Validation and measurement invariance of the Compound PsyCap Scale (CPC-12): a short universal measure of psychological capital

The Compound PsyCap Scale (CPC-12) was developed by Lorenz et al. (2016) to broaden the application of psychological capital, since usually tied to workplace settings; however, no further verification of its suitability across different samples was performed. The present work investigated the psychometric properties of an Italian adaptation of the CPC-12 with the aim of verifying its applicability in samples where the item wording of the existing measures of PsyCap might not be suitable (e.g., students and unemployed people). Study 1 (n = 450) examined the factor structure of the scale. Study 2 (n = 255) advanced the previous CPC-12 validation by testing its measurement equivalence across gender through MCFA. Results confirmed a one higher-order factor structure with four first-order factors, the scale was found to be invariant across gender. The findings advanced the general claim of CPC-12 to be suitable for application in multiple contexts, including sport, education, vocational guidance, as well as typical and atypical work settings. Lorenz y sus colegas desarrollaron la Escala Compound PsyCap (CPC-12) para ampliar este enfoque de dominio específico; sin embargo, no se realizó ninguna verificación adicional de su idoneidad en diferentes muestras / entornos. El presente trabajo investigó las propiedades psicométricas de una adaptación italiana del CPC-12 con el objetivo de verificar su aplicabilidad en muestras donde la redacción de los ítems de las medidas existentes de PsyCap podría no ser adecuada (por ejemplo, estudiantes y desempleados). El estudio 1 (n = 450) examinó la estructura factorial de la escala. El estudio 2 (n = 255) avanzó en la validación anterior de la CPC-12 al probar su equivalencia de medición entre sexos a través de MCFA. Los resultados confirmaron una estructura factorial de un orden superior con cuatro factores de primer orden; se encontró que la escala era invariante en todos los sexos. Los hallazgos avanzaron la afirmación general de la CPC-12 de ser adecuada para su aplicación en múltiples contextos, incluidos el deporte, la educación, la orientación profesional, así como los entornos laborales típicos y atípicos.

Pets and people: information experience of multispecies families

PurposeThis paper introduces more-than-human perspective in information behaviour and information experience studies. The purpose of this paper is to contribute to understandings of the concept of multispecies families by exploring their significant dimensions related to information phenomena involving multiple contexts, situations, spaces, actors, species, and activities.Design/methodology/approachBased on previous research in human information behaviour and human-animal studies, our ideas around information experience of multispecies families are developed conceptually. The paper builds both on previous empirical findings about human information behaviour and the new domain of information experience.FindingsThe paper proposes a holistic approach both to information phenomena in everyday living with companion animals including embodied, affective, cognitive, social, digital, and objectual information that shapes pet care and management practices, and to the context of study, including work, domestic, and leisure aspects of multispecies family.Originality/valueThis study broadens our understanding of information phenomena in multispecies families, and so contributes to the field of information experience. It also provides insights for animal welfare scientists to help them understand the information behaviour of humans who are responsible for keeping and caring for animals.

Chemistry, Society and Uncertainty

In recent years, besides the increased interest in philosophy of chemistry, we have witnessed a "material turn" in philosophy and the history of sciences with an interest in putting instruments, objects, materials and practices at the core of historical reports. Since its alchemic past, chemistry has worked with and on materials, so that its history is also a "material history". Thus, in the wake of this "material turn", it is up to philosophy and the history of chemistry to perceive the chemical substances, the chemists that create them and the industries that produce them as part of culture, society and politics. This overlap between chemical reasoning and materiality as well as the artificial character of its products makes chemistry an eminently technoscientific science. In this context, we will analyze the most general aspect that led us to identify it as "technoscientific", the hybrid that exists between chemistry and society. With that, we intend to argue in favor of considering the modern societal necessities (material, environmental, and human) with chemistry, in an effort to build a more harmonious relationship, being that it will be long and, maybe, indissoluble. Following that, our aim is to develop a concept that cannot be separated from the capillarity of chemistry in societies and the environment, the imprevisibility and essential uncertainty of the behavior of chemical entities in multiple contexts. Finally, we will highlight some reflections concerning chemical ethics associated with the production and creation of new substances that may become a part of the lifeworld.

