Lyric Cousins

2016 ◽  
Author(s):  
Fiona Sampson
Keyword(s):  
Art Music ◽  
Sensory Experience ◽  
Early History ◽  
Sight Reading ◽  
Public Performance ◽  
Art Form ◽  
The Way

Today, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, ‘difficult’, and therefore ‘elitist’. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and have some striking similarities, often summed up in the word ‘lyric’? These similarities include much that is most significant to the experience of each, and so of most interest to practitioners and audiences. They encompass, at the very least: the way each art-form is aural, and takes place in time; a shared reliance on temporal, rather than spatial, forms; an engagement with sensory experience and pleasure; availability for both shared public performance and private reading, sight-reading, and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa. This is a study of these two formal craft traditions that is concerned with the similarities in their roles, structures, projects, and capacities.

Walking through the city soundscape: an audio-visual analysis of sensory experience for people with psychosis

2022 ◽  
pp. 147035722110526
Author(s):  
Sara Merlino ◽  
Lorenza Mondada ◽  
Ola Söderström
Keyword(s):  
Social Interaction ◽  
Conversation Analysis ◽  
Visual Analysis ◽  
Sensory Experience ◽  
Urban Environments ◽  
Noisy Environments ◽  
Urban Context ◽  
Video Recordings ◽  
The City ◽  
The Way

This article discusses how an aspect of urban environments – sound and noise – is experienced by people walking in the city; it particularly focuses on atypical populations such as people diagnosed with psychosis, who are reported to be particularly sensitive to noisy environments. Through an analysis of video-recordings of naturalistic activities in an urban context and of video-elicitations based on these recordings, the study details the way participants orient to sound and noise in naturalistic settings, and how sound and noise are reported and reexperienced during interviews. By bringing together urban context, psychosis and social interaction, this study shows that, thanks to video recordings and conversation analysis, it is possible to analyse in detail the multimodal organization of action (talk, gesture, gaze, walking bodies) and of the sensory experience(s) of aural factors, as well as the way this organization is affected by the ecology of the situation.

scholarly journals Raising standards in performance

2001 ◽  
Vol 18 (3) ◽  
pp. 251-259 ◽  
Author(s):  
Robert Davis ◽  
Mark Pulman
Keyword(s):  
Instrumental Performance ◽  
Public Performance ◽  
Music Department ◽  
Curriculum Changes ◽  
The Past ◽  
Considerable Research ◽  
The Way

Over the past few years, instrumental performance has been subject to considerable research in this journal and elsewhere. A great deal of this research has concentrated on the practice strategies and individual lessons, which most students undertake in preparing as performers. Little has been done on raising standards of performance on a larger scale within the context of a large music department. This article describes the outcomes of a two-year programme undertaken with undergraduates at Barnsley College. It looks specifically at the scope for curriculum changes over that period and the way the various individual aspects of performance lessons are brought together through a weekly class which focuses on the demands of a public performance and the strategies required to prepare for that event.

scholarly journals Law and aesthetics: critical note

2010 ◽  
Vol 6 (2) ◽  
pp. 631-640 ◽  
Author(s):  
Luis Satie
Keyword(s):  
Legal Philosophy ◽  
Philosophy Of Law ◽  
Legal Form ◽  
Critical Note ◽  
Art Form ◽  
Conservative Approximation ◽  
Conditions Of Possibility ◽  
The Relationship ◽  
The Way

It is thought in the theory and philosophy of law, aimed at discussing the conditions of possibility of rapprochement between the art form and legal form. The text investigates, dialectically, the implications for the legal philosophy of the impossibility of such approximation, and the problems in a conservative approximation. It follows that: 1) would be a loss for a reason and therefore to legal philosophy, not to communicate between art and law; 2) the relationship between legal and aesthetic standards should be guided by the critical, especially in terms of Adorno's thought. It is by overcoming the dichotomy between possibility and impossibility, opening on the idea of constellation of methodological categorical fields of law and aesthetics in their current forms, paving the way for understanding the legal form as a tragic way.

scholarly journals Evolving Musical Sight Reading Exercises Using Expert Models

2021 ◽  
Vol 3 ◽  
Author(s):  
Charlotte Pierce ◽  
Tim Hendtlass ◽  
Anthony Bartel ◽  
Clinton J. Woodward
Keyword(s):  
Evolutionary Algorithm ◽  
Reading Skills ◽  
Art Music ◽  
Resource Constraint ◽  
Difficulty Level ◽  
Sight Reading ◽  
Sheet Music ◽  
Traditional Practice ◽  
Western Art ◽  
Expert Models

Sight reading skills are widely considered to be crucial for all musicians. However, given that sight reading involves playing sheet music without having seen it before, once an exercise has been completed by a student it can no longer be used as a sight reading exercise for them. In this paper we present a novel evolutionary algorithm for generating musical sight reading exercises in the Western art music tradition. Using models based on expert examples, the algorithm generates material suitable for practice which is both technically appropriate and aesthetically pleasing with respect to an instrument and difficulty level. This overcomes the resource constraint in using traditional practice exercises, which are exhausted quickly by students and teachers due to their limited quantity.

