scholarly journals Creating incubator neighbourhood performing arts venues using growth financing tools

Author(s):  
David Godin

A recommendation that Vancouver City Council implement the Culture Plan’s commitment to address the persisting insufficiency of small rental performing arts venues by using Community Amenity Contributions (CACs) from the rezoning of properties to fund the creation of small, inexpensive ‘incubator’ neighbourhood performing arts venues, which are critical to the health and development of the performing arts community. The recommended development model is based on Havana Theatre; a small incubator performing arts venue located inside Havana Restaurant, which subsidizes the cost of operating the venue. In downtown, developers will build the venues and attached retail space using in-kind CACs. Outside of downtown, a ‘renovation-first’ approach will be taken by the City to buy existing buildings using accrued CACs and renovate them to create the venues and attached retail space. On the strength of experience and business plan, the City will select qualified bidders to operate the venues and attached businesses.

2021 ◽  
Author(s):  
David Godin

A recommendation that Vancouver City Council implement the Culture Plan’s commitment to address the persisting insufficiency of small rental performing arts venues by using Community Amenity Contributions (CACs) from the rezoning of properties to fund the creation of small, inexpensive ‘incubator’ neighbourhood performing arts venues, which are critical to the health and development of the performing arts community. The recommended development model is based on Havana Theatre; a small incubator performing arts venue located inside Havana Restaurant, which subsidizes the cost of operating the venue. In downtown, developers will build the venues and attached retail space using in-kind CACs. Outside of downtown, a ‘renovation-first’ approach will be taken by the City to buy existing buildings using accrued CACs and renovate them to create the venues and attached retail space. On the strength of experience and business plan, the City will select qualified bidders to operate the venues and attached businesses.


2014 ◽  
Vol 39 (2) ◽  
pp. 6-13
Author(s):  
Lars A. Engberg

The City of Copenhagen aims to become the first carbon neutral capital in the world by 2025. Ten per cent of the total CO2-reduction target is to be achieved through energy retrofitting of existing buildings in the city. This article reports from an action research study in the urban renewal section in Copenhagen City Council where planners struggle to promote more and better energy retrofitting projects in the urban renewal scheme. The study finds that planners in fact approach green retrofitting as a ‘wicked problem’ that requires new solution strategies targeting the complexity of developing new retrofitting standards and solutions in the existing urban renewal framework. The analysis shows how planners’ strategic responses are challenged by competing worldviews concerning the role of urban renewal and the problems and potentials of green retrofitting in practice.


Game Theory ◽  
2014 ◽  
Vol 2014 ◽  
pp. 1-6
Author(s):  
Nicola Besozzi ◽  
Luca Ruschetti ◽  
Chiara Rossignoli ◽  
Fernanda Strozzi

This paper studies cost allocation for the bus transportation service in Castellanza, a small town (14,000 inhabitants ca.) close to Varese, Italy. Carlo Cattaneo University (LIUC) is one of the promoters and funders of this service, together with the City Council and other private agents. The case study is first analysed as a traveling salesman problem (TSP) to find the optimal route. Then the traveling salesman game (TSG) is introduced, where the bus stops are associated with the players of a cooperative game, thus allowing the study of possible allocations of the total cost among them. The optimal route is found by the Branch and Bound algorithm. The Shapley vector and the separable and nonseparable cost are the methods used to allocate the cost of the optimal route among players.