Extraction of the Relations between Significant Pharmacological Entities in Russian-Language Internet Reviews on Medications

Nowadays, an analysis of virtual media to predict society’s reaction to any events or processes is a task of great relevance. Especially it concerns meaningful information on healthcare problems. Internet sources contain a large amount of pharmacologically meaningful information useful for pharmacovigilance purposes and repurposing drug use. An analysis of such a scale of information demands developing the methods that require the creation of a corpus with labeled relations among entities. Before, there have been no such Russian language datasets. This paper considers the first Russian language dataset where labeled entity pairs are divided into multiple contexts within a single text (by used drugs, by different users, by the cases of use, etc.), and a method based on the XLM-RoBERTa language model, previously trained on medical texts to evaluate the state-of-the-art accuracy for the task of indication of the four types of relationships among entities: ADR–Drugname, Drugname–Diseasename, Drugname–SourceInfoDrug, Diseasename–Indication. As shown based on the presented dataset from the Russian Drug Review Corpus, the developed method achieves the F1-score of 81.2% (obtained using cross-validation and averaged for the four types of relationships), which is 7.8% higher than the basic classifiers.

Architecture's Tightrope - Investigating an Alternative Trajectory for Critical Architecture: Critical Spatial Practices and a Polycontextual Engagement with an Urban Thick Edge Condition

<p>This thesis investigation engages two contemporary interrelated problems – one theoretical and one practical – both of which are interrogated, interwoven and tested through a critical lens. The theoretical context framing the design-research reconsiders the vitality of ‘critical architecture’ in relation to contemporary discourse, in particular, the so-called ‘crisis of criticality’ and the implications of this ideological landscape within the built environment. Foregrounding a position to test this theoretical framing, the practical context of the design-research is distinctly urban – engaging one of the contemporary negative outcomes of rapid urbanisation. The practical problem investigates the ‘thick edges’ (places of singular and/or impermeable identities) that manifest around and below new urban motorway infrastructural developments, a condition that creates barriers to cultural, social and spatial flows between communities in urban settings. This thesis argues that by engaging with the complex and multiple cultural conditions of urban sites, the rigidity and singular nature of these impermeable thick edge spaces can be opened to diverse flows relating to multiple contexts. Through processes of design intervention, the thesis proposes a ‘polycontextual’ approach to introduce flows of wider contextual dimensions within an urban site – promoting architectural solutions that blur, fray and punctuate thick edges by developing them as threshold conditions between adjacencies. The theoretical problem analyses the limitations of both the autonomous and post-critical positions; this thesis argues that an alternative trajectory for a contemporary critical architecture has emerged, one that may be used as a theoretical framework for resolving urban thick edge conditions. Jane Rendell, Kim Dovey and Murray Fraser reveal a trajectory to shift architectural practices towards positive and flexible modes of production whilst simultaneously opposing the insufficient positions of the post-critical. They posit that architecture remains an inherently cultural proposition – created through constructive ‘relays’ that can mediate between theory and design – elucidating strategies of resistance through an engagement with practices that are both critical and spatial. Jane Rendell further argues that strategies for such ‘critical spatial practices’ can be elucidated through an examination of processes that are: site-specific, socio-spatial, and temporal. Adopting these three categories as the theoretical framework of this thesis focuses the design-research, implicating critical spatial practices as a contemporary and alternative position for critical architectural production - providing a framework for positive and critical positions in current discourse. In response to this two-fold investigation, the thesis tests a synthesis of critical spatial practices and a polycontextual approach through strategic designresearch propositions. Architecture’s Tightrope proposes a multifunctional events facility that permanently supports the New Zealand International Arts Festival, and the structuration of a dynamic, relational and non-deterministic public space. The primary aims of this thesis are: to test a contemporary critically engendered framework for architectural design-research that is both culturally and formally negotiated; and to investigate the potential for this framework to invert the negative conditions of urban thick edges through an engagement with multiple contexts.</p>

