Building a New Ancient Rome

2016 ◽  
Keyword(s):  
Interior Design ◽  
Costume Design ◽  
Ancient Rome ◽  
Mise En Scene ◽  
The World

This chapter investigates how the world of ancient Rome is portrayed onscreen in the Spartacus series by assessing the physical sets—including the buildings and cities, interior design, and furniture—as well as the art direction in terms of color and costume design. With productions set in particular periods or places, the physical set and mise-en-scène provide vital clues as to when and where they are conceived as taking place. This chapter thus analyzes the distinctive look of the physical settings of the series, especially the villas and the cities (Capua, Sinuessa, and Rome), arguing that Spartacus offers a vision of a dark and turbulent new Rome that owes as much to contemporary thinking as to its past, both historical and cinematic.

Specialty Space: Breast Care Centers

2021 ◽  
pp. 193758672199056
Author(s):  
Diane Guevara
Keyword(s):  
Design Process ◽  
Interior Design ◽  
Care Center ◽  
Geographical Location ◽  
Design Guidelines ◽  
Relevant Evidence ◽  
The World ◽  
Hospital Gowns ◽  
Breast Care ◽  
Color Scheme

As background, breast care centers around the world vary in interior design based on geographical location and the trends of the healthcare design process at the time of construction. However, at the forefront of healthcare interior design is the evidence-based design (EBD) process and the Universal Design (UD) guidelines. The Center for Health Design states that the EBD process differs from the linear design process, in that EBD uses relevant evidence to educate and guide the design decisions. The objective of this study was to support future EBD and UD use in the development of patient areas in breast care center interior design. The methods for this study incorporated an extensive review of the literature, examples of eight breast care centers around the world, observations, an interview, and a staff survey concerning the interior design of a local breast care center. The results revealed that using the EBD process and UD, to develop guidelines for patient areas in breast care centers’ interior design, directors could use guidelines to evaluate existing breast care centers or preconstruction for new breast care centers. This study concluded with design guidelines for patient areas in breast care center interior design. The recommended guidelines targeted the following features: robes (vs. hospital gowns), spa-like atmosphere, monochromatic color scheme, use of wood and stone, private check-in areas, wayfinding, room temperature comfort, seating comfort, seating style choices including bariatric, personal items storage, access to natural light, indirect artificial lighting, living plants, views of nature, flooring comfort, and wheelchair accessibility.

scholarly journals Improving Interior Environmental Quality Using Sustainable Design in Jordanian Hospital Bedrooms

2020 ◽  
Vol 9 (3) ◽  
pp. 443
Author(s):  
Saeed Hussein Alhmoud ◽  
Çiğdem Çağnan ◽  
Enis Faik Arcan
Keyword(s):  
Interior Design ◽  
Environmental Quality ◽  
Sustainable Design ◽  
Health Sector ◽  
Green Building ◽  
Climatic Conditions ◽  
Building Assessment ◽  
The World ◽  
Set Up ◽  
The One

As the wave of sustainability is sweeping across the major countries and cities of the world, the effect of the inevitable change is finding its way through to the health sector as well. Since the main functions of the hospital include healing the patient, it aims to provide adequate health services to people. Hospitals managers should strive to realize facilities that meet a certain level of demand. This study aims to present the interior environmental quality (IEQ) of bedrooms in Jordanian hospitals and propose a solution to improve indoor environment quality using sustainable design principles. A qualitative research methodology is used in this study. A comparative analysis is made between the original set up of the hospital buildings and the present conditions in which they are in. During the research, it was found that the design to be applied for a hospital should be following the healing environmental characteristics. Besides, the design of hospitals should be made with the climatic conditions of the area in mind. In the advanced countries of the world, hospitals are generally built with extensive research and important factors such as temperature, wind direction and humidity are taken into consideration. The design for a hospital building should be assessed according to the German Green Building Assessment (DGNB) criteria. It has been found that the one-bedroom is ideal for patients because it provides the necessary privacy and also greatly reduces the spread of the disease. In hygienic practices, there should be a first-class healing environment with evidence-based medical research. It was concluded that the practices involving the use of sustainable designs can be followed with the hints received from hospitals in the advanced countries of the world. Keywords: Jordan hospital; IEQ; bedroom; interior design; healthcare; green building assessment; DGNB

