scholarly journals FORMATION OF THE MUGHAM SINGING SCHOOL IN AZERBAIJAN (LATE 19TH – FIRST HALF OF THE 20TH CENTURIES)

2021 ◽  
Vol 17 (1) ◽  
pp. 222-235
Author(s):  
Aneta Strzemżalska
Keyword(s):  
Classical Music ◽  
Participant Observation ◽  
Initial Period ◽  
Field Research ◽  
Research Participant ◽  
Vocal Performance ◽  
Development Programs ◽  
State Institutions ◽  
Concert Halls ◽  
National Music

Mugham plays a significant role in the national culture of modern Azerbaijan. Considering this fact, this article describes the initial period of the formation of the Azerbaijani mugham singing school, that is, the end of the 19th – the first half of the 20th centuries. Based on the results of field research (participant observation, and also interviews in Russian and Azerbaijani languages ​​with representatives of the musical community of the capital of Azerbaijan: performers and listeners of mugham, scientists, publicists, employees of concert halls where mugham performances take place, employees of state institutions who are responsible for development programs culture in the country), and available sources, the author of the article focuses on those socio-historical circumstances and characters that testify to the specifics of the modern singing school of mugham. Therefore, special attention is paid to two soloists and connoisseurs of Azerbaijani music: Jabbar Garyagdioglu and Bulbul. The first of them, although he grew up in the traditional environment of folklore singers, performed mughams in a new, theatrical form on the stages of concert halls. The change in the place and form of mugham performance laid the foundation for the emergence of the main genre of modern national music in Azerbaijan - mugham opera. Bulbul's merit for the formation of the mugham singing school, in turn, is that he developed an original singing technique, the specificity of which is the synthesis of modified norms of vocal performance of classical music of the Western type and folklore art, primarily mugham. Due to technical innovations, the national music of Azerbaijan, colored with a purely folk style, is not only interesting, but also understandable to a foreign listener.

scholarly journals RITUAL MAGI DALAM BUDAYA MASYARAKAT MUSLIM BANTEN

2015 ◽  
Vol 13 (2) ◽  
pp. 26-52
Author(s):  
Humaeni Ayatullah
Keyword(s):  
Life Style ◽  
Participant Observation ◽  
Field Research ◽  
Research Participant ◽  
Functional Approach ◽  
Important Condition ◽  
Anthropological Perspective ◽  
Muslim Society ◽  
Library Research ◽  
Depth Interview

This article discusses various magical rituals and their meaningsfor Muslim society of Banten. How the meanings and functions of rituals; what kinds of magical rituals used and practiced by Muslim society of Banten become two main focuses of this article; besides, it also tries to analyze how Muslim society of Banten understand the various magical rituals. This article is the result of a field research using ethnographical method based on anthropological perspective. To analyze the data, the researcher uses structural-functional approach. Library research, participant-observation, and depth-interview are the methods used to collectthe data. Performing various magical rituals for the practicians of magic in Banten is a very important action that must be conducted by the magicians or someone who learns magical sciences. Magical ritual becomes an important condition for the successfulness of magic. If they do not this, there is a belief that they will fail in obtaining the magical effects. Magical ritual should be also conducted in certain places and certain time withvarious magical formula and magical actions under the supervision of magicians. The use of these magical rituals becomes a portrait of the pragmatical life style of Bantenese society who still believes in magical powers.

The Informant as Resolute Overseer

2002 ◽  
Vol 29 ◽  
pp. 231-255 ◽  
Author(s):  
Jeffrey Kaufmann
Keyword(s):  
Participant Observation ◽  
Field Research ◽  
Research Participant ◽  
Ethnographic Research ◽  
Host Family ◽  
Long Period ◽  
Access Channel ◽  
Wide Line ◽  
Participant Observer

