Incarceration and Rupture: The Past in the Present

Author(s):  
Laura Brace

This chapter focuses on the prison industrial complex in the United States to ask again about what gets remembered and how, to take us back to the question of what happens to a manumitted slave, and to revisit the figure of the slave as an uncanny object in the blind spot of modernity. It contests the sharp divide between past and present that lies behind the discourse of new slavery and focuses not on rupture, but on the continuities and persistent connections between the racial slavery of the past and the incarceration of the present. It looks at a past that refuses to pass away by exploring the meanings of imprisonment, the prison itself, the border regime and the status of felons and prisoners as outsiders, shut out of civil society.

Somatechnics ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 74-94 ◽  
Author(s):  
Rae Rosenberg

This paper explores trans temporalities through the experiences of incarcerated trans feminine persons in the United States. The Prison Industrial Complex (PIC) has received increased attention for its disproportionate containment of trans feminine persons, notably trans women of colour. As a system of domination and control, the PIC uses disciplinary and heteronormative time to dominate the bodies and identities of transgender prisoners by limiting the ways in which they can express and experience their identified and embodied genders. By analyzing three case studies from my research with incarcerated trans feminine persons, this paper illustrates how temporality is complexly woven through trans feminine prisoners' experiences of transitioning in the PIC. For incarcerated trans feminine persons, the interruption, refusal, or permission of transitioning in the PIC invites several gendered pasts into a body's present and places these temporalities in conversation with varying futures as the body's potential. Analyzing trans temporalities reveals time as layered through gender, inviting multiple pasts and futures to circulate around and through the body's present in ways that can be both harmful to, and necessary for, the assertion and survival of trans feminine identities in the PIC.


2019 ◽  
Vol 12 (1) ◽  
pp. 220 ◽  
Author(s):  
Muriel Adams ◽  
Sonja Klinsky ◽  
Nalini Chhetri

In the United States of America, 2.2 million people are incarcerated in public and private facilities and over 700,000 are released yearly back to their home communities. Almost half are rearrested within a year. These problems have been excluded from mainstream sustainability narratives, despite their serious implications for sustainability. This paper addresses how the criminal justice, prison-industrial complex and foster care systems negatively impact these communities and families. To comprehend the system links, a sustainability lens is used to examine and address interlinking system impacts obstructing achievement of sustainability and the necessary community characteristics for building sustainable communities. Communities characterized by environmental degradation, economic despair and social dysfunction are trapped in unsustainability. Therefore, a system-of-communities framework is proposed which examines the circumstances that bring about prison cycling which devastates family and community cohesion and social networking, also negatively affecting the ability of other communities to become truly sustainable. We contend that a fully integrated social, economic and environmental approach to a major, complex, persistent problem as it relates to poor, marginalized communities faced with mass incarceration and recidivism can begin creating sustainable conditions. Further, we articulate ways sustainability narratives could be changed to engage with core challenges impeding these communities.


2021 ◽  
Vol 26 (1) ◽  
pp. 25-36
Author(s):  
Cheyenne E. Stratton ◽  
Robert J. DiStefano

Abstract Crayfish are key organisms in freshwater ecosystems across the United States (USA) and Canada, yet are among their most highly imperiled taxonomic groups. In 1996, a committee of prominent USA crayfish biologists warned of a crayfish imperilment plight and neglect of the fauna by natural resources agencies. It is unclear whether crayfish conservation has been prioritized by those agencies in the intervening decades. Our objective was to evaluate the status of crayfish conservation and management in 50 USA and 13 Canadian fish and wildlife agencies through a telephone survey. Fifty-one percent of agencies employed biologists to conduct crayfish work, mostly in the southern USA, and focused on threats (e.g., invasive species) or species’ distributions and conservation status. Of the 32 agencies working on crayfish, 59% considered them a priority, but 53% acknowledged insufficient funding. The most commonly cited information needs were threats, species compositions (native and introduced), distributions, conservation status assessments, and ecology. We report an encouraging but limited increase in agencies working on crayfish over the past two decades.


Author(s):  
Tom McEnaney

Over the past seventeen years This American Life has functioned, in part, as an investigation into, and representation and construction of an American voice. Alongside David Sedaris, Sarah Vowell, Mike Birbiglia, and the panoply of other odd timbres on the show, Glass’s delivery, pitch, and tone have irked and attracted listeners. Yet what began as a voice on the margins of public radio has become a kind of exemplum for what new radio journalism in the United States sounds like. How did this happen? What can this voice and the other voices on the show tell us about contemporary US audio and radio culture? Can we hear the typicality of that American voice as representative of broader cultural shifts across the arts? And how might author Daniel Alarcón’s Radio Ambulante, which he describes as “This American Life, but in Spanish, and transnational,” alter the status of these American voices, possibly hearing how voices travel across borders to knit together an auditory culture that expands the notion of the American voice?