A Pantheon for Horses: The Prince Regent’s Dome and Stables at Brighton

2015 ◽  
Vol 58 ◽  
pp. 141-158 ◽  
Author(s):  
Geoffrey Tyack
Keyword(s):  
Ancient Rome ◽  
Distinctive Features ◽  
John Nash ◽  
Modern Times ◽  
Technological Advances ◽  
The World ◽  
Late Eighteenth ◽  
The Last Two Millennia ◽  
Recent Government

Domed rotundas have fascinated and challenged architects and engineers for the last two millennia. Examples can be found throughout the world, most commonly in religious and commemorative buildings, but also in the palaces and bath complexes of ancient Rome and in more recent government and legislative buildings. In modern times technological advances have allowed new and increasingly ambitious kinds of rotunda to be built — markets and exchanges, greenhouses and conservatories, concert and exhibition halls, sports arenas. The roots of this latter development lie in the late eighteenth and early nineteenth centuries, and one of the pioneering buildings still survives in the unexpected setting of the Royal Pavilion gardens at Brighton.The Brighton Pavilion has always been mainly associated with two people: George, Prince of Wales (the Prince Regent), who commissioned it, and John Nash, the architect who gave it its present exotic appearance. But it is easy to forget that the most distinctive features of the Nash exterior — the Indian-style domes and minarets — took their stylistic character from a building that was completed before he became involved with the Pavilion. This was the royal stables, designed by William Porden for the Prince, built in 1804–08, and now an arts complex.

scholarly journals The Return of the Sacral King

2020 ◽  
Vol 25 ◽  
pp. 51-65
Author(s):  
Paul R. DeHart ◽  
Keyword(s):  
Roman Empire ◽  
Political Order ◽  
The Political ◽  
Modern State ◽  
Ancient Rome ◽  
The World ◽  
Ancient Christianity ◽  
The City

In Pagans & Christians in the City, Steven D. Smith argues that in contrast to ancient Rome, ancient Christianity, following Judaism, located the sacred outside the world, desacralizing the cosmos and everything in it—including the political order. It thereby introduced a political dualism and potentially contending allegiances. Although Smith’s argument is right so far as it goes, it underplays the role of Christianity’s immanent dimension in subverting the Roman empire and the sacral pattern of antiquity. This division of authority not only undermined the Roman empire and antique sacral political order more generally—it also subverts the modern state, which, in the work of Hobbes and Rousseau, sought to remarry what Western Christianity divorced.

scholarly journals The Essence of 2.5-Dimensional Musicals? Sakura Wars and Theater Adaptations of Anime

Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 52 ◽  
Author(s):  
Shiro Yoshioka
Keyword(s):  
Two Dimensional ◽  
Production And Consumption ◽  
Mise En Scene ◽  
The World ◽  
Media Mix

This paper examines 2.5-Dimensional musicals, or theater adaptations of anime/manga/videogames. As the genre has been gaining popularity in Japan since around 2007, criticism on the genre began to appear. What they uncritically assume is that the pioneer of the genre was the theater adaptation of Prince of Tennis first produced in 2003, and the unique mise-en-scène that attempts to recreate the “world” of the original, including the characters, setting, and the characters’ extreme skills of tennis, is a hallmark of the genre. However, such a view fails to consider the fact that these are actually merely characteristics of a subgenre of 2.5-Dimensional musicals represented by Prince of Tennis and other similar shows. This paper argues that another show, namely the theater adaptation of the videogame Sakura Wars, first produced in 1997 and continuing to this day, actually presents a number of important questions and viewpoints that are useful and necessary to critically discuss the genre, such as how two-dimensional characters are materialized on stage, which role audiences play in that process, how 2.5-Dimensional musicals can be contextualized within conventional theater genres rather than a part of “media mix” strategies, and tension between the local and global in their production and consumption.