In this paper I take into account informants who oversee fieldworkers in local arenas. My intention is not to question the importance of participant-observation as the hallmark of field research but to elevate the recognition of informants in fieldwork. The argument centers on local overseers who are integral to participant-observation by controlling more of what the researcher observes, and with whom one participates, than they are usually given credit for in the literature. I intentionally use “overseer” rather than the usual “gatekeeper” label to convey a strong sense of informant involvement in ethnographic research (cf. Ellen 1984 where “gatekeeper” is used to describe a range of actors who control access, channel activities, and so on). The case study is drawn from my experiences with a host family in southwest Madagascar with whom I lived for 10 months in 1997.There are different ways of representing informants in the literature. One way is to draw a wide line between informant and participant-observer. Informants are defined as local people who willingly provide information to participant-observers. Participant-observers are non-locals involved in intense interaction with members of a community over a long period such as a year. The two are not to overlap. Evans-Pritchard found informants vital to his Azande research, participant-observation central to his Nuer fieldwork. “Azande would not allow me to live as one of themselves; Nuer would not allow me to live otherwise. Among Azande I was compelled to live outside the community; among Nuer I was compelled to be a member of it” (Evans-Pritchard 1940:15). This tradition, of treating each as a separate method, is widespread (see, for example, Bernard 1995:136-79; Casagrande 1960; Ellen 1984; Freilich 1970:541; Herskovits 1955:376; Jackson 1997:188; Malinowski 1961:1-25; Pelto and Pelto 1973:242-43; Spradley 1980:177).

scholarly journals Moral Values in Religious Myths of Bantenese Society

2018 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Ayatullah Humaeni
Keyword(s):  
Participant Observation ◽  
Field Research ◽  
Research Participant ◽  
Moral Values ◽  
Anthropological Perspective ◽  
Library Research ◽  
Depth Interview ◽  
And Function

Abstract This article discusses moral values in various religious myths spread on several areas of Banten. How Bantenese society undertands and believes in  religious myths that spread out and are still maintained from generations to generations becomes one of the main focuses of this article; besides, it also tries to analyze the meaning and functions of religious myths for Bantenese society; and the moral values contained in religious myths of Bantenese society. This article is a field research using ethnographical method based on anthropological perspective. Library research, participant-observation, and depth-interview are methodes used to collect the data. Religious myths are one of Islamic literatures that still survive in Banten up to now. For Bantenese society, religious myths are considered having moral message and moral values. Religious myths, in some cases, also play significant roles and function for Bantenese society because they frequently contain moral values. Hence, many Bantenese people still maintain and transmit these religious myths to the youg generation.  

scholarly journals Penggunaan magic dalam politik lokal di Banten

2014 ◽  
Vol 27 (1) ◽  
pp. 14
Author(s):  
Ayatullah Humaeni
Keyword(s):  
Local Politics ◽  
Participant Observation ◽  
Field Research ◽  
Research Participant ◽  
Social Phenomena ◽  
Anthropological Perspective ◽  
Main Research ◽  
Election Process ◽  
Almost All ◽  
The Village

Village-head elections frequently become unhealthy competitions among the candidate. They employ various ways to win the election, including using magical means. This article aims to explain social phenomena occur in local politics in the use of magic village-head elections in rural Banten; particularly in two sub-districts, Ciomas and Padarincang. It tries to answer several main research questions: (1) why do the candidates make use of magic during the village election process?; (2) what kinds of magic used by the candidates; (3) How does magic influence the winning chance of village head elections? (4) and how is the process of the magic usage during the village election process?. This article is the result of a field research using ethnographical method based on anthropological perspective. To analyze the data, the researcher uses structural-functional approach. Library research, participant-observation, and depth-interview are methods used to collect the data. Based on the result of field research, it can be concluded that almost all of the candidates in these two sub-districts made use of magic in order to win the village head elections. They visit several magicians and made use of their super natural powers for their own purposes. They believed that magical power possessed by these magicians could influence their winning chance in the village-head elections. Various fundamental reasons also become an important consideration why the candidates need to use magic in local politics process.

scholarly journals KEPERCAYAAN KEPADA KEKUATAN GAIB DALAM MANTRA MASYARAKAT MUSLIM BANTEN

2014 ◽  
Vol 16 (1) ◽  
pp. 51
Author(s):  
Ayatullah Humaeni
Keyword(s):  
Oral Tradition ◽  
Participant Observation ◽  
Field Research ◽  
Research Participant ◽  
Social Institution ◽  
Functional Approach ◽  
Anthropological Perspective ◽  
Religious Traditions ◽  
Library Research ◽  
Depth Interview

This article discusses various forms, functions, and meanings of mantra (magical formula) of Bantenese. How Bantenese understands mantra, what kinds of mantra used, and how Bantenese make use of various kinds of mantra in their life become three main focuses. It is the result of a field research using ethnographic method with the descriptive qualitative design based on anthropological perspective. To analyze the data, structural-functional approach is employed. Library research, participant-observation, and in depth interview are used to collect the data. The mantra tradition in Banten is a part of verbal folklore. Mantra is a tribal sacred prayer containing supernatural powers. The Bantenese mantra is a cultural product of the syncretic elements between local belief and religious traditions. For Bantenese, mantra is one of  oral tradition treasures integrated to other cultural treasures. Its existence is still needed by Bantenese up to the present. In certain cases, the tradition of Bantenese mantra is an alternative of the traditional social institution when the formal institution is no longer able to accommodate their interests and practical needs. The use mantra for various purposes becomes a portrait of the pragmatical life style of Bantenese who still believe in magical powers.