2019 ◽  
Vol 91 (3) ◽  
pp. 491-521
Author(s):  
Jeannine Marie DeLombard

Abstract Afrohumanism is crucial to the forward-looking “project of thinking humanity from perspectives beyond the liberal humanist subject, Man” (Weheliye 2014: 8). It is another question, however, whether such a humanist approach provides the best historical analytic for understanding slavery and its carceral afterlives. This question becomes particularly pressing when we consider that today’s prison-industrial complex, like the American slaveholder of the past, extracts profits by strategically exploiting—rather than denying—the lucrative humanity of its captive black and brown subjects. To illustrate these claims, this article examines a seldom-discussed slave case, United States v. Amy (1859), which was tried before Supreme Court chief justice Roger B. Taney two years after his infamous decision in Dred Scott v. Sandford (1857). Centering on the figure of the legal person rather than the human or the citizen, United States v. Amy alerts us to the lethal legacy of slave personhood as a debilitating mixture of civil death and criminal culpability. Nowhere, perhaps, is that legacy more evident than in viral videos of police misconduct. And nowhere do we see a more vivid assertion of black counter-civility than in the dash cam video of the late Sandra Bland’s principled, outraged response to her pretextual traffic stop by Trooper Brian Encinia. The essay closes by considering Bland’s arrest and subsequent death in custody in the context of her own and other African Americans’ efforts to achieve and maintain a civil presence in an American law and culture where black personhood remains legible primarily as criminality.


Author(s):  
Cassandra D. Little

This chapter will provide a firsthand analysis of one woman's journey through the prison industrial complex. The intent is to bring the readers proximate to how trauma intersects with incarceration, gender, and race. The goal is to challenge our criminal justice system's need to over-criminalize and over-incarcerate women at alarming rates. Since 1980 the number of women in United States prisons has increased by more than 700%. These rates of incarceration of women have outpaced men by more than 50%. By drawing upon lived experience interacting with the United States Criminal Justice System and empirical data, the author will provide evidence that will argue that the experience of being incarcerated is traumatic and dehumanizing for many, but even more counterproductive for women.


Author(s):  
Alena Alexandrova

During the past two decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Since the early 1990s in Europe and the United States many artists critically re-appropriated religious, motifs, themes and images to produce works that cannot qualify as ‘religious,’ but remains in a dialogue with the visual legacy of mostly the Western, and more specifically the Catholic, version of Christianity. The book explores the complex relationship between contemporary art and religion. It focuses on the ways artists re-appropriate religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power – iconic and political. When embedded in contemporary artworks, religious motifs become tools to address issues that are central to the infrastructure of, and the distinction between, different eras or regimes of the image: the rules that regulate the status of images and their public significance, their modes of production, circulation and display. The book examines the important motif of the acheiropoietic image (not made by human hands). Its survival and transformation in contemporary image-making practices provides a conceptual matrix for understanding of the reconfiguring relationships between art and religion. The book discusses a number of exhibitions that take religion as their central theme, and a selection works by Bill Viola, Lawrence Malstaf, Victoria Reynolds and Berlinde de Bruyckere who, in their respective ways and media, recycle religious motifs and iconography, and whose works resonate with, or problematise the motif of the true image.


Antiquity ◽  
2000 ◽  
Vol 74 (283) ◽  
pp. 194-198 ◽  
Author(s):  
M. Elaine Davis

Education, a primary mode for transmitting society's knowledge, values and beliefs, is a highly political endeavour. To understand fully the place of archaeology within the framework of public education in the United States, some background in the broader political landscape and sanctioned curricula in American schools is necessary. This article examines some key aspects of these issues, including governmental control of education, the ‘history of history’ in schools, and the appropriation of the past. It also looks at the status of archaeology education in the United States and considers an appropriate role for pre-college archaeology.


Author(s):  
Ella Inglebret ◽  
Amy Skinder-Meredith ◽  
Shana Bailey ◽  
Carla Jones ◽  
Ashley France

The authors in this article first identify the extent to which research articles published in three American Speech-Language-Hearing Association (ASHA) journals included participants, age birth to 18 years, from international backgrounds (i.e., residence outside of the United States), and go on to describe associated publication patterns over the past 12 years. These patterns then provide a context for examining variation in the conceptualization of ethnicity on an international scale. Further, the authors examine terminology and categories used by 11 countries where research participants resided. Each country uses a unique classification system. Thus, it can be expected that descriptions of the ethnic characteristics of international participants involved in research published in ASHA journal articles will widely vary.


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