scholarly journals “Cerchiamo un bambino distinto”. La genesi di Bellissima nei soggetti di Cesare Zavattini

2014 ◽  
Vol 34 (2) ◽  
pp. 47-64
Author(s):  
Cristina Jandelli
Keyword(s):  
Twentieth Century ◽  
Historical Perspective ◽  
Modern Society ◽  
Second World War ◽  
Italian Cinema ◽  
World War ◽  
Cultural Changes ◽  
The Subject ◽  
Luchino Visconti ◽  
Second World

This contribution investigates, from a philological-historical perspective, the different versions of texts by Cesare Zavattini that will later merge into the subject of “Bellissima”, the film directed in 1951 by Luchino Visconti, starring Anna Magnani. Through a crucial decade for Italian cinema, the early forties and fifties of the twentieth century, the variants depict mutable scenarios through deep historical, political and cultural changes. From Fascist Cinecittà, animated by its stars swept away by the Second World War, to the change of gender of the two protagonists—first a widower and his son, then a woman willing to barter her daughter in exchange for the realization of their dreams—the variants of the subject draw a long-standing perspective on modern society: life becomes a show.

scholarly journals IL CONTRIBUTO DEL POLITECNICO ALLO SVILUPPO DELL’INFORMATICA

2016 ◽  
Author(s):  
Carlo Ghezzi
Keyword(s):  
Twentieth Century ◽  
Computer Science ◽  
Information Society ◽  
Modern Society ◽  
Second World War ◽  
World War ◽  
Science And Engineering ◽  
The Usa ◽  
History Of ◽  
Second World

The history of Computer Science and Engineering (Informatics) began internationally after the Second World War. In the last decade of the twentieth century it bacame one of the disciplines with highest impact on economy, industry, and society. The development of Informatics at Politecnico started when the first computer was brought to Italy from the USA by Prof. Luigi Dadda and the first experiments and investigations were launched. Since then Informatics has been continuously growing until today it became the engine of modern society, often called the Information Society. This paper reports on the main developments of Informatics at Politecnico and the main contributions achieved nationally and internationally in education and research.

scholarly journals The archaeology of Afghanistan revisited

Antiquity ◽  
2020 ◽  
Vol 94 (376) ◽  
pp. 1084-1087
Author(s):  
J. Eva Meharry
Keyword(s):  
Twentieth Century ◽  
Turning Point ◽  
International Community ◽  
Second World War ◽  
World War ◽  
Archaeological Practice ◽  
The Subject ◽  
The 1960S ◽  
Afghan Civil War ◽  
Second World

The discipline of archaeology in Afghanistan was at a turning point when the original editions of The archaeology of Afghanistan and the Archaeological gazetteer of Afghanistan were published in 1978 and 1982, respectively. The first three decades of modern archaeological activity in Afghanistan (1920s–1940s) were dominated by French archaeologists who primarily focused on the pre-Islamic past, particularly the Buddhist period. Following the Second World War, however, Afghanistan gradually opened archaeological practice to a more international community. Consequently, the scope of archaeological exploration expanded to include more robust studies of the prehistoric, pre-Islamic and Islamic periods. In the 1960s, the Afghan Institute of Archaeology began conducting its own excavations, and by the late 1970s, national and international excavations were uncovering exciting new discoveries across the country. These archaeological activities largely halted as Afghanistan descended into chaos during the Soviet-Afghan War (1979–1989) and the Afghan Civil War (1989–2001); the Afghan Institute of Archaeology was the only archaeological institute continuing operations. The original editions of the volumes under review were therefore timely and poignant publications that captured the peak of archaeological activity in twentieth-century Afghanistan and became classic texts on the subject.

