The Rhythm of the Rails: Sound and Locomotion

2017 ◽  
pp. 193-210
Author(s):  
Laura Marcus
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Silent Film ◽  
Twentieth Century Literature ◽  
Endogenous Rhythms ◽  
Early Twentieth Century ◽  
Late Nineteenth ◽  
The Relationship ◽  
Century Literature

The late nineteenth and early twentieth centuries saw a fascination with the concept of ‘rhythm’ in a range of disciplinary and transdisciplinary contexts, a preoccupation which would later be developed in movements such as Henri Lefebvre’s ‘Rhythmanalysis.’ The experimental psychologists of the turn of the nineteenth century explored rhythm in relation to both the auditory and the visual, and showed a particular concern with the relationship between measures which were externally imposed and endogenous rhythms. This chapter looks at the ways in which locomotion––and in particular the locomotive railway––is used as an exemplum in rhythm studies, and then explores its auditory renditions in nineteenth and early twentieth-century literature and, as ‘implied sound,’ in silent film, in which the question of rhythm as auditory and/or visual becomes particularly charged.

The Actress-Manager and the Movies: Resolving the Double Life of Sarah Bernhardt

2018 ◽  
Vol 45 (1) ◽  
pp. 27-55 ◽  
Author(s):  
Victoria Duckett
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Film Industry ◽  
Silent Film ◽  
Late Nineteenth Century ◽  
Modern Media ◽  
Business Experience ◽  
Late Nineteenth ◽  
The Impact ◽  
The Relationship

Sarah Bernhardt is one of the most globally celebrated actress-managers of the late nineteenth century. Bernhardt’s fame, however, is rarely associated with silent film. This article explores the coincidence between Sarah Bernhardt’s role as a theatrical manager in the late nineteenth and early twentieth century and her pioneering work in the nascent film industry. I argue that Bernhardt was not only a performer and manager in the theatre, but a creative agent in modern media industries. Questions about the relationship between Bernhardt and early film allow us to discuss the formation of female business experience in the theatre and its subsequent movement into a cinematographic culture that would dominate and define twentieth-century culture and commerce. Even if Bernhardt is regarded as a ‘lone entrepreneur’ and therefore extraneous to broader national discussions of theatrical industrialisation, it is important to understand the impact she has as a media celebrity who used film in order to expand her own twentieth-century global marketability.

scholarly journals Octatonicism and Chromatic Harmony

2013 ◽  
Vol 17 (1) ◽  
pp. 40-56 ◽  
Author(s):  
Jean-Michel Boulay
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
Late Nineteenth ◽  
Chromatic Harmony ◽  
The Relationship

In this paper, the author looks at the relationship between octatonic structures and chromatic harmony. The discussion concentrates on two major aspects of late-tonal octatonicism: the use of alternative bass tones for the diminished seventh chord and the development of these sonorities into hexachordal and pentachordal combination chords. A number of late nineteenth-century and early twentieth-century chromatic passages are analyzed. Complex harmonies in chromatic passages are explained by formulating reductive models comprised of simpler, octatonic constructs.

Making a Space for Antisemitism: The Catholic Hierarchy and the Jews in the Early Twentieth Century

2003 ◽  
pp. 415-430
Author(s):  
Brian Porter
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Common Ground ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
The Common ◽  
Late Nineteenth ◽  
The Church

This chapter argues that as recently as the 1880s, Catholicism, as it existed in Poland at the time, was still somewhat resistant to expressions of antisemitism. Catholicism, in other words, was configured in such a way in the late nineteenth century as to make it hard for antisemites to express their views without moving to the very edges of the Catholic framework. Catholicism and antisemitism did overlap at the time, but the common ground was much more confined than it would later become. If one moves forward fifty years, to the 1930s, one sees a different picture: the discursive boundaries of Catholicism in Poland had shifted to such a degree that antisemitism became not only possible, but also difficult to avoid. The upshot of this argument is that Catholicism in Poland is not antisemitic in any sort of essential way, and that religion did not directly generate the forms of hatred that would become so deadly and virulent in the early twentieth century. None the less, Catholicism did become amenable to antisemitism in Poland, so much so that the Church in Poland between the wars was one of the country's leading sources of prejudice and animosity.

