scholarly journals Position of Women in Buddhism: Spiritual and Cultural Activities

2012 ◽  
pp. 75-84
Author(s):  
Belu Rani Barua

The Buddha is a great benefactor of humanity. After the attainment of the Enlightenment in Bodhgaya and preaching First Sermon in Sarnath, the Buddha founded the order of Monks (Bhikkhusangha). This order of Monks increased and within forty five years of Buddha’s ministry it had spread throughout ancient India. But groundless belief of Brahmins is that woman is inferior to man. The position which the woman lost under the dominance of the Brahmins of the day evidently showed little sympathy for her. In this article I will explore the position of women considering their spiritual and cultural activities.DOI: http://dx.doi.org/10.3329/afj.v4i0.12933 The Arts Faculty Journal Vol.4 July 2010-June 2011 pp.75-84

Author(s):  
Richard Viladesau

This work surveys the ways in which theologians, artists, and composers of the early modern period dealt with the passion and death of Christ. The fourth volume in a series, it locates the theology of the cross in the context of modern thought, beginning with the Enlightenment, which challenged traditional Christian notions of salvation and of Christ himself. It shows how new models of salvation were proposed by liberal theology, replacing the older “satisfaction” model with theories of Christ as bringer of God’s spirit and as social revolutionary. It shows how the arts during this period both preserved the classical tradition and responded to innovations in theology and in style.


Antiquity ◽  
1946 ◽  
Vol 20 (79) ◽  
pp. 113-121
Author(s):  
W. H. Riddell

Mani, the Sacred Jewel (Shansi in Chinese; Shinshi in Japanese) is that one of the Sapta Rapta (Seven Treasures) which is the emblematic symbol of the Buddha and his doctrine. Defined as a supernatural pearl, spherical, self-luminous, and of unfading lustre, it sheds a brilliant light on all its surroundings and is therefore an appropriate simile for the Enlightenment which Buddhists seek. In the Iconography of the Far East this fabulous gem is an attribute of several persons in the Ruddhist hierarchy; the principal one being K'shitigarhba (Chin: Ti Sang, Jap: Jizo Bosatsu) who is the Bodhisattva of Compassionate Help in the same way that Avalokitesvara (Chin: Kwanyin, Jap: Kwannon) is the Bodhisattva of Mercy. The latter may at times be shown as a holder of the Jewel—see for an example, the well-known Yumadono Kwannon of Horiuji (1)—but more often her chosen attribute is a slender vase. One of the sixteen Arhats (Chin: Lohan, Jap: Rakan) is also represented holding the Sacred Jewel in his hand. This is Panthaka, the tenth on the list, whose constant companion is a Dragon—the divinely appointed guardian of the Gem. Sometimes a Dragon alone holds the Gem in his claw: sometimes the Gem appears in solitary splendour with two Dragons in the role of heraldic supporters on either side. The illusion that they are fighting for it (like the Lion and Unicorn) is due to the querulous expression Dragons habitually wear, and not necessarily to rivalry.


2021 ◽  
Vol 9 (08) ◽  
pp. 1160-1164
Author(s):  
Mohamad Zulfazdlee Abul Hassan Ashari ◽  
◽  
Nursafira Lubis Safian ◽  
Napisah Karimah Ismail ◽  
Ezad Azraai Jamsari ◽  
...  

Jahangir succeeded his father, Akbar after the latter stabilised Mughal rule in India. Although there are arguments that Jahangir did not achieve successes like his father, there were some endeavours by Jahangir which strengthened the continuity of Mughal rule. Hence, the purpose of this article is to examine his efforts to consolidate Mughal rule in India in his time. On the whole, this is a qualitative research using the methods of historical study and content analysis. Data was collected from primary and secondary sources and analysed. Research findings show that Jahangir was more focused on domestic development such as proclaiming Dustur al-Amal for administration. He also succeeded in putting down rebellions and developed culture and arts, including architecture. His own personality as a leader inclined him to be a patron of the arts, intellectual and cultural activities, as well as a believer of legal principles for social justice. Akbars policy of expanding territories was not Jahangirs priority because he gave more attention to managing the crises of rebellion in Mughal territory.


2021 ◽  
Vol 24 (2) ◽  
pp. 221
Author(s):  
I Made Ari Susandi

<p><em>The dynamics of Balinese people's lives are constantly under the spotlight because of the variety of cultural activities that blend with various lives. The arts of barong and rangda are spread across all districts and cities in Bali, but not all pakraman villages or temples have barong and rangda arts. This is due to the existence of barong and rangda in the religious dynamics of Balinese Hindu society. although in reality barong and rangda are not merely an art form, but furthermore they are the implementation of theology (divine teachings) of Hinduism, both concerning the philosophical (essential) religious side and religious psychology (psychological/emotional aspect).</em></p>