Interior decorating in nineteenth-century France

2018 ◽  
Author(s):  
Anca I. Lasc
Keyword(s):  
Nineteenth Century ◽  
Visual Culture ◽  
Interior Design ◽  
Professional Group ◽  
Department Stores ◽  
Middle Classes ◽  
The World ◽  
Nineteenth Century France ◽  
The Ideal

This book analyzes the early stages of the interior design profession as articulated within the circles involved in the decoration of the private home in the second half of nineteenth-century France. It argues that the increased presence of the modern, domestic interior in the visual culture of the nineteenth century enabled the profession to take shape. Upholsterers, cabinet-makers, architects, stage designers, department stores, taste advisors, collectors, and illustrators, came together to “sell” the idea of the unified interior as an image and a total work of art. The ideal domestic interior took several media as its outlet, including taste manuals, pattern books, illustrated magazines, art and architectural exhibitions, and department store catalogs. The chapters outline the terms of reception within which the work of each professional group involved in the appearance and design of the nineteenth-century French domestic interior emerged and focus on specific works by members of each group. If Chapter 1 concentrates on collectors and taste advisors, outlining the new definitions of the modern interior they developed, Chapter 2 focuses on the response of upholsterers, architects, and cabinet-makers to the same new conceptions of the ideal private interior. Chapter 3 considers the contribution of the world of entertainment to the field of interior design while Chapter 4 moves into the world of commerce to study how department stores popularized the modern interior with the middle classes. Chapter 5 returns to architects to understand how their engagement with popular journals shaped new interior decorating styles.

Industry in Idealized Form: The Work of Movies in Film's First One Hundred Years

PMLA ◽  
2012 ◽  
Vol 127 (4) ◽  
pp. 879-889
Author(s):  
John E. Davidson
Keyword(s):  
Apparent Contradiction ◽  
Industrial Activity ◽  
Rescue Mission ◽  
Train Station ◽  
Industrial City ◽  
Mise En Scene ◽  
The World ◽  
History Of ◽  
The Moment ◽  
Modern Industry

Martin scorsese's big-budget, 3-d extravaganza hugo, which opens with images of Paris as a huge timekeeping mechanism, undertakes a dual rescue mission. It reclaims Georges Méliès's early cinematic fantasies from the violence of time and progress and saves a young, industrious boy from the violence of a society that has no room for children who fend for themselves outside a family. In doing so, Hugo assures the viewer that the technological wonder of future filmmaking is rooted in a romanticized image of a thoroughly bourgeois past. The movie's threats are embedded in a mise-en-scène full of iconic imagery of modern industry made fantastic. The giant clocks and gears located above and in the walls of Paris's largest train station, which are voluntarily tended by a lone child laborer, evoke neither wonder nor laughter as much as a sense of menace in connection with the young protagonist scurrying around in them. While Scorsese's film situates the origins of movies in fin-de-siècle Paris as the modern industrial city, it also takes pains to make Méliès's products seem like dreams, cultivated in a greenhouse of industrial activity to become larger-than-life projections obscuring modern industry. Tater I will consider the consequences of the film's arc taking this precocious lad from the world dominated by fanciful dangers into a home: for the moment it will suffice to remember that Hugo evokes work as the source from which humans and an automaton derive their purpose and that the film means this to be self-evident to the audience. At the same time it sets in motion a narrative that aims to remove the protagonist from the world dominated by signs of modern industrial work and from the labor that seems such a distressing burden on him at the film's outset. This essay explores that apparent contradiction in the broader history of cinema.

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