Concepts of race in the Historicography of northeast Africa

1966 ◽  
Vol 7 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Wyatt Macgaffey
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Political Development ◽  
Physical Anthropology ◽  
Social Processes ◽  
Late Nineteenth Century ◽  
Ideal Types ◽  
Early Twentieth Century ◽  
History Of ◽  
Late Nineteenth

Recent accounts of the proto-history of Africa use data from physical anthropology, but also concepts of race which physical anthropologists in general have abandoned as unsatisfactory; the paper seeks to explain this phenomenon sociologically. Late nineteenth-century political and sociological trends helped to produce patterns of thought which can no longer be regarded as affording adequate explanations of social processes. These patterns combined idealism, or the method of contrasting ideal types, with pseudo-Darwinism, which sought the origins of political development in the interaction of differently endowed groups. In African ethnography of the early twentieth century such concepts led to the view that the continent was inhabited by two groups, Caucasoids and Negroids, and by mixtures of the two which remained mixtures, to be analysed as such. The Caucasoid and Negroid types were regarded as absolute and universal, represented equally in the biological, linguistic, cultural and political aspects of man.

“An Extraordinary Feeling for Ornament”: Elena Polenova and the Neo-Russian Style in Embroideries and Painted Textile Panels

Experiment ◽  
2016 ◽  
Vol 22 (1) ◽  
pp. 53-71
Author(s):  
Louise Hardiman
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Important Process ◽  
Russian Art ◽  
British Art ◽  
National Movement ◽  
Early Twentieth Century ◽  
Late Nineteenth

This article examines several important designs by Elena Dmitrievna Polenova (1850-1898) for art embroideries and textile panels. These are the least studied of Polenova’s works, but offer new insights into the artist’s role as a leader of the neo-national movement in late nineteenth-century and early twentieth-century Russian art. Linking extant designs with photographs of exhibition displays and unpublished archival sources, including contemporary accounts by the British art journalist Netta Peacock (1864-1938), this project seeks to initiate the important process of identifying and analysing Polenova’s designs within the context of the movement.

Volksconcerte in Vienna and Late Nineteenth-Century Ideology of the Symphony

1997 ◽  
Vol 50 (2-3) ◽  
pp. 421-453 ◽  
Author(s):  
Margaret Notley
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
The People ◽  
Late Nineteenth ◽  
The City

Late nineteenth-century journalistic criticism in Vienna offers many precedents for Paul Bekker's interpretation of the symphony. Beethoven's symphonies provided the model for an aesthetics of the genre-couched in metaphors connecting it to "the people"-that motivated the reception of works by Brahms and Bruckner. Activists who wished to inaugurate symphonic Volksconcerte in the city took the figurative utopian function of the genre literally. Though their efforts were confounded not only by institutionalized elitism but also by the preferences of the Viennese Volk for other kinds of music, their work bore fruit in the early twentieth century with the founding of the Wiener Konzertverein and the Arbeiter-Symphonie-Konzerte.

scholarly journals THE INTERACTION BETWEEN LANDSCAPE ARCHITECTURE AND URBAN DEVELOPMENT. DO WE HAVE A COMMON GOAL? / KRAŠTOVAIZDŽIO ARCHITEKTŪROS IR URBANISTIKOS SĄVEIKA – AR TURIME BENDRĄ TIKSLĄ

2015 ◽  
Vol 7 (1) ◽  
pp. 6-19 ◽  
Author(s):  
Vaiva Deveikienė
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Urban Development ◽  
Urban Design ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Late Nineteenth Century ◽  
Common Goal ◽  
Late Nineteenth ◽  
The Relationship

The article analyses the problem of the relationship and interaction between urban design and landscape architecture. This refers to the period of the modern city from the late nineteenth century to the present day. There are presented and discussed urbanization processes and examples of solutions with emphasis on problems arising from the relationship between a city and nature as well as those related to urban landscape and sustainability of urban landscaping in the twentieth century. Straipsnyje analizuojama urbanistikos ir kraštovaizdžio architektūros santykio ir sąveikos problema. Aprėpiamas moderniojo miesto laikotarpis – nuo XIX a. antrosios pusės iki nūdienos. Pateikiama XX a. urbanizacijos procesų ir sprendinių pavyzdžių, aptariama akcentuojant miesto santykio su gamta, želdynais, t. y. gyvo, tvaraus miesto kraštovaizdžio, formavimo problematiką.

The Role of Indian Craftsmen in Late Nineteenth and Early Twentieth-Century Ethiopian Palace, Church and Other Building

1995 ◽  
Vol 5 (1) ◽  
pp. 11-20 ◽  
Author(s):  
Richard Pankhurst
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Addis Ababa ◽  
Crucial Importance ◽  
Early Twentieth Century ◽  
Late Nineteenth

In Ethiopia the last decades of the nineteenth century and the first of the twentieth were of crucial importance. This period witnessed the rise of King, after 1889 Emperor, Menilek, founder of the modern Ethiopian state. He it was who established the presentcapital, Addis Ababa, in 1886–7, defeated an Italian colonial army at the battle of Adwain 1896, and between 1905 and 1910 established a number of modern institutions, including the first modern bank, school, hospital, roads and railway. A notable innovator, he was well content to utilise the skills of Indians, as well as other foreigners, for themodernisation of his age-old empire.

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