Paradoxes of the self: the autobiographical construction of the subject in the Italian Communist Party and in Italian neo-feminism

Modern Italy ◽  
2018 ◽  
Vol 23 (1) ◽  
pp. 69-84
Author(s):  
Walter Stefano Baroni
Keyword(s):  
Twentieth Century ◽  
Communist Party ◽  
Second World War ◽  
The Self ◽  
The Political ◽  
First Person ◽  
World War ◽  
The Subject ◽  
The 1960S ◽  
Second World

This article compares the autobiographical practices used by the Partito Comunista Italiano (PCI) in the aftermath of the Second World War with those developed by Italian neo-feminism from the late 1960s onwards. The former involved a repeated injunction for activists to write about and express themselves upon joining the party, in what amounted to self-criticism. The latter, meanwhile, took shape as a result of self-consciousness exercises practised by feminist groups in various cities across Italy. The terms of comparison of this article aim to describe what changed and what remained the same in the technologies used to produce the political self within the Italian Left in the twentieth century, beginning from its split in the 1960s. In this context, the paper reveals that the communist and feminist experiences were supported by the same discursive mechanism, which hinged on a paradoxical enunciation of the self. Communist activists and feminists thus faced the same difficulty in political self-expression, which was resolved in two different ways, both equally unsatisfactory. In conclusion, examining the communist autobiographical injunction allows a radical critical reappraisal of the idea that the use of the first person and the political affirmation of subjectivity are determining features exclusively bound to the feminist experience.

Marie Ulčová and her Contribution to the West Bohemian Museums

2018 ◽  
Vol 56 (1) ◽  
pp. 13-23
Author(s):  
Nela Štorková
Keyword(s):  
Twentieth Century ◽  
Second World War ◽  
World War ◽  
The West ◽  
West Bohemia ◽  
Long Time ◽  
Second World

While today the Ethnographic Museum of the Pilsen Region represents just one of the departments of the Museum of West Bohemia in Pilsen, at the beginning of the twentieth century, in 1915, it emerged as an independent institution devoted to a study of life in the Pilsen region. Ladislav Lábek, the founder and long-time director, bears the greatest credit for this museum. This study presents PhDr. Marie Ulčová, who joined the museum shortly after the Second World War and in 1963 replaced Mr. Lábek on his imaginary throne. The main objective of this article is to introduce the personality of Marie Ulčová and to evaluate the activity of this Pilsen ethnographer and the museum employee with an emphasis on her work in the Ethnographic Museum of the Pilsen Region. The basic aspects of the ethnographic activities, not only of Marie Ulčová but also of the Ethnographic Museum of the Pilsen Region in the years 1963–1988, are described through her professional and popularising articles, archival sources and contemporary periodicals.

Hendrik Draye, tegenstander van de uitvoering van de doodstraf

2006 ◽  
Vol 65 (2) ◽  
pp. 134-152
Author(s):  
Luc Vandeweyer
Keyword(s):  
Death Penalty ◽  
Second World War ◽  
World War ◽  
Penal Policy ◽  
Catholic University ◽  
The Subject ◽  
The University ◽  
Second World ◽  
Young Professor

Hendrik Draye, opponent of the carrying out of the death penaltyIn this annotated and extensively contextualised source edition, Luc Vandeweyer deals with the period of repression after the Second World War. In June 1948, after the execution of two hundred collaboration-suspects in Belgium, the relatively young linguistics professor at the Catholic University of Leuven, Hendrik Draye, proposed, on humanitarian grounds, a Manifesto against the carrying out of the death penalty. Some colleagues, as well as some influential personalities outside the university, reacted positively; some colleagues were rather hesitant; most of them rejected the text. In the end, the initiative foundered because of the emphatic dissuasion by the head of university, who wanted to protect his university and, arguably, the young professor Draeye. The general public’s demand for revenge had not yet abated by then; moreover, the unstable government at that time planned a reorientation of the penal policy, which made a polarization undesirable. Nevertheless, Luc Vandeweyer concludes, "the opportunity for an important debate on the subject had been missed".

Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’

2021 ◽  
Vol 30 (1) ◽  
pp. 45-61
Author(s):  
Jill Felicity Durey
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Human Nature ◽  
Second World War ◽  
World War ◽  
Historical Sources ◽  
Internment Camp ◽  
Bright Side ◽  
Second World ◽  
John Galsworthy

This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.

scholarly journals Per Ravenna trecentesca: nuove proposte per l’assetto architettonico di Santa Maria in Porto Fuori

2019 ◽  
Vol 82 (1) ◽  
pp. 3-31
Author(s):  
Fabio Massaccesi
Keyword(s):  
Fourteenth Century ◽  
Second World War ◽  
World War ◽  
The Subject ◽  
First Time ◽  
Santa Maria ◽  
Second World ◽  
The Church