1991 ◽  
Vol 105 (4) ◽  
pp. 291-305 ◽  
Author(s):  
Truus Van Bueren

AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city's claim to a number of paintings from the Jansklooster. This monastery, unlike others in Haarlem, had not been seized when the city became Protestant. The monks were allowed to keep their property until the last one died, but not to adopt any more monks. In 1605 the council demanded an inventory of the immovables and of the paintings too. The majority of the paintings in the inventory, which was supplied a year later, proved to be the work of highly esteemed artists. Although by no means all the art in the monasterey was listed, the city council did not protest. The intention had simply been to secure the important paintings with a view to placing in the Prinsenhof when the time came. Karel van Mander and his friends Cornelis van Haarlem and Hendrik Goltzius undoubtedly contributed to the creation of a climate in which such an art policy was feasible. Van Mander had spent years preparing his Schilder-Boeck, and had paid a great deal of attention to Haarlem painting. In his efforts to gather information the had established numerous contacts. He had carefully described he paintings in the Prinsenhof, and had also seen works by Haarlem painters belonging to private individuals. One such man was Gerrit Willemsz. van Schoterbosch, a burgomaster who had been on the council when that body commissioned Cornelis van Haarlem to make four paintings for the Prinsenhof during the last decade of the 16th century, and also during the period discussed here, 1603-1605. What were the aims of the city council in pursuing this cultural policy? There are two possibilities, both of which are encountered in the Schilder-Boeck. Van Mander wanted to elevate painting to a higher status than a craft. In his praise of painting he therefore dwelt at length on art lovers who collected paintings for art's sake. May not the city council have desired to assemble such a collection? If so, something very special was happening in Haarlem. Perhaps there is more to be said for the other possibility, to which Van Mander also refers: the council could have enlisted the Haarlem painters to sing the praises of the city.


2021 ◽  
Vol 20 (1) ◽  
pp. 239-252
Author(s):  
Wiktoria Danilewicz-Prokorym ◽  

The article presents the legal activities of the city of Bialystok related to building its image using the brand Esperanto over the past years. The text deals with the complicated side of building the image of the city which is legal actions using the asset of the city which the case of Bialystok is the brand Esperanto. These actions were taken both by the executive body of the municipality – the Mayor – and the legislative body – the City Council. The following activities were discussed: the activity of the Bialystok City Council, the activity connected with the celebration of the 100th anniversary of Ludwik Zamenhof’s death, the organisation of the Esperanto Congress in 2009 and the significance of the so-called participatory budget for the discussed issue. In the analysis of the topic, only those activities undertaken in Bialystok and related to Ludwik Zamenhof, his successors and the Esperanto language were chosen, which are not only based on but have their source in legal acts and are of direct or indirect legal character. The article also briefly discusses the aspect of life history of Ludwik Krzysztof Zaleski Zamenhof in connection with granting him the Honorary Citizenship of the City of Bialystok. The article discusses the legal activities of the city of Bialystok connected with building its image with the use of the Esperanto brand in the perspective of the last years, touching upon an interesting matter which is the promotion of the Municipality on the basis of the only universal language in the world. The legal actions described in the article reflect the perspective of young Ludwik Zamenhoff, which led to the creation of Esperanto language. The text combines two matters, the creation of a supranational language, with legal actions that are used to promote the small homeland of its creator.


2019 ◽  
pp. 18-24
Author(s):  
A. M. Kovalev ◽  
O. A. Afanasieva

The issues of creating and functioning cluster structures within the territory of the city of Moscow in various fields of activity and providing them with the appropriate infrastructure have been examined. The role of clusters in the field of strengthening cooperative ties in order to implement mutually beneficial business projects has been emphasized. Practical recommendations have been given, within the framework of the current regulatory and legal framework, on the creation of a rational system, that allows organizing selection into a cluster of business entities. Particular attention has been paid to microclusters, their types, roles and place in innovative processes; it has been proposed to use organizational, economic and administrative levers for their formation. The structure of the feasibility study (business plan) of the cluster project has been adduced. The necessity of developing the organizational and methodological base for the further implementation of cluster technologies has been noted.


