“Melodious Madrigals”: A Study of Animal Musicians in Early Modern England

2020 ◽  
Vol 27 (1) ◽  
pp. 126-143
Author(s):  
Caitlin Mahaffy
Keyword(s):  
Early Modern ◽  
Animal Studies ◽  
Early Modern England ◽  
Environmental Stewardship ◽  
Literary Texts ◽  
Conceptual Basis ◽  
Human Beings ◽  
Cosmic Order ◽  
Music Of The Spheres ◽  
English Society

In early modern England, people believed in the music of the spheres, the notion that the foundations of cosmic order were a result of musical principles. The importance of music in early modern English society encouraged Renaissance thinkers to hear music in a variety of places, even within the noises of animals. I argue that numerous early modern literary texts, including works by Shakespeare, Marlowe, and Milton, indicate that animals are capable of hearing celestial music and that they are imitating the heavenly music through their own musical performance. Animals' imitation of celestial music raises the following questions: Could animal-created music be a kind of divine language? Do animals' natural musical capabilities indicate that they are more connected to the divine than human beings are? Such questions matter because animals were seen as expendable in early modern England and, therefore, this view of animals as possibly closer to the divine than human beings problematizes the widely held early modern belief that men are superior to beasts. This article contributes to the rapidly growing field of early modern animal studies by creating a connection between Renaissance views of animals and the conceptual basis for environmental stewardship in our own time.

Shakespeare's Representation of Weather, Climate and Environment

2019 ◽  
Author(s):  
Sophie Chiari
Keyword(s):  
Early Modern ◽  
Free Will ◽  
Religious Beliefs ◽  
Early Modern England ◽  
Literary Texts ◽  
Romeo And Juliet ◽  
Midsummer Night's Dream ◽  
The Tempest ◽  
As You Like It ◽  
Ability To Act

While ecocritical approaches to literary texts receive more and more attention, climate-related issues remain fairly neglected, particularly in the field of Shakespeare studies. This monograph explores the importance of weather and changing skies in early modern England while acknowledging the fact that traditional representations and religious beliefs still fashioned people’s relations to meteorological phenomena. At the same time, a growing number of literati stood against determinism and defended free will, thereby insisting on man’s ability to act upon celestial forces. Yet, in doing so, they began to give precedence to a counter-intuitive approach to Nature. Sophie Chiari argues that Shakespeare reconciles the scholarly views of his time with more popular ideas rooted in superstition and that he promotes a sensitive, pragmatic understanding of climatic events. She pays particular attention to A Midsummer Night’s Dream, Romeo and Juliet, As You Like It, Othello, King Lear, Anthony and Cleopatra, and The Tempest. Taking into account the influence of classical thought, each of the book’s seven chapters emphasises specific issues (e.g. cataclysmic disorders, the dog days’ influence, freezing temperatures, threatening storms) and considers the way climatic events were presented on stage and how they came to shape the production and reception of Shakespeare’s drama.

“The Body of This Death”

2017 ◽  
Author(s):  
Judith H. Anderson
Keyword(s):  
Early Modern ◽  
Sustained Attention ◽  
Early Modern England ◽  
The Body ◽  
Human Beings ◽  
The Bible ◽  
Physical Constitution

In Romans 7:24, Paul utters a cry that has echoed down the centuries: “O wretched man that I am! Who shall deliver me from the body of this death?” Paul’s moving outcry attracted the sustained attention of poets in early modern England, among them Spenser, Donne, and Milton, not only because of Paul’s anguish but also because of his unusual phrasing and figuration. The Bible carefully specifies “this death,” which suggests that the death at issue is spiritual and that it results from sin, not simply from the physical constitution of humankind. Yet physical death is implicit in the Adamic sin that human beings inherit and is thus embedded in their fallen nature. Donne’s sermons, Spenser’s Maleger, and Milton’s figures of Sin and Death explore the inextricability of spirit and flesh in the body that is this death.

True Crime Reporting in Early Modern England

2016 ◽  
Author(s):  
Ken MacMillan
Keyword(s):  
Early Modern ◽  
18Th Century ◽  
Church And State ◽  
Early Modern England ◽  
Crime Reporting ◽  
English Society ◽  
Crime Literature ◽  
Wide Readership ◽  
True Crime ◽  
Community Church

True crime reporting was extremely popular in early modern England (ca. 1550–1800). Depending on when this literature was written, and the audience it was intended to attract, the sub-genres of true crime writing took the form of small pamphlets, broadsides, rhyming ballads designed to be sung to a familiar tune, ministers’ accounts of criminals and repentance, collections of trials, newspapers, and biographies of professional criminals. In addition to being inherently shocking and entertaining, this literature served as cautionary, religious, and morality tales that reflected on serious crime as one of the signs that English society had become ignorant, irreligious, and immoral. These tales of true crime could be used to remind a wide readership of the wages of sin, and of the role of the community, church, and state in bringing about justice for criminals and their victims. In a society that placed significant restraints on sexual, personal, and religious freedoms, and exhorted obedience, deference, hard work, sexual restraint, and abstinence from all forms of vice, true crime literature could help to restore order and balance to society. To accomplish these various goals, the authors of true crime literature were not very faithful reporters, often embellishing criminal deeds, publishing small portions of much lengthier cases, or fabricating facts as needed to fill in unknown details or to improve readers’ fear of and education about the criminal element that surrounded them. As this literature developed in the 18th century, its authors became famous for reporting about infamous criminals in semi-biographical novels, thus merging true crime literature with fiction and giving rise to another genre of crime literature by about 1800.

