Post-unification (East) German Documentary and the Contradictions of Identity
This chapter focuses on the three major themes that have helped make the integration between East and West German documentary filmmakers successful and have contributed new strengths to German independent documentary as a productive and innovative enterprise. It first illustrates the phenomenon of collaboration between filmmakers from both East and West Germany, which preceded the fall of the Berlin Wall and provides the basis for unique accomplishments in documentary. Then, partly based on these East–West collaborations, it discuss examples of German documentary's frequent explorations of non-European topics, which challenge the clear separation of European and non-European in both politics and film art. Here, the film collaborations between Helga Reidemeister and Lars Barthel will serve as a case study. Finally, also as a result of decades of experimentation with the nature of the film medium's presentation of ‘reality’, ‘history’, and the individual human subject, Thomas Heise's German ‘portrait film’ Barluschke (1997) is explored as an example of this defining quality of independent German documentary filmmaking in the context of the post-Cold War.