The Way to Waimanalo

Runaway ◽  
2017 ◽  
Author(s):  
Anthony Chaney
Keyword(s):  
World War Ii ◽  
Cultural Relativism ◽  
Public Performance ◽  
The Social ◽  
The Us ◽  
Us Government ◽  
Margaret Mead ◽  
Office Of Strategic Services ◽  
Morphology Learning ◽  
The Way

The narrative setting for this chapter is the new Oceanic Institute and its sister facility, Sea Life Park, in Waimanalo, Hawaii, in the early 1960s, where Bateson is studying the way dolphins communicate with each other. Among his colleagues – pioneers in dolphin training for public performance and ocean scientists with military contracts – Bateson was beloved but misunderstood. At issue was Bateson’s deep scorn for modern utilitarian science and B.F. Skinner behaviorism. The source of this scorn can be found in Bateson’s background: his youth in British naturalism and as the son of the founder of genetics William Bateson; his 1936 marriage to Margaret Mead, their work in Papau New Guinea and Bali, and their part, along with Ruth Benedict, in Boasian cultural relativism and the culture and personality school of anthropology; Bateson's anthropological morphology, learning theory, and concept of schismogenesis; and his black ops work with the Office of Strategic Services (OSS) in World War II. In the aftermath of the war, the US government opened its doors to the social sciences to aid in its Cold War policies. Bateson’s marriage to Margaret Mead crumbled amidst his refusal to accompany her through these doors.

Physics as an Art Form

2018 ◽  
pp. 1-4
Author(s):  
Alvaro De Rújula
Keyword(s):  
General Relativity ◽  
Laws Of Nature ◽  
Space Time ◽  
Einstein’S Equations ◽  
Einstein's Equations ◽  
Ockham’S Razor ◽  
Art Form ◽  
Ockham's Razor ◽  
The Universe ◽  
The Way

Beauty and simplicity, a scientist’s view. A first encounter with Einstein’s equations of General Relativity, space-time, and Gravity. Ockham’s Razor. Why the Universe is the way it is: The origin of the laws of Nature.

scholarly journals Effects of Reflective Labyrinth Walking Assessed Using a Questionnaire

Medicines ◽  
2018 ◽  
Vol 5 (4) ◽  
pp. 111
Author(s):  
Daniele Lizier ◽  
Reginaldo Silva-Filho ◽  
Juliane Umada ◽  
Romualdo Melo ◽  
Afonso Neves
Keyword(s):  
Emotional Distress ◽  
Randomized Study ◽  
Sensory Experience ◽  
Qualitative Approach ◽  
Time And Space ◽  
Cross Sectional ◽  
Chartres Cathedral ◽  
Clinical Level ◽  
The Way

Background: Meditation as it is currently known is an ancient practice, which can be traced back to Asian traditions. With the proper technique, a state of physical relaxation and respiratory balance can be reached naturally and spontaneously. This paper considers meditative labyrinth walking to be a unique expression of Dr. Lauren Artress’ work, who studied and applied the image of the labyrinth on the floor of the Chartres Cathedral in France. Methods: This study used a qualitative approach. It is a cross-sectional non-randomized study, conducted at an institute for psychotherapies with a sample of 30 participants. Results: 99% of the group reported feeling emotional distress caused by the feeling of a longer walk on the way out, 21% reported feeling the same while walking the path, and 41% at the beginning. The remaining participants felt lost in time and space. Conclusions: This study showed that the practice of labyrinth walking is a physical, emotional, and sensory experience. On the clinical level, correlating this experience to the planning of care seems to be particularly relevant.

Digital Critics: The Early History of Online Art Criticism

Leonardo ◽  
2019 ◽  
Vol 52 (1) ◽  
pp. 37-43
Author(s):  
Charlotte Frost
Keyword(s):  
Art Criticism ◽  
Early History ◽  
The Internet ◽  
Electronic Literature ◽  
History Of ◽  
Art Production ◽  
Mainstream Press ◽  
The Way

Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

Wit and popular music: the calypso and the blues

Popular Music ◽  
1996 ◽  
Vol 15 (1) ◽  
pp. 55-81 ◽  
Author(s):  
Cynthia Mahabir
Keyword(s):  
New York ◽  
Popular Music ◽  
New York Times ◽  
Langston Hughes ◽  
Art Form ◽  
The Way

Calypso is an art form that laughs at pain. That's the way we deal with our blues. We begin to heal ourselves immediately, through our culture and our music.' (David Rudder, Trinidad, New York Times, 31 March 1991)When you see me laughin', I'm laughin' to keep from cryin', but the laughter of these songs, implicit or overt, as often as not absorbs the tears.' (Langston Hughes 1966, p. 97)

Realism and Empiricism in Hume's Account of Causality

Philosophy ◽  
2007 ◽  
Vol 82 (3) ◽  
pp. 421-436 ◽  
Author(s):  
Bernard McBreen
Keyword(s):  
Sensory Experience ◽  
Empirical Approach ◽  
Constant Conjunction ◽  
Galen Strawson ◽  
The Way

AbstractHume's empirical approach seems to drain the concept of causality of all content, so that causality in objects is reduced to constant conjunction. His use of language of causality, which is necessarily realist, is undermined by his account of causality, which is not realist. The realist intepretation of Hume, by philosophers such as Galen Strawson, is rejected because it is incompatible with empiricism. However, if Hume's view that we do not have any sensory experience of causing is challenged, then the way is open to give an account of causality which is both empiricist and realist.

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