Through the Lens of Gurdjieff

2016 ◽  
Vol 11 (1) ◽  
pp. 36-52
Author(s):  
Michael Pittman
Keyword(s):  
Participant Observation ◽  
Field Research ◽  
Spiritual Transformation ◽  
Spiritual Practice ◽  
Asia Minor ◽  
Eastern Asia ◽  
The Caucasus ◽  
Successive Generations ◽  
Spiritual Conversation

G. I. Gurdjieff (c.1866–1949) was born in Gyumri, Armenia and raised in the Caucasus and eastern Asia Minor. He also traveled extensively throughout Turkey to places of pilgrimage and in search of Sufi teachers. Through the lens of Gurdjieff’s notion of legominism, or the means by which spiritual teachings are transmitted from successive generations, this article explores the continuing significance of spiritual practice and tradition and the ways that these forms remain relevant in shaping contemporary trends in spirituality. Beginning with Gurdjieff’s use of legominism, the article provides reflection on some early findings done in field research in Turkey— through site visits, interviews and participant-observation—conducted in the summers of 2014 and 2015. The aim of the project is both to meet individuals and groups, particularly connected to Sufism, that may have some contact with the influences that Gurdjieff would have been familiar with, and to visit some of the sites that were part of Gurdjieff’s early background and which served to inform his work. Considerations of contemporary practices include the view of spiritual transmission, and practices of pilgrimage, prayer and sohbet, or spiritual conversation, in an ongoing discourse about spiritual transformation.

TOURISM MOBILITY AT THE SUMMER OLYMPIC GAMES RIO 2016

2020 ◽  
Author(s):  
Amanda Cabral ◽  
Carolin Lusby ◽  
Ricardo Uvinha
Keyword(s):  
Olympic Games ◽  
Participant Observation ◽  
Field Research ◽  
Bus Rapid Transit ◽  
Rapid Transit ◽  
Structured Interviews ◽  
Tourist Attractions ◽  
Official Sources ◽  
The Relationship ◽  
The City

Sports Tourism as a segment is growing exponentially in Brazil. The sports mega-events that occurred in the period from 2007 to 2016 helped strengthen this sector significantly. This article examined tourism mobility during the Summer Olympic Games Rio 2016, hosted by the city of Rio de Janeiro, Brazil. This study expands the understanding of the relationship between tourism and city infrastructure, therefore being relevant to academics, professionals of the area and to the whole society due to its multidisciplinary field. The existence of a relationship between means of transportation and the Olympic regions as well as tourist attractions for a possible legacy was observed. Data were collected from official sources, field research and through participant-observation and semi structured interviews. Data were coded and analyzed. The results indicate that the city was overall successful in its execution of sufficient mobility. New means of transportation were added and others updated. BRT's (Bus Rapid Transit) were the main use of mass transport to Olympic sites. However, a lack of public transport access was observed for the touristic sites.

Language as Symbol System: Islam, Javanese Muslem and Cultural Diplomacy

2019 ◽  
Author(s):  
Mochammad Arief Wicaksono ◽  
Keyword(s):  
Cultural Context ◽  
Cultural Diplomacy ◽  
Participant Observation ◽  
Research Participant ◽  
Symbol System ◽  
Symbolic System ◽  
The Past ◽  
Nahdlatul Ulama ◽  
Great Tradition ◽  
Linguistic Aspect

Islamic diaspora throughout the world has its own characteristics depending on cultural context in each region. Observing the characteristics of the entry process and the rise of Islam in Java in the past, Indonesia can be viewed significantly through a linguistic perspective. By focusing on the narratives of how Islam was constructed in Java by kiai, we will be able to understand that the pattern of the entry process and the rise of Islam in Java emerged through“language diplomacy.” There are various symbols which later became the symbol system in Islamic languages that were contextualized to Javanese language and knowledge systems. In other words, I see that language in this context is a symbol system. These symbols are a strategy of how Islam was “planted” and developed in Java. I will compare the symbol system of the language in the Quran as the Great Tradition of Islam with a symbol system on the narratives that a kiai expressed in Javanese society as the Little Tradition. By taking some narratives that the kiai gave to the Javanese Moslems in East Java region, this paper argues that the linguistic aspect in some narratives and Quran recitation which has the symbolic system of the language have an important role in planting and developing Islam in Java. This paper is based on ethnographic research-participant observation among Nahdlatul Ulama Muslim society in East Java, Indonesia and reviews Islamic narratives in society as an important unit of analysis.