Abstract This contribution intends to draw attention to one of the most significant monuments of medieval Ravenna: the church of Santa Maria in Porto Fuori, which was destroyed during the Second World War. Until now, scholars have focused on the pictorial cycle known through photographs and attributed to the painter Pietro da Rimini. However, the architecture of the building has not been the subject of systematic studies. For the first time, this essay reconstructs the fourteenth-century architectural structure of the church, the apse of which was rebuilt by 1314. The data that led to the virtual restitution of the choir and the related rood screen are the basis for new reflections on the accesses to the apse area, on the pilgrimage flows, and on the view of the frescoes.

Post-Heroic Warfare Revisited: Meaning and Legitimation of Military Losses

Sociology ◽  
2017 ◽  
Vol 52 (5) ◽  
pp. 898-914 ◽  
Author(s):  
Kristian Frisk
Keyword(s):  
Social Order ◽  
Modern Society ◽  
Moral Worth ◽  
Second World War ◽  
World War ◽  
The Social ◽  
Military Engagement ◽  
Military Campaign ◽  
The Military ◽  
Second World

The article challenges the thesis that western societies have moved towards a post-heroic mood in which military casualties are interpreted as nothing but a waste of life. Using content analysis and qualitative textual analysis of obituaries produced by the Royal Danish Army in memory of soldiers killed during the Second World War (1940–1945) and the military campaign in Afghanistan (2002–2014), the article shows that a ‘good’ military death is no longer conceived of as a patriotic sacrifice, but is instead legitimised by an appeal to the unique moral worth, humanitarian goals and high professionalism of the fallen. The article concludes that fatalities in international military engagement have invoked a sense of post-patriotic heroism instead of a post-heroic crisis, and argues that the social order of modern society has underpinned, rather than undermined, ideals of military self-sacrifice and heroism, contrary to the predominant assumption of the literature on post-heroic warfare.

Scandalous Events: Metropolitan Culture and Moral Change in Post-Second World War London

2006 ◽  
Vol 93 (1) ◽  
pp. 106-137 ◽  
Author(s):  
FRANK MORT
Keyword(s):  
Second World War ◽  
Postwar Period ◽  
World War ◽  
Cultural Changes ◽  
Moral Change ◽  
Sexual Beliefs ◽  
English Society ◽  
The 1960S ◽  
Second World ◽  
Beliefs And Attitudes

ABSTRACT Historians of the sexual and cultural changes associated with the ““permissive”” moment of the 1960s have tended to emphasize a progressive narrative of reform focused on national policies and their social outcomes. This article explores a diffierent dynamic, highlighting the ways in which a series of scandalous and transgressive events, associated with particular networks of metropolitan culture in London, played a significant role in reshaping sexual beliefs and attitudes within English society during the postwar period.

scholarly journals Agency and Analogy in African History: the Contribution of Extra-Mural Studies in Ghana

2007 ◽  
Vol 34 ◽  
pp. 273-296 ◽  
Author(s):  
Kate Skinner
Keyword(s):  
Second World War ◽  
Gold Coast ◽  
Academic Disciplines ◽  
African History ◽  
World War ◽  
Significant Extent ◽  
The United Kingdom ◽  
Autobiographical Texts ◽  
The Subject ◽  
Second World

As the pioneering generation of postwar British academics retired, some produced autobiographical texts which revealed the personal circumstances and intellectual influences that brought them to the study of Africa. Edited volumes have also provided broader reflections on the academic disciplines, methodologies, and institutions through which these scholars engaged with the continent. In one such text, Christopher Clapham and Richard Hodder-Williams noted the special relationship between extramural studies (also known as university adult education) and the academic study of Africa's mass nationalist movements:The impetus for this study came to a remarkable degree from a tiny group of men and women who pioneered university extra-mural studies in the Gold Coast immediately after the [Second World War], and to a significant extent established the parameters for subsequent study of the subject [African politics]. Gathered together under the aegis of Thomas Hodgkin […], they were led by David Kimble […], and included among the tutors Dennis Austin, Lalage Bown and Bill Tordoff, all of whom were to play a major role in African studies in the United Kingdom over the next forty years.

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