Author(s):  
Martin Boord

Belonging to an esoteric corpus of Buddhist texts known as the teachings of secret mantra (Skt. guhyamantra), the tantras of Vajrakīla have been carefully guarded through the centuries and handed down from teacher to disciple under a strictly ethical code of conduct. Although the texts themselves often seem to advocate a violent and unrestrained lifestyle, under the skillful guidance of a suitably qualified guru, who must be seen by the disciple as none other than the Buddha himself, one who seriously engages in the systematic practice of their profound series of meditations becomes quickly and thoroughly purified in body, speech, and mind. The wrathful deity Vajrakīla is described in all the tantras that bear his name as the manifestation of heroic power for the overthrow of Māra. During times of peace he manifests as Vajrasattva, and his mind abides in tranquility. During times of activity he manifests as “Vajra of Total Destruction” (Skt. *Ativināśanavajra) and, when manifesting as a bodhisattva, he is Vajrapāṇi, “the One with a Vajra in his Hand.” With regard to his name “Vajrakīla”: vajra as a prefix is found everywhere within the Buddhist tantras. Originally meaning “the hard or mighty one” and referring in particular to the thunderbolt as a weapon of Indra, it subsequently became so intimately associated with the development of tantric ideas in Buddhism that the entire system of practice came to be known as the Vajrayāna or Vajra Vehicle. Indeed, as a symbol within the Buddhist tantras it is as pregnant with meaning as the very texts themselves. Characterized as abhedya, “unbreakable,” and acchedya, “indivisible,” the term may be said to represent nothing less than the full enlightenment of the samyaksaṃbuddha, who himself came to be referred to as Vajradhara, “Holder of the Vajra.” The Sanskrit word kīla means “nail,” “peg,” or “spike,” and thus Vajrakīla may be taken to mean “the unassailable spike” or, on a higher level, “(He who is) the nail of supreme enlightenment.” Introduced to Tibet during the 8th century ce, the Buddhist tantras of Vajrakīla were received with great enthusiasm and quickly became established as a vital element in the religious life of the Tibetan empire. Said to encompass every aspect of the ground, path, and goal, the Vajrakīla tantras present a coherent and complete system of spiritual practice that culminates in the attainment of perfect liberation from the round of rebirth. The roots of Kīla mythology, however, may lie buried deep within the pre-Buddhist religion of ancient India where, in the Ṛgveda, the story is told of the god Indra who slew the demon Vṛtra. It is said that, at that time, Indra stabilized the earth and propped up the heavens with a kīla and thus, at the outset, we have clearly discernible indications of a path along which a simple wooden stake might travel so as eventually to become deified as a terrifying god of awesome power, one by whom all demons are vanquished and enlightenment realized for the benefit of the world.


2018 ◽  
Vol 1 (3-4) ◽  
pp. 394-401 ◽  
Author(s):  
Yevgeniy G. Vyrschikov

This article concerns the origin of the early Buddhist term tathagata (on Pali and Sanskrit material). This way, if you judge according to the Pali Canon, is of ancient pre-Buddhist origin. The “Digha-Nikaya” Sutras provides us with a number of nontrivial contexts of the use of this word, allowing us to accurately establish its etymology and literal meaning. In addition, these contexts suggest a special connection of Tathagata (as an image of the Buddha) with “truth telling”.


2021 ◽  
Vol 13 (4-1) ◽  
pp. 112-128
Author(s):  
Vadim Rozin ◽  

The article deals with the problems and principles of reconstruction of certain concepts of philosophy and cultural narratives. The reason was the discussion of N. Kanaeva's report at the Institute of Philosophy, read at a seminar on the geography of rationality. Analyzing V. Bibikhin's work "Wittgenstein: Change of Aspect", the author poses the problem of correctly (to avoid contradictions and reach an understandable logic of text interpretation) reading the narratives of a foreign culture or even the narratives of one's own culture, but belonging to a different direction of thought. Such a reading, he claims, presupposes special optics, a hermeneutic concept and a cultural-historical reconstruction. To introduce and clarify what can be understood by such concepts (optics, concept and reconstruction), an analysis of two cases is proposed: semiotic schemes and G. Oldenberg's study of the Buddha's teachings. The schemes are discussed on the basis of the works of Plato ("Feast" and "Timaeus"). The author shows that Plato in "The Feast" constructs schemes for solving problem situations and specifying ideal objects, and in "Timaeus" he discusses the nature of schemes. In turn, Oldenberg reconstructs the prehistory of Buddhism and the basic ideas proposed by the Buddha. A feature of its reconstruction is an appeal to the culture of Ancient India, an analysis of the ancient Hindu consciousness and mentality, a discussion of the features of Buddhist discourse. The author concludes that if the ideas about Buddhism outlined by Oldenberg are used for the purpose of understanding Buddhist narratives, then these ideas as optics can be summed up under the notion of a hermeneutic concept. This concept is structured in such a way that it clearly takes into account the peculiarities of the Hindu culture and mentality, as different from the European ones.


Author(s):  
T. W. Rhys Davids

Numerous examples might be quoted of philosophical, or political, or religious parties who have claimed for themselves a central, or a moderate, position, far removed from the ignorances and foolishnesses of the extremists on either side. There are even cases in which the critical historian may observe that, on a fair survey of the points in dispute at the time and place in question, the claim is fairly justified. So the Buddha claimed for his view of life that it was the Middle Way between worldliness, or indifference, on the one side, and asceticism on the other. So Aristotle described the ideal virtue as the Golden Mean.


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