Author(s):  
Amparo Felipo

Resum. La fundació de la Universitat de València fou la culminació d’una llarga trajectòria que es remunta a la pretensió de Jaume I de conferir rang universitari a les escoles creades després de la conquesta. La seua unificació pels magistrats municipals en 1499, una butlla papal de 1500 i un privilegi regi de 1502 donaren pas a la seua inauguració oficial baix patronat municipal. Des d’ara, l’increment del pressupost universitari i les dificultats de la Ciutat per a finançar-lo va exigir la cerca de soluciones que van culminar amb la butlla de Sixte V de creació de les pabordies en 1585. Amb això, Municipi i Església passaven a sustentar conjuntament l’Estudi, no sense una interferència de la Corona de la qual van ser principal expressió les visites. En aquest context, les Constitucions de 1611 van esdevenir l’instrument de consolidació de les transformacions operades en el centre des de la seua creació. Paraules clau. Universitat de València, butlla papal, privilegi regi, Municipi, Església, Constitucions de 1611 Abstract. The founding of the University of Valencia was the culmination of a long history that dates back to King James I’s aim to give university status to the schools created after the conquest. Its consolidation drawn up by municipal magistrates in 1499, the papal bull in 1500 and the royal privilege in 1502 led to its official inauguration under the municipal board. From then on, the increase in the university’s budget and the city’s struggle to finance it called for new solutions, which culminated with the bull issued by Sixtus V for the creation of the pavordía chairs (title granted by the church) in 1585. Thus, the City Council and the Church proceeded to jointly sustain the university, which was also contributed to by the Crown mainly in the form of visits. In this context, the Constitutions of 1611 formed an instrument to consolidate the transformations carried out in the centre since its creation. Keywords. University of Valencia, papal bull, royal privilege, City Council, Church, Constitutions of 1611


2018 ◽  
Vol 63 (6) ◽  
pp. 80-88
Author(s):  
Czesław Domański

The article briefly discusses the creation and activity of statistical institutions in the Łódź region during the interwar years. In particular, the history of the Statistical Department at the City Council of Łódź, established by the City Council on 19 September, 1917, was presented. The Department functioned from 1 January, 1918 and its most important task was to conduct censuses of the population, one of the largest and most difficult statistical undertakings. In the discussed period, the urban statistics of Łódź covered the most important spheres of the city’s life, including state and municipal offices.


2017 ◽  
Vol 5 (2) ◽  
pp. 109-120
Author(s):  
Cecília Avelino Barbosa

Place branding is a network of associations in the consumer’s mind, based on the visual, verbal, and behavioral expression of a place. Food can be an important tool to summarize it as it is part of the culture of a city and its symbolic capital. Food is imaginary, a ritual and a social construction. This paper aims to explore a ritual that has turned into one of the brands of Lisbon in the past few years. The fresh sardines barbecued out of doors, during Saint Anthony’s festival, has become a symbol that can be found on t-shirts, magnets and all kinds of souvenirs. Over the year, tourists can buy sardine shaped objects in very cheap stores to luxurious shops. There is even a whole boutique dedicated to the fish: “The Fantastic World of Portuguese Sardines” and an annual competition promoted by the city council to choose the five most emblematic designs of sardines. In order to analyze the Sardine phenomenon from a city branding point of view, the objective of this paper is to comprehend what associations are made by foreigners when they are outside of Lisbon. As a methodological procedure five design sardines, were used of last year to questioning to which city they relate them in interviews carried in Madrid, Lyon, Rome and London. Upon completion of the analysis, the results of the city branding strategy adopted by the city council to promote the sardines as the official symbol of Lisbon is seen as a Folkmarketing action. The effects are positive, but still quite local. On the other hand, significant participation of the Lisbon´s dwellers in the Sardine Contest was observed, which seems to be a good way to promote the city identity and pride in their best ambassador: the citizens.


2019 ◽  
Vol 28 (3) ◽  
pp. 290-317
Author(s):  
David McCrone
Keyword(s):  
The City ◽  

How did Edinburgh become ‘festival city’? Despite appearances, it was not always so, and it acquired the accolade by happenstance; in the view of one observer, a ‘strange amalgam of cultural banditry, civic enterprise and idealism’. The official Festival's survival was down to the City Council, and it was funded almost entirely by public bodies. This was the central structure around which The Fringe developed, and The Traverse prospered, along with smaller festivals and events to become Festival City. The story sheds considerable light on how Edinburgh ‘works’, its strengths and weaknesses combined.


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