Whose Saint Crispins Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England

2001 ◽  
Vol 54 (4-Part2) ◽  
pp. 1467-1494 ◽  
Author(s):  
Alison A. Chapman
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Literary Texts ◽  
Julius Caesar ◽  
Henry V ◽  
Politics Of Memory ◽  
Early Modern English ◽  
English Politics

This article demonstrates an early modern association between the trade of shoemaking and the act of altering the festal calendar. It traces this link through a series of sixteenth- and seventeenth-century English literary texts including Thomas Deloney's Gentle Craft, Thomas Dekker's Shoemaker's Holiday, and Shakespeare's Julius Caesar and — most notably — Henry V. The article argues that the depictions of cobblers making holidays resonated with the early modern English politics of ritual observance, and its concluding discussion of the Saint Crispin's Day speech in Henry V shows how the play imagines king and cobblers vying for control of England's commemorative practice.

Introduction

2020 ◽  
Author(s):  
Kit Heyam
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
Literary Texts ◽  
Historical Narratives ◽  
Medieval History ◽  
Edward Ii ◽  
Sexual Transgression ◽  
History Of ◽  
Insight Into

This introduction discusses the reputation of King Edward II (1307–1327) in medieval and early modern England, and the implications of this reputation beyond its immediate relevance to scholars of Edward II’s reign and afterlife: as a case study for the history of sex and the changing vocabulary of sexual transgression; as a source of positive depictions of love between men; as a paradigmatic exemplum for discussions of favouritism and deposition, and thereby a case study providing insight into the early modern use of medieval history; as a means of developing our understanding of literary texts such as Marlowe’s Edward II; and as a process that illuminates the literary nature of medieval and early modern historical narratives.

The Rural ‘Middling Sort’ in Early Modern England, circa 1640–1740: Some Economic, Political and Socio-Cultural Characteristics

Rural History ◽  
1999 ◽  
Vol 10 (1) ◽  
pp. 19-54 ◽  
Author(s):  
Joan Kent
Keyword(s):  
Eighteenth Century ◽  
Middle Class ◽  
Early Modern ◽  
Early Modern England ◽  
Cultural Characteristics ◽  
Tudor England ◽  
The Past ◽  
Recent Scholarship ◽  
English Society ◽  
The Subject

A middle class ‘did not begin to discover itself (except perhaps in London) until the last three decades of the [eighteenth] century’. So wrote E. P. Thompson in the 1970s in a now-famous analysis which divided English society into patricians and plebeians, and which, along with J. H. Hexter's ‘The Myth of the Middle Class in Tudor England’, largely eliminated ‘middle class’ from the vocabulary of early modern English historians. During the past decade, however, there has been renewed focus on the middle ranks in early modern England, now commonly labelled ‘the middling sort’, and such studies explicitly or implicitly call into question Thompson's polarized portrayal of English society. A number of earlier works analyzed the middling in the countryside, particularly in the period 1540 to 1640; but recent discussions focus largely on townsmen, and most are concerned with a later period, the second half of the seventeenth and the eighteenth centuries. Even in a volume such asThe Middling Sort of People: Culture, Society and Politics in England 1550–1800, a collection of essays presenting recent scholarship on the subject, the rural middling sort receive very little attention (a fact acknowledged by one of the editors). This essay will draw upon detailed evidence from several parishes to consider characteristics of the middling in the countryside during the later seventeenth and early eighteenth centuries.

scholarly journals The Reputation of Edward II, 1305–1697

2020 ◽  
Author(s):  
Kit Heyam
Keyword(s):  
Romantic Relationships ◽  
Early Modern ◽  
Early Modern England ◽  
Literary Texts ◽  
Same Sex ◽  
Cultural Impact ◽  
The Past ◽  
Edward Ii ◽  
Sexual Transgression ◽  
Political Pamphlets

During his lifetime and the four centuries following his death, King Edward II (1307-1327) acquired a reputation for having engaged in sexual and romantic relationships with his male favourites, and having been murdered by penetration with a red-hot spit. This book provides the first account of how this reputation developed, providing new insights into the processes and priorities that shaped narratives of sexual transgression in medieval and early modern England. In doing so, it analyses the changing vocabulary of sexual transgression in English, Latin and French; the conditions that created space for sympathetic depictions of same-sex love; and the use of medieval history in early modern political polemic. It also focuses, in particular, on the cultural impact of Christopher Marlowe’s Edward II (c.1591-92). Through such close readings of poetry and drama, alongside chronicle accounts and political pamphlets, it demonstrates that Edward’s medieval and early modern afterlife was significantly shaped by the influence of literary texts and techniques. A ‘literary transformation’ of historiographical methodology is, it argues, an apposite response to the factors that shaped medieval and early modern narratives of the past.

Reforming the Holy Name: The Afterlife of the IHS in Early Modern England

2021 ◽  
Vol 8 (2) ◽  
pp. 275-298
Author(s):  
David J. Davis
Keyword(s):  
Early Modern ◽  
Roman Catholic ◽  
Early Modern England ◽  
Religious Culture ◽  
Literary Texts ◽  
Multiple Contexts ◽  
Multiple Meanings

Abstract This article challenges the prevailing understanding of the Holy Name of Jesus as largely a Roman Catholic representation in early modern England. Although the Holy Name was attacked intermittently by Protestant iconoclasts, the article uses both visual and literary texts to set out a more nuanced relationship between the symbol and the broader religious culture of the period. As a symbol, the IHS served as a polysemous representation in a period of religious turmoil, creating not only multiple meanings but also multiple contexts in which the symbol could be found. The article both addresses the reasons why scholars tend to see the IHS as a particularly Catholic symbol and demonstrates the continued importance of the Holy Name in Protestant devotion.

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