scholarly journals Érzés vagy racionális tény? - Az önbizalom, mint a LLL egyik kulcstényezője

2017 ◽  
Vol 4 (4) ◽  
Author(s):  
Anikó Kálmán ◽  
Emőke Nyéki

Nowadays the concept of trust attracts special attention. One of the most common approaches is examining self-confidence alongside human values and competencies.The study intends to point out the significance of self-confidence with regard to adult efficiency. The hypothesis is that positive self-assurance can essentially influence our achievement and our achievement has an impact on our self-confidence. Self-confidence often has a reflection as a feeling in the consciousness – the study strives to decompose this feeling or emotion into rational, measurable features and show its effect in the reflection of the self-image created by successful top managers and leaders.The data are from the results of studies collected since 2014 among top managers in the competitive sector during their non-formal? informal adult education. In the evaluation process, Emőke Nyéki’s 8-year-long expertise and knowledge in adult education is completed with her decade-long experience as a leader.

2021 ◽  
Vol 03 (05) ◽  
pp. 67-73
Author(s):  
Ayyoub HABIBI

This research paper aims to study some Arabic poetic verses through an argumentative approach of the poetic self-image, which poets draw about themselves inside and outside the poetic utterance. The poet aims through his poetry to convey a specific message, and to convince his addressees of it. The interest in studying Arabic poetry comes from being a discourse, carrying what is pragmatic, through which the seeker intends to persuade, prove or increase the evidence. Hence, the poet’s messages need argumentative mechanisms that make the recipients convinced of what is offered to them. Among the most famous of these argumentative mechanisms is the "ethos", which is the image that the poet draws about himself by means of linguistic and non-linguistic structures and patterns. We have tried to clarify the argumentative dimension of the self-image in poetry by presenting the characteristics of the poetic self and its images that are presented in its poetry to their addressees through the values it employs such as loyalty, generosity and courage… We have concluded that Arabic poetry is a discourse about worthy of study and analysis in terms of self-image, to reveal About the "Ethos", due to its noble human values. Keywords: Ethos, Poetry, Pilgrims, Values.


2005 ◽  
Author(s):  
Geoffrey Leonardelli ◽  
Jessica Lakin ◽  
Robert Arkin

2011 ◽  
Author(s):  
Corey L. Guenther ◽  
Kathryn Applegate ◽  
Steven Svoboda ◽  
Emily Adams

2020 ◽  
Author(s):  
Fatma Ülkü Selçuk ◽  
Nil Demet Güngör

<p>The study explores the relation of narcissism to political orientation and their association with basic human values, using an undergraduate sample from Turkey. Leftwing orientation is weakly and negatively correlated with narcissism, and specifically with its self-sufficiency dimension. Leftwing is correlated positively with universalism and negatively with tradition. Narcissism is positively correlated with the self-enhancement and openness to change dimensions and negatively correlated with the self-transcendence and conservatism dimensions of the basic values. Hierarchical regression results indicate that the value tradition is a stronger predictor of political orientation than narcissism. In multinomial logistic regression, for narcissism, statistical significance appears for only extreme right compared to moderate left political positions. We did not find power-hunger to be related to political orientation. We did not find pro-sociality to be related to familial-religious customs. We did not find any sex difference for mean narcissism scores. However, females are more leftwing oriented than males and they report more eagerness to strive for justice for others. Striving for justice for others is negatively correlated with the value power; positively correlated with leftwing orientation and striving for justice for self; and uncorrelated with narcissism. Males have higher mean scores for the value tradition and females have higher mean scores for the value security.</p>


2020 ◽  
Author(s):  
Fatma Ülkü Selçuk ◽  
Nil Demet Güngör

<p>The study explores the relation of narcissism to political orientation and their association with basic human values, using an undergraduate sample from Turkey. Leftwing orientation is weakly and negatively correlated with narcissism, and specifically with its self-sufficiency dimension. Leftwing is correlated positively with universalism and negatively with tradition. Narcissism is positively correlated with the self-enhancement and openness to change dimensions and negatively correlated with the self-transcendence and conservatism dimensions of the basic values. Hierarchical regression results indicate that the value tradition is a stronger predictor of political orientation than narcissism. In multinomial logistic regression, for narcissism, statistical significance appears for only extreme right compared to moderate left political positions. We did not find power-hunger to be related to political orientation. We did not find pro-sociality to be related to familial-religious customs. We did not find any sex difference for mean narcissism scores. However, females are more leftwing oriented than males and they report more eagerness to strive for justice for others. Striving for justice for others is negatively correlated with the value power; positively correlated with leftwing orientation and striving for justice for self; and uncorrelated with narcissism. Males have higher mean scores for the value tradition and females have higher mean scores for the value security.</p>


Author(s):  
Agata Jakubowska

Narratives about women artists usually point to the obstacles they face in the development of their artistic careers. In her article, the author proposes an analysis that concentrates on how a woman artist – Zofia Kulik – presented herself as the heroine of a successful story of emancipation in the series of works titled The Splendor of Myself (1997, 2015, 2017). The self-image she presents is paradoxical: we deal with both her ostentatious presence and her absence as her physical presence is hidden behind the gorgeous but extremely stiff dress. It corresponds with Kulik’s understanding of her success as directly related with the wealth of images and the mastery of composition.


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