Sonorous Flesh: The Visual and Aural Erotics of Skin in Eloy de la Iglesia’s Quinqui Films
This chapter is a study of the erotic content of Eloy de la Iglesia’s quinqui films. Informed by senses-receptor-based film theories, the author reflects on the importance of the visual erotics of touch and skin, using the body of de la Iglesia’s actor fetiche José Luis Manzano as a productive and very fitting case study. The chapter proposes that the aesthetic roughness, the post-synch sound, and the delinquent narratives characteristic of this type of film, make it ideal to illustrate the kind of visual immediacy that sensually engages the viewer with the image on the screen. Manzano’s skin is often shown in close-up, pierced and tattooed. Through his work in de la Iglesia’s quinqui films, the actor became iconic of a genre fascinated with ‘the fragile glamour of male youth’ as a memorable example of what the press at the time referred to as the ‘estética de calzoncillo’,