scholarly journals FINNEY, C. Paradise revealed: natural history in 19th-century Australia. The Museum of Victoria, Melbourne, Victoria: 1993. Pp xv, 186; illustrated. Price A$ 34.95 pbk. ISBN: 0-7306-2494-3.

1994 ◽  
Vol 21 (3) ◽  
pp. 420-420
Author(s):  
CLEMENCY FISHER
Keyword(s):  
Natural History ◽  
19Th Century

scholarly journals “Attractive to Strangers and Instructive to Students.” The McCullochs’ 19th Century Bird Collection in Dalhousie College

2014 ◽  
Vol 36 (2) ◽  
pp. 88-108
Author(s):  
Eric L. Mills
Keyword(s):  
Natural History ◽  
19Th Century ◽  
Liberal Education ◽  
Natural World ◽  
Hybrid Origin ◽  
Careful Examination ◽  
Great Caution ◽  
Natural History Collections ◽  
Thomas Mcculloch

Thomas McCulloch, Presbyterian minister and educator, founder of Pictou Academy, first President of Dalhousie College 1838-1843, established a museum in Pictou, NS, by 1828, including a bird collection. To McCulloch, the order of the natural world instilled in students principles of a liberal education and a model of society. His first collections were sold, but when McCulloch came to Dalhousie in 1838 he started a new collection, hoping to make it the basis of a provincial museum. In this he was aided by his son Thomas, who had been trained as a taxidermist. The younger McCulloch kept and expanded the collection until his death, after which it passed to Dalhousie College. The current McCulloch Collection, mainly the work of Thomas McCulloch junior, seems to exemplify purposes and practices of 19th century natural history. But research shows that the collection has a hybrid origin and must be viewed with great caution as an historical artifact. This is a case study in the difficulty of interpreting 19th century natural history collections without careful examination of their history.

scholarly journals Descubrimientos y exhibición de momias guanches en la primera mitad del siglo xix. Museos europeos (Montpellier, Göttingen, San Petesburgo, Ginebra) y gabinetes científicos insulares de Saviñón y Megliorini

2021 ◽  
pp. 125-160
Author(s):  
Alfredo Mederos Martín ◽  
◽  
Gabriel Escribano Cobo ◽  
Keyword(s):  
Natural History ◽  
19Th Century ◽  
Santa Cruz ◽  
Saint Petersburg ◽  
Siglo Xix ◽  
The University ◽  
The 19Th Century

The exhibition of two mummies in the Natural History cabinet in Paris aroused the interest of various scientific expeditions that made a stopover in Tenerife in the first half of the 19th century. Nicolas Baudin’s expedition in 1800 coincided with the discovery of a cave with mummies in El Sauzal and three ended up in the university museums of Montpellier and Göttingen and one in the cabinet of Saviñón. Another mummy was given to von Krusenstern’s Russian expedition of 1803, currently in the museum of Saint Petersburg. A new cave with mummies was discovered ca. 1815 in Tacoronte, which ended up in the scientific cabinet of Megliorini. Another mummy located in Valleseco, Santa Cruz, around 1823, was sold in Puerto de la Cruz to a Swiss merchant for the Geneva museum.

History of formation and modern structure of the bryolological herbarium of the State Natural History Museum of the NAS of Ukraine

2018 ◽  
pp. 19-28
Author(s):  
Klymyshyn O. ◽  
Savytska A.
Keyword(s):  
Natural History ◽  
19Th Century ◽  
The State ◽  
Natural History Museum ◽  
National Academy Of Sciences ◽  
History Museum ◽  
History Of ◽  
Academy Of Sciences ◽  
The 19Th Century ◽  
History Of Formation

The history of formation of the bryological herbaria of the State Natural History Museum of the National Academy of Sciences of Ukraine is considered. Many collectors and scientists-botanists took part in the formation of the main scientific fund of the bryological herbaria, among them A. Lazarenko, K. Ulychna, V. Melnichuk, M. Slobodian and others. The article contains a list of samples of bryophytes, which are included in the Red Book of Ukraine. Rare samples (including doublets and exsiccates) are described from territories of other countries, as well as specimens dating to the end of the 19th century.

Edward Hicks Reads the Book of Nature

1983 ◽  
Vol 2 (2) ◽  
pp. 91-96
Author(s):  
Charlotte Porter
Keyword(s):  
Natural History ◽  
19Th Century ◽  
Natural Environment ◽  
Art History ◽  
War Of 1812 ◽  
Book Of Nature ◽  
History Of ◽  
Special Concern ◽  
New Nation ◽  
Peaceable Kingdom

The special concern with organized natural history which distinguished the Philadelphia community following the War of 1812 can be found in surprising places. The natural environment of the new nation thoroughly Americanized a biblical subject in the paintings of Edward Hicks (1780-1849), a devoted Quaker who lived in Bucks County, Pennsylvania. Although little is known about his artistic methods, his compositions of the "Peaceable Kingdom" are probably the most famous examples of 19th-century folk art in this country.Hicks' pictorial idiom is so idiosyncratic that it has tended to defy placement within the American developments within art history of his time. However, the geological theories of the period help to clarify some of Hicks' oddly organized compositions, particularly those which introduce the Falls of Niagara, the Natural Bridge of Virginia or the Delaware Water Gap and give a rationale to Hicks' wooden style of painting typical of American folk artists.

scholarly journals Science, Fashion, Knowledge and Imagination: Shopfront Natural History in 19th-Century Sydney

2013 ◽  
Vol 4 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Anne Coote
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
19Th Century ◽  
Ongoing Process ◽  
The People ◽  
History Of ◽  
The City

Natural history dealers' shops offered colour, interest and occasional sensation to the people of mid-nineteenth century Sydney. This essay examines the nature of shop-front natural history enterprise in this period, and its significance in the history of the city and the wider colony. It begins by discussing dealers and their businesses, going on to argue for the role both played in the ongoing process of colonisation. In particular, it highlights the contribution made to those aspects of territorial appropriation which were taking place in the imaginations of Sydney's inhabitants.

scholarly journals Gli erbari aretini da Andrea Cesalpino ai giorni nostri

2008 ◽  
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Natural History ◽  
19Th Century ◽  
Systematic Study ◽  
18Th Century ◽  
The World ◽  
The One ◽  
University Museum ◽  
Over Time

The production of this book has been made possible by the collaboration of a number of scholars and the generosity of the Arezzo Provincial Authority. It provides detailed descriptions of the contents of precious botanical collections amassed by natives of Arezzo, or simply conserved in institutions situated within the territory. The book provides an overview of both herbals of dried plants and painted herbals from the sixteenth century up to the present, starting from the one created in 1563 by the Arezzo doctor Andrea Cesalpino. The first herbal in the world to be organised through systematic criteria, this collection is now in the Botanical Section of the Florence University Museum of Natural History, together with another small eighteenth-century herbal produced by a pharmacist from Cortona, Agostino Coltellini. Conserved in Cortona itself is another eighteenth-century herbal, this one painted by Mattia Moneti, while in Castiglion Fiorentino and Poppi respectively are the intriguing collections of the Hortus siccus pisanus (18th century) and of the Biblioteca Rilliana (late 17th century). Also described in the book is a herbal from the Convent of La Verna (18th century) and the Egyptian herbal of Jacob Corinaldi (19th century), conserved in Montevarchi. Finally there are also the modern herbals, illustrating the continuity over time of a practice that is the foundation of all systematic study. The book is in fact rounded off by an anastatic reprint of the description of the Cesalpino herbal published in 1858, which is still a seminal work for studies such as those contained in this collection.

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