Architecture's Tightrope - Investigating an Alternative Trajectory for Critical Architecture: Critical Spatial Practices and a Polycontextual Engagement with an Urban Thick Edge Condition

<p>This thesis investigation engages two contemporary interrelated problems – one theoretical and one practical – both of which are interrogated, interwoven and tested through a critical lens. The theoretical context framing the design-research reconsiders the vitality of ‘critical architecture’ in relation to contemporary discourse, in particular, the so-called ‘crisis of criticality’ and the implications of this ideological landscape within the built environment. Foregrounding a position to test this theoretical framing, the practical context of the design-research is distinctly urban – engaging one of the contemporary negative outcomes of rapid urbanisation. The practical problem investigates the ‘thick edges’ (places of singular and/or impermeable identities) that manifest around and below new urban motorway infrastructural developments, a condition that creates barriers to cultural, social and spatial flows between communities in urban settings. This thesis argues that by engaging with the complex and multiple cultural conditions of urban sites, the rigidity and singular nature of these impermeable thick edge spaces can be opened to diverse flows relating to multiple contexts. Through processes of design intervention, the thesis proposes a ‘polycontextual’ approach to introduce flows of wider contextual dimensions within an urban site – promoting architectural solutions that blur, fray and punctuate thick edges by developing them as threshold conditions between adjacencies. The theoretical problem analyses the limitations of both the autonomous and post-critical positions; this thesis argues that an alternative trajectory for a contemporary critical architecture has emerged, one that may be used as a theoretical framework for resolving urban thick edge conditions. Jane Rendell, Kim Dovey and Murray Fraser reveal a trajectory to shift architectural practices towards positive and flexible modes of production whilst simultaneously opposing the insufficient positions of the post-critical. They posit that architecture remains an inherently cultural proposition – created through constructive ‘relays’ that can mediate between theory and design – elucidating strategies of resistance through an engagement with practices that are both critical and spatial. Jane Rendell further argues that strategies for such ‘critical spatial practices’ can be elucidated through an examination of processes that are: site-specific, socio-spatial, and temporal. Adopting these three categories as the theoretical framework of this thesis focuses the design-research, implicating critical spatial practices as a contemporary and alternative position for critical architectural production - providing a framework for positive and critical positions in current discourse. In response to this two-fold investigation, the thesis tests a synthesis of critical spatial practices and a polycontextual approach through strategic designresearch propositions. Architecture’s Tightrope proposes a multifunctional events facility that permanently supports the New Zealand International Arts Festival, and the structuration of a dynamic, relational and non-deterministic public space. The primary aims of this thesis are: to test a contemporary critically engendered framework for architectural design-research that is both culturally and formally negotiated; and to investigate the potential for this framework to invert the negative conditions of urban thick edges through an engagement with multiple contexts.</p>

Warehousing asylum seekers: The logistification of reception

This article employs the analytical perspective of logistics to explore a key, yet quite overlooked, aspect of the functioning of the EU border regime: the reception and associated territorial distribution of newly arrived asylum seekers. Drawing on qualitative data collected at the height of ‘refugee reception crisis’ in multiple contexts in Italy and Sweden, the article shows how reception is undergoing a process of ‘logistification’ . In this process, organisational and logistical concerns prevail over the care for those who are assisted, and reception is turned into a logistical matter of moving and accommodating asylum seekers. Crucial to this process of ‘logistification’ is the warehousing of asylum seekers – an art of government that seeks to objectify asylum seekers through their depersonalisation, victimisation and (im)mobilisation. The article argues that the ‘logistification’ of reception not only has dehumanising effects on asylum seekers, but also exposes the attempt to make profit out their management and transfer. This creates the conditions for the development of a reception industry in which the very presence of asylum seekers is valorised for the profit of a whole range of actors who ensure the reproduction, transfer, knowledge and control of those hosted in reception facilities.

Labour in a Single Shot

This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.