About realization of the first stage of development of the fundamental problem “Folk music of Halychyna and Volodymyria”: innovative activity of the Research Scientific Laboratory of Musical Ethnology 1990s–early 2000s.

Ethnomusic ◽  
2018 ◽  
Vol 14 (1) ◽  
pp. 9-46
Author(s):  
Lina Dobrianska ◽  
Keyword(s):  
Folk Music ◽  
Fundamental Problem ◽  
Initial Period ◽  
Field Research ◽  
Historical Records ◽  
Stage Of Development ◽  
Data Archives ◽  
Research Programmes ◽  
Western Ukraine ◽  
Scientific Laboratory

The article considers versatile ethnomusicographic activities of the Research Scientific Laboratory of Music Ethnology (RSLME) in initial period of its activity (1990–2004) under the direction of Bohdan Lukaniuk. A brief historical outline of the ethnomusicological studies of the Lviv Conservatory has been submitted, the chronology of educational reform in pedagogy and scientific ethnomusicological studies of higher education has been presented, which resulted in the establishment of a new scientific institution, the Scientific-Researching Laboratory of Music Ethnography, on the basis of the Office of Folk Music as early as 1990’s. The main innovations introduced by B. Lukaniuk in the etnomusicology and education were outlined. PSRLME in cooperation with Music Folklore Department of the Mykola Lysenko Lviv High Music School has rapidly developed into a trusted ethnomusicological institution well established in Ukraine and abroad. The main innovations were: carefull planning of all activities of the Laboratory as an integral part of the project “Folk music of Galicia and Volodymyria”; the methodological and practical reform of musical education; establishment of an careful field research and archiving strategy as integral part of historical and ethnomusicological research programmes of the Western Ukraine ethnomusicological areals; a reform of Ethnomusicographic data archive: careful planning of field research programmes, establishments of new funds and collections, systematic archiving of current & historical records, etc. The results of the initial period of the activities of PSRLME in the field of musical and ethnographic data archives are summarized, including the historical timeline of the implementation of as much as two dozen research programs and sub-programs which were then initially established, and a series of indicators has been created to provide historical timeline reference. The article is prepared on the basis of the data archives of documentation and printed sources. Tags: music folklore, ethnomusicology historical records, etnomusicological data archives, archiving data strategies, Bohdan Lukaniuk, PSRLME.

scholarly journals Mari сlothing in the funeral and memorial rituals (late XIX – early XX century)

2021 ◽  
Vol 13 (3) ◽  
pp. 280-292
Author(s):  
Aleksandra A. Pesetskaya
Keyword(s):  
Participant Observation ◽  
Field Research ◽  
Deceased Person ◽  
Funeral Rite ◽  
Interview Methods ◽  
Historical Methods

Introduction. The paper considers the Mari clothing for funeral and memorial rituals, its specific features, and functions. The purpose of the research is to define a role and application that clothes have in ceremonies. Materials and Methods. As the research materials for the article, the author used ethnographic sources published in the XIX and early XX centuries, field journals by Tatyana Kryukova belonged to the Archive of the Russian Museum of Ethnography, as well as the author’s personal field research materials, collected during personal expeditionary activities in the Mari El Republic. The structural-functional and comparatively historical methods were the major methods for the research. The research materials were collected by means of participant observation and semi-structural interview methods. Results and Discussion. The Mari clothing during the funeral and memorial ceremonies marked two core functions, being represented by a costume of the deceased person and as an independent ritual object. Dressing the deceased person entailed a number of taboos whereas some clothes of the deceased were used to fill up the coffin. During the memorial rituals, the clothing of the deceased became a part of the «substitution» ritual when the role of the deceased was taken on by living people who were present at the ceremony. Apart from that, the clothing served as a present for the participants of the ceremony. Conclusion. A change of clothes in the lifecycle rituals marked a transfer of the clothes’ owner from one condition to another. A deceased person was a key figure during the funeral rite, while a change of his clothes facilitated their separation from the living ones. The costume itself was characterized by the inversion of the details and revealed its reference to wedding items. In the context of the memorial ceremonies, the clothing functioned as means of communication between a deceased and living ones, whereas its prolonged use accepted as a gift allowed maintaining the communication.

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