity, and the joker. To investigate these roles in journalistic performance, the article situates their emergence and operationalization in a broader epistemological context, examining how journalists engage with, contest, and/or diverge from different professional norms and practices, as well as the conflict between traditional and social media-specific roles of journalists.


2018 ◽  
Vol 50 ◽  
pp. 01127
Author(s):  
Aleksandr Pastukhov

The paper reflects important features and developments of doping affair with Russian sportsmen as a media scandal. This communicative event is introduced through the current examples taken from the German national and regional press. The mechanisms of the formation and topicalization of the event are revealed in the paper. The global context of the scandal is covered and exampled by co-referential areas “Sport” and “Olympics”. Their presentation and interpretation occur under conditions of so-called “fake news” and “media performance” strategies. The examples presented in chronological order reflect the communicative dynamics of the media event ‘doping scandal’. The remarkable features of the distinguishing journalistic style and informative media genres are covered in the paper.


2013 ◽  
Vol 52 (34-36) ◽  
pp. 6325-6332 ◽  
Author(s):  
A. Shrestha ◽  
S. Jeong ◽  
S. Vigneswaran ◽  
J. Kandasamy

2006 ◽  
Vol 34 (2) ◽  
Author(s):  
Jan van Cuilenburg

Abstract Abstract Marktfalen levert steeds minder deugdelijke argumenten voor mediabeleid op. Zo laat empirisch onderzoek naar de Nederlandse televisiemarkt zien dat commerciële omroepen, naast de publieke omroep, ook sterk bijdragen aan de media performance van de totale markt, gemeten in termen van zowel diversiteit als profusie. Voor de legitimatie van de publieke omroep moet gezocht worden naar nieuwe argumenten. Recente studies voor de bbc naar haar public value voor de Britse samenleving leveren modellen op, waarmee de maatschappelijke waarde van de publieke omroep kan worden vastgesteld.


2015 ◽  
Vol 6 (1) ◽  
pp. 67
Author(s):  
Obaid Said Al- Shaqsi

This survey study aimed at investigating the relationship between Omani media management of the 2007 Gono cyclone crisis and people’s behavioral responses and their attitudes towards media performance. The study was founded on the general principles of the Situational Crisis Communication theory and Stakeholders theory. A convenient sample of 140 affected individuals from three different places in Oman participated in this study. The results indicated that 96% of the informants followed Omani media warnings about the cyclone. The results also showed a positive correlation between respondents’ belief that the media have provided them with swift and transparent messages and addressed their interests and emotional concerns on one hand, and adopting positive behavioral responses, on the other hand. Overall, respondents were satisfied with Omani media performance during the different stages of the cyclone crisis. 


2018 ◽  
pp. 154-160
Author(s):  
José Manuel Ruiz Martín ◽  
Cesar Portilla

Este artículo presenta el proceso de realización y activación del proyecto multimedia Register, que aborda la discontinuidad entre la inmediatez orgánica de la vida y el mundo simbólico mediante tecnologías intervenidas. Para ello, se emplearon tecnologías libres y abiertas formadas por dos sistemas interactivos de registro. Con ello, se generó una instalación formada por diferentes ambientes, donde dos artistas se encuentran inmersos en labores de recolección, clasificación y ficción, empleando diversos géneros, lenguajes y medios, como live art, new media performance y sound design, entre otros. El usuario se enfrenta a la construcción técnica manipulada de su propia imagen y a una experiencia estética donde se posiciona como espectador y es material fundamental e involuntario de la obra. Así, Register devela el proceso de construcción de la realidad mediada por imágenes esterotipadas en la cultura contemporánea.


1961 ◽  
Vol 53 (11) ◽  
pp. 869-872 ◽  
Author(s):  
Sperry. Ehlers

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